Free For All, one of the capital's cherished annual traditions, will return this summer to Shakespeare Theatre Company (STC), offering two weeks of free performances of the Company's 2016 production of Shakespeare's Romeo & Juliet. Directed by STC Associate Artistic Director Alan Paul, whose hit production of Camelot has extended through July 8 due to popular demand, the production will run at Sidney Harman Hall (610 F St NW) from August 21-September 2, providing more than 12,000 people the chance to see the play free of charge.
The following is the unofficial transcript of an EXCLUSIVE CNBC interview with Former Starbucks CEO Howard Schultz and CNBC's Andrew Sorkin on CNBC's “Squawk Box” (M-F 6AM – 9AM) today, Tuesday, June 5. The interview follows Sorkin's scoop yesterday that Mr. Schultz will be stepping down from his current role as Executive Chairman of Starbucks effective June 26th. Watch video of the interview on CNBC.com here!
Heralded costume designer Paul Tazewell told the Class of 2018 at the University of North Carolina School of the Arts (UNCSA) to embrace their role as pioneers. Tazewell, a 1986 graduate of the School of Design and Production who won a Tony Award in 2016 for the costumes he designed for the Broadway smash 'Hamilton,' spoke May 5 to the largest graduating class in the history of UNCSA.
Whenever The Rolling Stones do anything, they do it with quality and gravitas. Having defined rock'n'roll in the '60s, The Rolling Stones entered their imperial phase in 1971 with Sticky Fingers. What followed is a run of albums that couldn't have happened at any other time, by any other band: the decadent excess of Exile On Main St, the Jamaican voodoo swamp of Goats Head Soup, the disco and punk-infused prowl of Some Girls. With each new decade, the Stones evolved while staying true to their roots, coming full circle in 2016 with Blue & Lonesome, a love letter to their first inspiration: the blues. Today, The Rolling Stones and UMe announce 'The Studio Albums Vinyl Collection 1971-2016,' a brand new limited edition vinyl box set collection, featuring 15 albums across 20 LPs released on June 15 2018 and available to pre-order here. View the unboxing trailer here.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced complete casting today for the 2018 Free Shakespeare in the Park production of OTHELLO beginning Tuesday, May 29 at the Delacorte Theater, continuing a 56-year tradition of free theater in Central Park. Directed by Tony Award winner Ruben Santiago-Hudson, OTHELLO will officially open on Monday, June 18 and will run through Sunday, June 24.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces four TFANA Talks in connection with its new, critically lauded production of William Shakespeare's tragicomedy The Winter's Tale, directed by OBIE Award-winner Arin Arbus. These free post-performance discussions take placeat Polonsky Shakespeare Center (262 Ashland Place), TFANA's home in the Brooklyn Cultural District, where The Winter's Tale runs through April 15
Award-winning actor/director Frank Ferrante re-creates his acclaimed New York and London stage portrayal celebrating America's greatest comedian - Groucho Marx. You will feel as though Groucho is back, as Ferrante sings, dances and performs classic routines on the North Coast Rep stage, April 23 & 24 at 7:30pm.
The Country Music Association held a press conference this morning to announce the 2018 inductees into the Country Music Hall of Fame-Johnny Gimble, Ricky Skaggs and Dottie West.
Particularly in light of the 2016 documentary I Am Not Your Negro, author and civil rights activist James Baldwin is garnering new attention and appreciation for his astute analyses of race, class, and sexuality in U.S. culture. Our reading group will take up his groundbreaking semi-autobiographical first novel, Go Tell It on the Mountain (1953). Attendees are invited to read this seminal text that brought mid-20th Century African-American literature out of the shadow of Richard Wright while deftly exploring the post-Civil War Great Migration, its southern roots, its religious inflections, and its generational tensions. The suggested edition is the most recent paperback (ISBN 978-0345806543). Traditional New Orleans fare of coffee and beignets at Muriel's Jackson Square with lively discussion to follow led by Festival favorite and Southern literary scholar Gary Richards. Seating is limited to 50 persons; pre-registration is required.
Join Pulitzer Prize-winner Richard Ford for this Master Class where he presents thirteen items that make up good writing, all of which he deems important and valuable. He will go through each one, explicating what he means and why they are so vital, citing books and references and sources, all both serious and yet with much amusement. Not only will you get great advice, but you'll be able to ask your questions too!
Shakespeare Theatre Company today announces the cast of Lerner and Loewe's multiple Tony Award-winning musical Camelot. Directed by STC Associate Artistic Director Alan Paul (Kiss Me, Kate; Man of La Mancha), the classic musical will play at Sidney Harman Hall (610 F St NW) from May 22 through July 1, concluding STC's 2017-2018 mainstage season.
In the prologue of his new memoir, Unmasked, Andrew Lloyd Webber states, "Autobiographies are by definition self-serving and mine is no exception". It is true that the composer's nearly 500-page book can be seen as one long 'humble-brag', but it's also a fascinating glimpse into the business side of theatre. While much of the beginning details his bohemian upbringing, most of the book is dedicated to a detailed history of all his productions up to 1986.
MCC THEATER (Robert LuPone, Bernard Telsey, William Cantler, Artistic Directors; Blake West, Executive Director) today announced the complete cast for the fourth show of its 2017-18 season: the World Premiere production of Transfers, written by MCC Theater's Youth Company Playwriting Lab Director and Obie Award winner Lucy Thurber, and directed by Jackson Gay.
Michael Kahn today announces Shakespeare Theatre Company's 2018-2019 Season. With two world premieres from celebrated playwrights, a multiple Tony Award-winning presentation, a dynamic adaptation of a classic novel, two Shakespeare plays and a group of acclaimed directors and artists, it is an ambitious grand finale for STC Artistic Director Michael Kahn, who will retire from the company at the end of the Season.
