American Composers Orchestra (ACO) continues its 2017-2018 season, under the leadership of Artistic Director Derek Bermel, Music Director George Manahan, and President Edward Yim, with Dreamscapes, on Friday, April 6, 2018 at 7:30pm at Carnegie Hall's Zankel Hall (57th St. and 7th Ave.).
Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.
Quintessence Theatre Group continues its blockbuster 8th season with Samuel Beckett's existential and absurdist classic, Waiting for Godot. People's Light Founding Member Ken Marini makes his Quintessence debut as director of this classic work which stars local legends and Barrymore Winners Frank X and Johnnie Hobbs Jr. Waiting for Godot runs January 31-February 18. Opening Night is Saturday February 3, at 7:30 p.m. Tickets cost $15-$50. Tickets are available online at www.quintessencetheatre.org or at the Box Office at time of performance. Quintessence performs at The Sedgwick Theater located at 7137 Germantown Avenue in Mt. Airy.
Quintessence Theatre Group continues its blockbuster 8th season with Samuel Beckett's existential and absurdist classic, Waiting for Godot. People's Light Founding Member Ken Marini makes his Quintessence debut as director of this classic work which stars local legends and Barrymore Winners Frank X and Johnnie Hobbs Jr. Waiting for Godot runs January 31-February 18. Opening Night is Saturday February 3, at 7:30 p.m. Tickets cost $15-$50. Tickets are available online at www.quintessencetheatre.org or at the Box Office at time of performance. Quintessence performs at The Sedgwick Theater located at 7137 Germantown Avenue in Mt. Airy.
The band is making a stop in Milwaukee at the Wilson Theater at Vogel today, October 20 at 7:30 pm.
Social commentary and satire with parallels to today, told through fantasy or absurdism, will be the focus of Promethean Theatre Ensemble's 2017-18 season.
Feeling the urge to let your imagination run wild, your spirit to soar or to just leave the world in which you live and go on an adventure? Sounds like a trip to the theater is in order! Luckily, companies all over the Volunteer State have been hard at work, creating new productions to transform and to transport, shows that will entertain you this summer. That's where THE NASHVILLE THEATER CALENDAR comes in handy: Peruse our listings every week to find out what shows you should see!
Feeling the urge to let your imagination run wild, your spirit to soar or to just leave the world in which you live and go on an adventure? Sounds like a trip to the theater is in order! Luckily, companies all over the Volunteer State have been hard at work, creating new productions to transform and to transport, shows that will entertain you this summer. That's where THE NASHVILLE THEATER CALENDAR comes in handy: Peruse our listings every week to find out what shows you should see!
Visual artist Barbara Chavous and musician Foley will take their place on the Lincoln Theatre Walk of Fame in an induction ceremony on Saturday, July 29, at 7 pm. Through the generous support of State Auto Insurance Companies, the event is free and open to the public.
GOOD MORNING, THEATERATI! It's Wednesday, June 7, 2017! Kathie Lee and Hoda are in town today to show their Today show audience what's happening in Nashville, which prompts the musical question: What's sights are on your list of places to go when newbies turn to you for advice? Let us know and we'll feature you in an upcoming story!
The band is making a stop in Milwaukee at the Wilson Theater at Vogel on Friday, October 20 at 7:30 pm.
The Greenhouse Theater Center is pleased to announce its 2017-18 Season, kicking off this summer with Artistic Director Jacob Harvey and Elizabeth Margolius' bold reimagining of Sophie Treadwell's most celebrated play MACHINAL, inspired by the first woman to be executed by the electric chair.
Social commentary and satire with parallels to today, told through fantasy or absurdism, will be the focus of Promethean Theatre Ensemble's 2017-18 season.
Young audiences are invited to spend an afternoon in the woods as 'The House at Pooh Corner' comes to Mercer County Community College's (MCCC's) Kelsey Theatre.
BTG PLAYS!, Berkshire Theatre Group's Year-Round Education Program, presents its annual touring show, Danny Dollar, Millionaire Extraordinaire, a play adapted from the book by Ty Allan Jackson, by E. Gray Simons III and directed by Travis G. Daly.
Composed when Shostakovich was just 21 years old, fresh from the conservatoire and still high on the success of his First Symphony, The Nose is a piece of musical rebellion - a fantasy of abrasive, rule-breaking joie de vivre whose absurd, anarchic rompings and musical shape-shiftings conceal a political switchblade under their brightly-coloured clothes. This is pantomime, certainly, but adult pantomime. Never before staged at the Royal Opera, the piece now makes a belated debut, and in the hands of Australian director Barrie Kosky it looks scarcely less radical now than it would have done back in 1928.
BTG PLAYS!, Berkshire Theatre Group's Year-Round Education Program, presents its annual touring show, Danny Dollar, Millionaire Extraordinaire, a play adapted from the book by Ty Allan Jackson, by E. Gray Simons III and directed by Travis G. Daly.
One of STAGES most frequently requested shows and winner of the Kevin Kline Award for Outstanding Production of a Musical, The Drowsy Chaperone, makes its triumphant return to the STAGES stage.
One of STAGES most frequently requested shows and winner of the Kevin Kline Award for Outstanding Production of a Musical, The Drowsy Chaperone, makes its triumphant return to the STAGES stage. A musical about people who love musicals, The Drowsy Chaperone offers a delightful and hilarious testament to the transformative power of Musical Theatre. This Tony Award-winning show features a laugh-a-minute script and one show-stopping song and dance number after another.
Returning for its fourth annual event from January 14-17, 2016 at the historic Village East Cinema the festival will mark its four-day gathering with divinely crafted films, special appearances and countless fans eager to witness the very pulse of the heart and soul of Science fiction.
Returning for its fourth annual event from January 14-17, 2016 at the historic Village East Cinema the festival will mark its four-day gathering with divinely crafted films, special appearances and countless fans eager to witness the very pulse of the heart and soul of Science fiction.
Stanley B. Graham's 'I Was Here: The Young Manhood and Education of Rick Stevens' (published by AuthorHouse), gives readers a new, un-idealized but inspiring take on the coming of age story. It is what he calls 'a complete, unvarnished, and rounded portrait of the young manhood and education of a white American male, Rick Stevens, in a mid-western state. It depicts his good qualities as well as his bad ones-his 'warts.'
New Line Theatre, 'the bad boy of musical theatre,' closes its 24th season of adult, alternative musical theatre in June with one of the masterpieces of the art form, the darkly satiric THREEPENNY OPERA (which isn't really an opera), running now through June 20, 2015. BroadwayWorld has a first look at the cast in action below!
New Line Theatre, 'the bad boy of musical theatre,' closes its 24th season of adult, alternative musical theatre in June with one of the masterpieces of the art form, the darkly satiric THREEPENNY OPERA (which isn't really an opera), running tonight, May 28-June 20, 2015.
On Sunday evening, 54 Below celebrated the 25th Anniversary of the musical Grand Hotel on Broadway in high style with two performances crackling with energy and featuring a talented roster of performers including 13 from the original cast. Splendidly Directed (and Written) by Walter Willison, with Musical Direction by Alex Rybeck, Bass Accompaniment from Ray Kiddain, and Dance Supervision by Yvonne Marceau, the delicious production (one really can't call it a concert despite lack of dialogue) was fluid, polished, and imaginative in its use of the room. From leads to the chorus, voices were strong, commitment thorough. In the audience, Tommy Tune must've had a helluva time. We did.
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