The Huntington's production of Harold Pinter's BETRAYAL opens on Wednesday, November 14 at 7pm, Avenue of the Arts / BU Theatre. The production is directed by Maria Aitken. The cast includes Alan Cox, Mark H. Dold, Gretchen Egolf, and Luis Negrón. Check out production photos inside!
Edward Albee's Who's Afraid of Virginia Woolf? opens this evening, Saturday, October 13, 2012, at the Booth Theatre (222 West 45th Street), exactly 50 years to the day of the play's original Broadway opening on Saturday, October 13, 1962.
Miller Theatre at Columbia University School of the Arts continues the 2012-13 season of its Composer Portraits series with the works of eminent composer Jonathan Harvey, featuring Ensemble Signal with Brad Lubman, conductor. Ensemble Signal gives voice to two of the British composer's spiritual tours-de-force in this moving Portrait-Death of Light/Light of Death (1998) and Bhakti (1982).
Preview performances of Edward Albee's Who's Afraid of Virginia Woolf? begin this evening, Thursday, September 27, 2012, at the Booth Theatre (222 West 45th Street). Opening night is set for Saturday, October 13, 2012, exactly 50 years to the day of the play's original Broadway opening on Saturday, October 13, 1962.
Miller Theatre at Columbia University School of the Arts continues the 2012-13 season of its Composer Portraits series with the works of eminent composer Jonathan Harvey, featuring Ensemble Signal with Brad Lubman, conductor. Ensemble Signal gives voice to two of the British composer's spiritual tours-de-force in this moving Portrait-Death of Light/Light of Death (1998) and Bhakti (1982).
Full casting has been announced for the upcoming national tour of THE ADDAMS FAMILY, a new musical based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams. Rehearsals for the tour begin today in New York City. Joining the previously announced Tony Awardâ nominee Douglas Sills as Gomez and Sara Gettelfinger as Morticia are Tony Awardâ nominee Martin Vidnovic as Mal Beineke, two-time Tony Awardâ nominee Crista Moore as Alice Beineke, Blake Hammond as Uncle Fester, Pippa Pearthree as Grandma, Tom Corbeil as Lurch, Patrick D. Kennedy as Pugsley, Brian Justin Crum as Lucas Beineke and Cortney Wolfson as Wednesday.
Home Death, a new play by Olivier Award winner Nell Dunn, will play for six performances only on Sunday and Monday evenings from Sunday, 10 July 2011 (Press Night: Monday, 11 July 2011 at 7.30pm) at the multi-award-winning Finborough Theatre.
Home Death, a new play by Olivier Award winner Nell Dunn, will play for six performances only on Sunday and Monday evenings from Sunday, 10 July 2011 (Press Night: Monday, 11 July 2011 at 7.30pm) at the multi-award-winning Finborough Theatre.
The Dicapo Opera Theatre ends the season with the Dicapo Opera Children's Chorus Concert. The concert included songs of many styles, showcasing the gifted voices of the children's chorus lead by Artistic Director, Diane Martindale. Founded in 1982 by Ms. Martindale, the Dicapo Children's Chorus offers talented children the opportunity to perform in several Dicapo Opera Theatre productions throughout the season. This season the children's chorus was featured in the productions of Puccini's 'La Boheme' and Menotti's 'The Saint of Bleeker Street'.
At the heart of the sixth season from Artistic Director Jonathan Church and Executive Director Alan Finch will be 'a Festival within a Festival' celebrating the achievements of playwright Terence Rattigan in the centenary year of his birth.
Bread and Puppet Theater presents 'The Return of Ulysses' and 'Decapitalization Circus' : two separate performances presented in partnership with the Boston Center for the Arts as part of the Cyclorama Residency Series. Performances, Art Exhibit, and Cheap Art Sale close January 30.
Bread and Puppet Theater presents 'The Return of Ulysses' and 'Decapitalization Circus' : two separate performances presented in partnership with the Boston Center for the Arts as part of the Cyclorama Residency Series. Performances, Art Exhibit, and Cheap Art Sale run from January 24 through January 30. All held in the Cyclorama at the Boston Center for the Arts (BCA), 539 Tremont St., South End, Boston. Wheelchair accessible. Tickets for the performances available for purchase [cash or check only] in the Cyclorama one hour before each performance. For advance tickets, log onto www.breadandpuppet.org or call 866-811-4111 (toll free). For detailed information regarding the week's events, call the BCA's Bread and Puppet Theater information line at 617-800-9539 or log onto www.bcaonline.org.
For the 39th year, Peter Schumann's Bread and Puppet Theater (www.breadandpuppet.org.) will return to Theater for the New City December 2-19, 2010 with two new works, one for adults and one for family audiences.
Bread and Puppet Theater presents 'The Return of Ulysses' and 'Decapitalization Circus' : two separate performances presented in partnership with the Boston Center for the Arts as part of the Cyclorama Residency Series. Performances, Art Exhibit, and Cheap Art Sale run from January 24 through January 30. All held in the Cyclorama at the Boston Center for the Arts (BCA), 539 Tremont St., South End, Boston. Wheelchair accessible. Tickets for the performances available for purchase [cash or check only] in the Cyclorama one hour before each performance. For advance tickets, log onto www.breadandpuppet.org or call 866-811-4111 (toll free). For detailed information regarding the week's events, call the BCA's Bread and Puppet Theater information line at 617-800-9539 or log onto www.bcaonline.org.
