Updated September 2023: Finding your best audition song is crucial - especially as a young performer. Check out some great audition song options for kids of all ages and find out how to pick the perfect audition song if you're a kid or teenager!
Check out our list of some of the top venues to check out when visiting Cleveland below!
Artistic Director Helgi Tomasson and San Francisco Ballet today announced programming for the 2020 Repertory Season. Building on a heritage of commissioning groundbreaking dance from today's top choreographers, uncovering new choreographic talent, staging modern classics, and preserving the works that make up the canon of classic ballet, the 2020 Season places SF Ballet at the forefront of innovation and preeminence. Highlights include two new SF Ballet commissions by Cathy Marston and Trey McIntyre, and a co-commission with American Ballet Theatre of a work by Alexei Ratmansky; as well as works by George Balanchine, David Dawson, Harald Lander, Edwaard Liang, Benjamin Millepied, Mark Morris, Liam Scarlett, Helgi Tomasson, and Stanton Welch. The Season's three story ballets include Balanchine's A Midsummer Night's Dream, Wheeldon's Cinderella, and Tomasson's Romeo & Juliet.
Asolo Repertory Theatre and the FSU/Asolo Conservatory for Actor Training have announced their 2019-20 seasons on March 25.
According to this reviewer's admittedly casual bit of Googling, the first Broadway production based on Lewis Carroll's 'Alice's Adventures in Wonderland' was playwright Alice Gerstenberg's version, which opened at the Booth in 1915. But undoubtedly there were many other variations before then.
With generous support from the Rite Aid Foundation, Cleveland Play House (CPH) has been awarded a KidCents Regional Grant, which will provide $30,000 to support out-of-school-time learning activities for children.
Beast on the Moon by Richard Kalinoski comes to the Finborough Theatre Tuesday, 29 January-Saturday, 23 February 2019. This is the first London production in more than 20 years.
Passing a glass of milk to loved ones during the holidays means passing the feeling of comfort, togetherness and wellbeing. But hungry families right in your community may be missing out on milk's much-needed nutrients and all the holiday moments milk brings this time of year when they don't have regular access to it.
Chicago Children's Theatre and the Greater Chicago Food Depository, with the support of The Chicago Community Trust, have released a spirited new Hunger Awareness music video featuring the original hit song "Serving Up Love" from Chicago Children's Theatre's smash hit family musical Last Stop on Market Street.
The Greenwich Village Orchestra (GVO) announces its 2018-2019 season concerts, led by Music Director Barbara Yahr. Now in its 32nd season, the GVO is committed to making music at the highest possible level and enriching the lives of both players and audience through emotionally charged, exhilarating performances. All concerts of the 2018-2019 season will take place at All Saints Church (230 East 60th Street, NYC) unless otherwise noted.
The Greenwich Village Orchestra (GVO) announces its 2018-2019 season concerts, led by Music Director Barbara Yahr. Now in its 32nd season, the GVO is committed to making music at the highest possible level and enriching the lives of both players and audience through emotionally charged, exhilarating performances. All concerts of the 2018-2019 season will take place at All Saints Church, 230 East 60th Street, Manhattan, unless otherwise noted.
PBS Announces 'Reconstruction: America After the Civil War,' A New Documentary from Henry Louis Gates, Jr., to Air Spring 2019 on PBS
From Friday, July 20 through Thursday, July 26, BAMcinématek presents Pioneers: First Women Filmmakers in collaboration with Kino Lorber and The Library of Congress. A follow-up to its award-winning Pioneers of African-American Cinema, this collection was produced for Kino Lorber by Bret Wood and curated by historian Shelley Stamp. The series presents a vast array of new 2K restorations, focusing primarily on women directors of the silent-era American cinema. As was frequently the case, women directors remained uncredited or were co-credited as director, even though for all intents and purposes, they were the de-facto directors and primary creative forces of the film. “Women played an extraordinary role in early filmmaking, but this history has been largely forgotten,” says series curator Shelley Stamp, 'I'm so thrilled that these films have been restored and re-scored so that contemporary audiences will have a chance to see what female filmmakers were up to 100 years ago.” Stamp will be present to introduce the first four programs in the series.
