92Y's 17-18 season opens on October 5 with internationally renowned cellist Mischa Maisky joining the “amazing precision” (Huffington Post) of the notably conductorless Orpheus Chamber Orchestra, which returns to 92Y for the first time in 15 years, to celebrate the cellist's 70th birthday season. Together, they open 92Y's illustrious concert season with Schubert's beloved “Arpeggione” Sonata, arranged for cello and string orchestra by Dobrinka Tabakova, as well as Arensky's Variations on a Theme by Tchaikovsky, and Tchaikovsky's Serenade for Strings. Acclaimed for the sheer intensity and vigor of his performances, Maisky has the distinct honor of being the only cellist in the world to have studied under both Gregor Piatigorsky and Mlatislav Rostrapovich. The Orpheus Chamber Orchestra is renowned as one of the foremost chamber orchestras in the world, with more than 70 albums in its sprawling discography since its founding in 1972.
BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Arlene Yu, New York Public Library for the Performing Arts Dance Collections Manager, on: Sono Osato and the Arrival of the Ballet Girl on Broadway!
Today, the Actors' Equity Foundation honored Katrina Lenk for her work in The Band's Visit and Indecent as well as Will Pullen from Sweat with the 2017 Clarence Derwent Award. In addition, the annual Actors' Equity Foundation Award honored union members Barbara Barrie for her work in Broadway's Significant Other and Anthony Chisholm for his work in this past season's riveting Jitney.
GOOD MORNING, THEATERATI! It's Wednesday, June 7, 2017! Kathie Lee and Hoda are in town today to show their Today show audience what's happening in Nashville, which prompts the musical question: What's sights are on your list of places to go when newbies turn to you for advice? Let us know and we'll feature you in an upcoming story!
Whether art imitates life or vice versa differs depending on who you ask, but CATCO's production of 'I Do! I Do!' makes a strong case for both interpretations of this age-old adage.
Drew Cohen, President of Music Theatre International (MTI), announced today that MTI will represent the secondary stage performance rights to five musicals by the legendary writing team of Lerner & Loewe, including their masterpiece My Fair Lady, the beloved classics Camelot, Brigadoon and Paint Your Wagon, and their newly-restored early work, The Day Before Spring. MTI, from June 1, will begin representing My Fair Lady in the US, the UK, and all English-language territories, and will represent the four other titles on a worldwide basis. (Some restrictions may apply).
The corn was high as an elephant's eye at the Alex Theatre in Glendale last Sunday as Musical Theater Guild presented a staged reading of Rodgers and Hammerstein's bucolic musical State Fair, the only musical R&H wrote specifically for the screen. State Fair wasn't adapted for the stage until 1996, the final show produced by David Merrick, Broadway's notorious 'abominable showman.'
The brand new musical Bandstand, directed and choreographed by Tony Award winner Andy Blankenbuehler (Hamilton) with music by Richard Oberacker and a book and lyrics by Robert Taylor and Richard Oberacker, opens tonight at The Bernard B. Jacobs Theatre.
The brand new musical Bandstand, directed and choreographed by Tony Award winner Andy Blankenbuehler (Hamilton) with music by Richard Oberacker and a book and lyrics by Robert Taylor and Richard Oberacker, opens tonight, April 26, at The Bernard B. Jacobs Theatre (242 West 45 Street). Scroll down to get to know the company before tonight's opening bows!
Carousel is Rodgers and Hammerstein's favorite musical. Produced on Broadway in 1945 with John Raitt and Jan Clayton in the roles of Billy Bigelow and Julie Jordan, it was R & H's second hit in a row, Oklahoma! being the first, with a string of others to follow. Any Rodgers & Hammerstein musical is among the very best there is in the annals of musical theatre history. The incredibly beautiful music alone is enough to keep an audience riveted, but Hammerstein's books were also laden with topical themes and much food for thought, as with Carousel that becomes a sort of parable for love, forgiveness and redemption. In their current beautifully mounted revival of Carousel, MTW may be assured of a gigantic hit.
Parisian charm is precious, incomparable. Even though the action of An American in Paris takes place in 1945 after World War II had taken its toll, it is still lively, colorful and full of breathtaking romantic excitement. Fans of the 1951 film with Gene Kelly and Leslie Caron will not be disappointed because the choreography of the live musical by director Christopher Wheeldon is magnetic as are the leading players Garen Scribner as Jerry Mulligan and Sara Esty as Lise Dassin, both ballet dancers. If you love great dancing, that is reason enough to see An American in Paris currently at the Hollywood Pantages through April 9.
Today, San Francisco Gay Men's Chorus (SFGMC) and Dr. Timothy Seelig, Artistic Director, announced the spring concert for Season 39: Community, featuring four performances of Paradise Found, running March 30 - April 1at the Herbst Theatre (401 Van Ness Avenue, San Francisco 94102). Performances are Thursday, March 30 at 8 p.m., Friday, March 31 at 8 p.m. and Saturday, April 1 at 2:30 p.m. and 8 p.m. Tickets range in price from $25-65 and are available now on www.SFGMC.org or by calling City Box Office at (415) 392-4400.