For the 39th year, Peter Schumann's Bread and Puppet Theater (www.breadandpuppet.org.) will return to Theater for the New City December 2-19, 2010 with two new works, one for adults and one for family audiences.
For the 39th year, Peter Schumann's Bread and Puppet Theater (www.breadandpuppet.org.) will return to Theater for the New City December 2-19, 2010 with two new works, one for adults and one for family audiences.
Seit vielen Jahren macht die Schweizer Künstlerin Penelope Wehrli mit Performances, Aktionen, raumspezifischen Installationen, Film- und Videoarbeiten u.a. in New York, Belgrad und Bangalore auf sich aufmerksam. Am Schauspielhaus Zürich gestaltete sie in dieser Spielzeit den Raum zu Barbara Freys Inszenierung von William Shakespeares „Was ihr wollt'; ausserdem war vergangenen Dezember im Schiffbau ihre autochoreographische Komposition „camera orfeo' zu sehen. Ihre nun neu erschienene Monographie RAUM PARTITUREN - ICH WOHNE IN DER MÖGLICHKEIT, die am 11, 8 Uhr. Mai im Pfauen-Foyer präsentiert wird, öffnet den Blick auf Penelope Wehrlis Räume, die sie in ihrer ausgreifenden künstlerischen Arbeit seit 1982 auslotet, markiert, belebt und erschafft.
Today, in honor of the DVD release of Rob Marshall's film version of the 1982 Tony-winning Best Musical NINE, Maury Yeston was gracious and generous enough to grant me a few hours in which I could ask him intimate questions about his life, career and the future of theatre itself. Not one to mince words, Yeston is a veritable font of knowledge and it became clear during the interview that he may be as gifted and talented in his educational and mentorship skills as he is as a two-time Tony-winning composer and lyricist. His stage musicals include two Tony-winning Best Musicals, NINE and TITANIC, as well as: IN THE BEGINNING, GRAND HOTEL, PHANTOM, and the forthcoming DEATH TAKES A HOLIDAY, as well as a full-length ballet of TOM SAWYER premiering later this year. From the handwritten letter sent by Katharine Hepburn to Frederico Fellini after seeing the workshop of NINE thirty years ago to this very day when NINE hits DVD, we will take a look at this magnanimous maestro's starry career in this inaugural InDepth InterView. Enjoy!
Sony Pictures Home Entertainment will release Rob Marshall's film musical NINE on Blue-ray and DVD on May 4, according to Blue-ray.com. It is reported that bonus features will accompany the discs, including an exclusive interview with Sophia Loren, commentary by Rob Marshall and producer John DeLuca as well as three music vidoes.
Seit vielen Jahren macht die Schweizer Künstlerin Penelope Wehrli mit Performances, Aktionen, raumspezifischen Installationen, Film- und Videoarbeiten u.a. in New York, Belgrad und Bangalore auf sich aufmerksam. Am Schauspielhaus Zürich gestaltete sie in dieser Spielzeit den Raum zu Barbara Freys Inszenierung von William Shakespeares „Was ihr wollt'; ausserdem war vergangenen Dezember im Schiffbau ihre autochoreographische Komposition „camera orfeo' zu sehen. Ihre nun neu erschienene Monographie RAUM PARTITUREN - ICH WOHNE IN DER MÖGLICHKEIT, die am 11, 8 Uhr. Mai im Pfauen-Foyer präsentiert wird, öffnet den Blick auf Penelope Wehrlis Räume, die sie in ihrer ausgreifenden künstlerischen Arbeit seit 1982 auslotet, markiert, belebt und erschafft.
FIRESIDE CHAT- February 20 at 2:00pm at Chicago Dramatists as part of the Saturday Series A FIRESIDE CHAT with major American playwright ARTHUR KOPIT Moderated by Artistic Director Russ Tutterow
This week, Maury Yeston, the Tony Award winning composer of classics scores for Broadway's NINE, TITANIC, GRAND HOTEL, in addition to The Royal Family, sat down with The New York Post's Michael Riedel and Susan Haskins on Theater Talk. Theater Talk, the series devoted to the world of the stage, is co-hosted by Michael Riedel, Broadway columnist for the New York Post and series producer Susan Haskins. Watch Yeston perform a song from NINE in the clip below!
LECTURES/EVENTS Papo Colo and Jeanette Ingberman: Iconic Shows: A Talk with Exit Art's Founders
Thursday, February 4, 7pm
Tommy Tune, in an interview with Variety, praised film director Rob Marshall for his delivery in the movie musical NINE. Tune directed the original Broadway installment of NINE, which had a successful run from 1982 - 1984 at the 46th Street Theatre.
The New York Times reports that The Weinstein Company will be shifting it's plans for the new movie musical NINE, due to lukewarm reviews and an underwhelming box office performance. With only a $5.5 million gross after playing 1400 screens nationwide and debuting at #8 on the charts, the film will be pulled from many theaters and will continue it's theatrical run in a limited number of venues, estimated to be between 800 and 900.
| 1982 | Off-Broadway |
Off-Broadway |
Videos