CHICAGO, June 4, 2018 /PRNewswire-USNewswire/ One out of two kids ages 9 and up fall short on calcium, vitamin D and potassium - essential nutrients they need to grow strong. 1 And when school lets out for summer, that risk may be even greater for over 22 million kids who are served by free or reduced-price meal programs during the school year. For many kids in need, even basic staples like milk and the critical nutrients it provides are missing.
For the wounded soldiers of WW1, imagination is their only escape. Yet as they're transported to the fantastical lagoons and pirate ships of Never Land, allegories of the war they've left behind are ever present. George Llewelyn Davies, later killed in action in 1915, was one of the children who inspired J. M. Barrie to create the iconic character of Peter Pan. Remembering him, and a generation of Lost Boys, the production enchanted young and old alike during its original, critically acclaimed run.
Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.
Folks Operetta is proud to announce its 2018 season and a new fundraising campaign, The Korngold Initiative. All of these projects are part of their new Reclaimed Voices Series, which focuses on recovering and reviving the lost music of the Jewish composers of the Second World War.
Spanning 1915 to 1919, set against the backdrop of Boston's Italian North End Immigrants, MOLASSES IN JANUARY is a charming historical fiction musical that tells the story of Anna, a single mother doing her best to raise her children in a world caught up in the turmoil of the first World War. As rumors grow about the potential construction of an enormous molasses tank that will be used to make liquor and gun powder for the war, so do the hopes for potential prosperity. But suddenly on an unusually warm January day, the tank bursts and two million gallons of molasses come crashing down around Anna and her family discovers that life can change in a moment. The music of MOLASSES IN JANUARY is performed in the traditional style of the Great American Song Book, similar to Fiddler on the Roof and Gypsy.
American Lyric Theater concludes the 10th Anniversary of its nationally acclaimed Composer Librettist Development Program this season with InsightALT: Opera in Eden, a one-night-only concert featuring three new one-act operas written by ALT Resident Artists, hosted by composer/librettist Mark Adamo and producing artistic director Lawrence Edelson.
San Diego Symphony Announces 2018-2019 Season Featuring First Concerts Conducted by Rafael Payare as Music Director Designate, 14 Works New to San Diego Symphony Repertoire,
Rafael Payare's highly anticipated inaugural concerts as San Diego Symphony's Music Director Designate take place as part of the annual January Festival. It will mark his only Jacobs Masterworks appearance this season and will feature acclaimed cellist Alisa Weilerstein and the orchestra's first-ever performance of Benjamin Britten's Symphony for Cello and Orchestra. He will also perform in a special Discovery Night concert on January 10, with all funds from this concert going to support the San Diego Symphony's Learning and Community Engagement programs.
A cappella singing and New Age music align in a fascinating concert entitled Northern Lights presented by the National Philharmonic Orchestra and Chorale on Saturday, April 28, 8pm at the Music Center at Strathmore. Philharmonic Chorale Artistic Director Stan Engebretson leads a concert juxtaposing the rich traditions of Rachmaninoff's Vespers with new sounds by popular Norwegian composer Ola Gjeilo (pronounced Yay-lo) and local wunderkind composer Alistair Coleman, currently studying at the Juilliard School. The Philharmonic will also be joined at the piano by these two contemporary composers. In addition, the concert features guests from the Montgomery College Chorus and the Strathmore Children's Chorus. A pre-concert lecture by Philharmonic Associate Director Victoria Gau begins at 6:45pm in the Concert Hall. After the concert, Mr. Gjeilo and Mr. Coleman will join Artistic Director Stan Engebretson for a Member Q&A. Tickets start at $23 and can be purchase at nationalphilharmonic.org or by calling the Strathmore Ticket Office at 301-581-5100. Kids 7-17 are free.
Court Theatre, under the continuing leadership of Charles Newell, Marilyn F. Vitale Artistic Director, announces the extension of All My Sons by Arthur Miller, directed by Charles Newell and featuring Kate Collins, John Judd and Timothy Edward Kane. All My Sons now runs through February 18, 2018 at Court Theatre, 5535 S. Ellis Ave. Tickets to extension performances of All My Sons go on sale Friday, February 2, 2018 and available by calling the box office at (773) 753-4472 orwww.CourtTheatre.org.
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