The revival of The Glass Menagerie opens tonight, March 9, at the Belasco Theatre, starring two-time Academy Award winner Sally Field and two-time Tony Award winner Joe Mantello, joined by Finn Wittrock and Madison Ferris in the revival of Tennessee Williams' iconic play. Tony winner Sam Gold directs.
Malcolm John Baker recognizes how easy it is for terrorists to enter the U.S. 'Revenge Is Mine' (published by Xlibris UK) illustrates the current affairs of the U.S. and the issues pertaining to the entry into the country, inspired by Baker's personal cruise travel experience.
From the Broadway stage to the Pulitzer Prize, back to Broadway, and now as a film adaptation with four Oscar nominations, FENCES has riveted audiences for more than 30 years. The film, directed by and starring Denzel Washington, is nominated for Best Picture, with Washington and Viola Davis nominated for Best Actor and Best Supporting Actress. The fourth nomination is for the drama's original playwright August Wilson for Best Adapted Screenplay. Wilson died in 2005.
Wilson left behind an indelible legacy of dramatic work, having penned the ambitious American Century Cycle of ten plays focusing on the African-American experience in the 20th century.
Actor Etai Benson sings and dances his way to The Hobby Center this month in Theatre Under the Stars' production of AN AMERICAN IN PARIS. Today, Benson joins us to talk life on the road, dole out some advice, and explain what it's like playing an American in Paris -- spoiler -- 'S Wonderful'!
...open their revival of 1945's CAROUSEL in a swirl of brilliant costumes, glorious singing, dancing and music from show business heaven.
Actress Vicky McClure's projects include Shane Meadows' This Is England series, Line of Duty and Broadchurch. She's now taking on her first major stage role with Nottingham Playhouse's 40th anniversary production of Stephen Lowe's World War II drama Touched, centring on a family of working-class women during the 100 days between VE Day and VJ Day. It begins previews on 17 February.
To deepen our understanding of the most powerful, charismatic and complex Black politician of modern times, Woodie King, Jr.'s New Federal Theatre, in association with Castillo Theatre, will present 'ADAM,' a bio-drama on Adam Clayton Powell, Jr. by Peter Deanda, from tonight, February 9, to March 12 at Castillo Theater, 543 West 42nd Street.
To deepen our understanding of the most powerful, charismatic and complex Black politician of modern times, Woodie King, Jr.'s New Federal Theatre, in association with Castillo Theatre, will present 'ADAM,' a bio-drama on Adam Clayton Powell, Jr. by Peter DeAnda, from February 9 to March 12 at Castillo Theater, 543 West 42nd Street.
As 2017 kicks off, Broadway will soon see a host of new and returning musicals, headlined and helmed by some of the stage's best. From the long-awaited return of MISS SAIGON to Bette Midler's arrival as Dolly Levi, there's plenty to be excited about as the 2016-17 theatre season ramps up.
Entering its eighth season in 2016-17, CONTACT!, the Philharmonic's new-music series, will return to National Sawdust in Williamsburg, Brooklyn, for two chamber programs featuring New York-area composers. This season of CONTACT!complements the Philharmonic's 175th anniversary season celebrations, which highlight the Orchestra's rich history of commissioning and premiering important works and salute its hometown of New York City. Esa-Pekka Salonen, who is in the second year of his three-year tenure as the Philharmonic's Marie-Josee Kravis Composer-in-Residence, continues his advisory role on CONTACT!.
Laura Osnes' journey to Broadway was anything but ordinary. Having competed on the reality series GREASE: YOU'RE THE ONE THAT I WANT, she went on to win and make her Great White Way debut as a brunette Sandy in 2007. She proceeded to make craterous impressions on Broadway, replacing Kelli O'Hara in Lincoln Center's SOUTH PACIFIC, as well as originating the role of Bonnie in BONNIE & CLYDE, earning the first of her Tony nominations, followed by the titular Cinderella in Broadway's first production of the Rodgers and Hammerstein classic, for which she earned her second.
Osnes will return to Feinstein's/54 Below on November 27, kicking off a string of four shows in which she travels down the roads that might have been, performing songs from roles she nearly booked but, for one reason or another, never came to be. BroadwayWorld chatted with the sweet-as-pie multi-talent about why her forthcoming Broadway gig, THE BANDSTAND, is a vital piece of theater, her co-star Corey Cott, and the inspiration for her unusual cabaret premise (here's a spoiler: Osnes keeps a literal binder in her closet labeled 'Songs I Learned for Auditions').
CAROUSEL features a superb cast, taut direction, and amazing dancing that packs a wallop..
When you first start digging into the vast array of musical theatre styles and genres out there, it can be pretty overwhelming. However, don't let this trepidation stop you from jumping in with both feet. You will be amazed with the help of all the great Broadway documentaries and archived recordings available on the Internet how easy it can be to immerse yourself in these classic scores, and immerse you must. Broadway music is traditionally very self-referential, and directors expect working actors to understand basic tropes like the Act I "what do I want" ballad or the eleven o'clock gospel number. Trust me, you don't want to be the only chorus member in Urinetown to miss that "Snuff that Girl" is an affectionate tribute to "Cool" in West Side Story.
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