Bad Girl 1930 - Articles Page 2

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

There is much to offer in this unusual take on the musical, but just as many questionable choices. 

I had the pleasure of seeing CABARET as put on by Fairfield Center Stage, at the Trevi Lounge in Fairfield, CT.  Fairfield Center Stage has yet again put on a well known production in a brilliantly unique way that audiences would not get to experience anywhere else.  Fairfield Center Stage gets the perfect cast for the roles, and furthermore finds the perfect venue for each production, to provide the ambiance appropriate to the show.  The Trevi Lounge creates a wonderful intimate atmosphere for the cabaret show within the CABARET show. 

Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

The Kimmel Center for the Performing Arts, along with Resident Company support, celebrates Black History Month this February with an array of programming honoring African American artistic expression and culture.

We asked our editors to pick out 9 shows to look forward to in 2019! Check out Deborah Bostock-Kelley's list of theatre to watch for Tampa/St. Petersburg!

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents 54 Sings As Thousands Cheer on May 24, 2018 at 9:30 PM. Before there was SNL, The Daily Show, and Last Week Tonight, there was As Thousands Cheer, Irving Berlin and Moss Hart's famed musical revue. Opening on Broadway in September 1933, As Thousands Cheer brought laughter and joy to audiences at the Music Box Theatre. Now, 85 years after its Broadway premiere and 20 years since its last production in New York, Feinstein's/54 Below and a cast of New York's finest perform Irving Berlin's score. With classic songs including "Easter Parade," "How's Chances?," "Heat Wave," and "Harlem On My Mind,"  As Thousands Cheer will be a delightful evening of comedy, politics, showstopping songs, and everything in between!

Lifetime delivers seven movies that fall under the realm of a parent's worst nightmare, tackling topics like mental health, suicide and teen domestic dating violence among others this fall. Starting off with The Bad Seed, the evil that lies within is revealed on September 9th with the disturbing story of a father (Rob Lowe) who discovers his daughter (McKenna Grace) could be hurting the people around her. Patty McCormack also stars.

Broadway World had the pleasure of interviewing Ms. Amy Marie McCleary, the double-threat director/choreographer for Dutch Apple Dinner Theatre's production of Swing! which opens Thursday August 9th

On Thursday, July 12th, Hollywood maven and powerhouse, Donelle Dadigan, (Co-Founder of the Jose Iturbi Foundation/President & Founder of The Hollywood Museum, Chairman of The Hollywood Chamber of Commerce) invited a select group of VIPs for an evening of dinner and a concert at The Hollywood Bowl as the Los Angeles Philharmonic presented an evening of Rachmaninoff: Piano Concerto No.2 under the stars with Behzod Abduraimov on piano and conductor, Gustavo Dudamel.

The League of Professional Theatre Women (Kelli Lynn Harrison & Lisa Rothe, Co-Presidents) will present the 2018 Theatre Women Awards at The TimesCenter (242 West 41st Streetbetween 7th and 8th Avenues) on Friday, March 16 beginning at 6:30pm. Tickets ($85-$250) are available for advance purchase at www.theatrewomen.org.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

WaterTower Theatre Artistic Director Joanie Schultz today announced casting and creative team details and updates for the World Premiere theatrical event, The Great Distance Home, conceived and directed by Kelsey Leigh Ervi.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

1917. In a remote English village there are rumours of an enchanted wood. One of the inhabitants - a mysterious old man - invites eight strangers to stay. They all have something in common. When, one evening, the wood miraculously appears the guests feel compelled to enter. What happens there has the power to change their lives forever…

What makes ELEANOR & PARK so extraordinary is, in fact, how ordinary it is. How everyday. Life is mundane. We make our way through each day, and there isn't always something to set it apart from all of our yesterdays and tomorrows.

Joe's Pub at The Public has announced its nightly performances from November 9-20. Scroll down for details!

I remember when, in the 1930's Shirley Temple vehicle POOR LITTLE RICH GIRL, poor Jack Haley and Alice Faye had to implore, 'You've Gotta Each Your Spinach, Baby'; and in Circuit's charming (and short) production of PINKALICIOUS THE MUSICAL, with Book and Lyrics by Elizabeth and Victoria Kern and Music by John Gregor, poor 'Mr. and Mrs. Pinkerton' (gleefully played by Marc Gill and Brooke Papritz) have a similar problem with their daughter 'Pinkalicious' (the engaging Carly Crawford, A.K.A. 'Peter Pan' during the Christmas holidays). It seems that the color-preoccupied pint-sizer has a condition known as 'Pinkititis,' wrought by an immoderate obsession with . . . dare I say it? . . . pink cupcakes -- MUDDY'S BAKERY, GIGI'S CUPCAKES, lock your doors!

Meet the leads of Annie Russell Theatre's REEFER MADNESS, opening tomorrow, September 25th. Seniors MiKayla Phillips and Taylor Wright know what it's like to balance rehearsals, homework, and preparing for what is next. They are definitely not as naive as their characters Mary and Jimmy who find themselves lured by a gnarly crew of marijuana pushers in the musical satire. Check out the interview to find out more! 

You might not think that a play from the 1930's would be so resonant today. But in our world where it's so easy to slander someone and spread malicious rumors at the click of a mouse, a play like "The Children's Hour", currently playing from Arouet, feels like an ominous precursor of things to come. And while the attitudes about the situations may have changed, the hurtful nature of gossip remains the same and Arouet's production deftly examines what that kind of hurt can do.

There always seems to be so much to do in Nashville, from a creative and theatrical standpoint, we're often asked for recommendations of what's not to be missed on our calendar. Well, have no fear, gentle readers, we're at your service, at the ready to tell you of the shows you really should see this week and in the coming weeks…

Coming up this week, 54 BELOW, Broadway's Supper Club, presents some of the brightest stars from Broadway, cabaret, jazz and beyond. To purchase tickets or for more information, visit www.54Below.com or call (646) 476-3551.

There's no question that Reno Sweeney, the bad girl with a good heart and a big voice is steering the madcap cruise known as Anything Goes, on the stage of The Warner Theatre for two nights, February 25-26 '15. The ship (show), currently sailing (touring) around the country, is based on the 2011 Broadway revival, directed and choreographed by the venerable Kathleen Marshall, and does a good job of bringing Cole Porter's irresistible songs, a good dose of slapstick comedy and lots of true (or not?) love together into an evening of song and dance fun, led by the charismatic Reno.