The quick-witted American actor and icon, Groucho Marx was a frequent visitor to New Hope and Bucks County. Now nearly 41 years after his death, Groucho makes a hilarious return to Bucks - this time in the form of award-winning actor Frank Ferrante in the global comedy hit, "An Evening with Groucho." The show is presented February 14 - 25 at Bucks County Playhouse as part of the 2018 Visiting Artists Series.
Arena Stage Artistic Director Molly Smith and Executive Director Edgar Dobie are pleased to announce that Broadway legend Maurice Hines will serve as the Master of Ceremonies and international touring artist and global humanitarian Mary McBride will headline the 2018 Arena Stage Gala honoring Mayor Muriel Bowser on Thursday, May 10, 2018 at the Mead Center for American Theater (1101 Sixth St., SW). As previously announced, the Gala features the presentation of the third annual Beth Newburger Schwartz Award to D.C. Mayor Muriel Bowser, and will recognize Jessica Stafford Davis as an Emerging Leader. The Gala is helmed by event chairs and Arena Stage Trustees Lavern Chatman and Maggie FitzPatrick.
Michael Boyd's much anticipated production of The Cherry Orchard has begun rehearsals for the Bristol Old Vic and Royal Exchange Theatre co-production. Rory Mullarkey's brand-new translation will be directed by Boyd, celebrated former Artistic Director of the Royal Shakespeare Company (RSC). Having studied Russian and trained as a director in Moscow, extraordinarily, he will be directing Chekhov - the literary love of his life - for the first time.
'SCREAMING SECRETS', written by writer and philosopher Alexander Matthews, forms part of Matthews' debut two-play season at the Tristan Bates Theatre in Covent Garden. The first play, 'Screaming Secrets' is set in 1975, in a world of free love, flared trousers, and deep thinking.
The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) announced the line-up today for the 2018 Free Shakespeare in the Park season, continuing a 56-year tradition of free theater in Central Park.
The Alley Theatre's Alley All New Festival, January 20-28, 2018, features six playwrights and more than 30 actors from the Alley and around the country who will be presenting new work through a series of readings and workshop performances. In addition to Alley Resident Company members, many artists have existing connections to the Alley and some are making their Alley debut. The start of the festival will celebrate the reopening of the Neuhaus Theatre. Tickets to the festival are available now online at alleytheatre.org/allnew or by calling the Box Office at 713.220.5700.
Full casting for Michael Boyd's much anticipated production of The Cherry Orchard is announced today as rehearsals begin for the Bristol Old Vic and Royal Exchange Theatre co-production. Rory Mullarkey's brand-new translation will be directed by Boyd, celebrated former Artistic Director of the Royal Shakespeare Company (RSC). Having studied Russian and trained as a director in Moscow, extraordinarily, he will be directing Chekhov the literary love of his life for the first time.
Performance Space New York (formerly Performance Space 122) presents the East Village Series, its first semi-annual themed series, and the first program curated by the institution's new Executive Artistic Director, Jenny Schlenzka. This presentation of works from some of today's most radical performers and multidisciplinary artists resituates the institution in newly revamped spaces, designed by Deborah Berke Partners, in 122 Community Center (150 First Avenue, at East 9th Street), where Performance Space 122 was founded, and where it operated until it moved out in 2011 for the building renovation. The series contemplates the past, present, and future of the organization and its neighborhood.
The playwright and philosopher Alexander Matthews presents the debut of his two witty social dramas at Covent Garden's Tristan Bates Theatre in spring 2018. 'Screaming Secrets' and 'Glass Roots' will have back-to-back runs and will form the first Alexander Matthews Season in the UK. Both plays are directed by Evan Keele with production design by Nancy Surman.
I've seen The Phantom of the Opera around 25 times and it's really one of my favorite musicals. The music is amazing, the clothes are wonderful and the storyline is classic with the beauty and the beast, the hero. The fragile Christine, who is abducted by the horrible phantom but rescued by her youth love but the fragile side of the Phantom is shown and she is torn between them. It has been played the same way since 1986 and Andrew Lloyd Webber and The Really Useful Group have kept firm in how it gets played and staged, by who, where and when. But when the Finnish National Opera was going to play it, they got permission to make a new adoption of it. The creative team, Tiina Puumalainen director, ??Teppo J rvinen scenographer, Marjaana Mutanen, costume designer, Osku Heiskane choreographer, Teemu Nurmelin light designer and Andreas 'Stanley' L nnquist and Sakari Kiiski sound designer, create a totally reworked musical. It started playing in Finland and was transferred the 23rd of September 2017 to Sweden and the Opera in Gothenburg. As I wanted to see Fred Johanson as the Phantom and John Martin Bengtsson as Raoul, I had to find a date when they played in the same performance, and the date was set for December 9th. Before I saw it, I had seen some pictures that appear on the website and in press and I have to say that I was both excited and curious about what to expect. I've seen the musical so many times so it feels like I know every sequin on the fantastic dresses and when an eyebrow is to be raised so it was with mixed feelings I booked the ticket. Should I like the changes or not? I had no doubt that Fred and John Martin would deliver as I seen them several times. Fred lastest in Sunset Boulevard on West End in London. The same role as he did on Broadway this year with Glenn Close. John Martin was understudy to both The Phantom and Raoul in Stockholm this year and I had the privilege to see him as Phantom. Both has absolutely amazing voices. But for the new adoption I was not sure...
MCC THEATER (Robert LuPone, Bernard Telsey, William Cantler, Artistic Directors; Blake West, Executive Director) today announced the complete cast for the third show of its 2017-18 season: the World Premiere of Relevance, written by JC Lee ( How to Get Away With Murder, Looking ) with direction by Tony Award nominee Liesl Tommy (Eclipsed).
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