Review: THE PARK at Seattle Public Theater
Dear Readers, I’m all for new works, especially well written new works such as “The Park” by Lisa Every and Jenn Ruzumna, currently performing at Seattle Public Theatre.
The latest reviews and critic recommendations from Seattle.
Dear Readers, I’m all for new works, especially well written new works such as “The Park” by Lisa Every and Jenn Ruzumna, currently performing at Seattle Public Theatre.
Dear Readers, I’m all for a show poking fun at darker, heavier topics.
Friendships are one of the most valuable currencies we experience in our lifetimes.
The performance was, in a word, superb
And now we have the tour, currently playing at The Paramount Theatre.
Dear Readers, it looks like we have a new show topic trend hitting us square in our CPU, artificial intelligence and how it’s becoming more and more a part of our world.
The machines are coming for our livelihoods, Dear Readers.
I’m happy to say that what I witnessed last night is what I like to refer to as theatrical alchemy, when all the parts of a show, cast, set, direction, costumes, etc.
Dear Readers, there is nothing like live theater, especially when it all comes together.
Dear Readers, if you’ve seen a show from Reboot Theatre Company, you know they like to tackle old gems and turn them on their heads with non-traditional casting and perspectives.
Digesting art that clearly portrays substantial and timely topics, such as the dynamics of power and its abuse, is paramount.
Star-crossed lovers, a doomed ship, an iceberg, a gem, and a big damn door.
Dear Readers, I’m of two minds in reviewing this revised production of “Peter Pan” currently playing at the Paramount.
Quite a few factors contribute to a great show, and they vary for each audience member.
The term has become familiar and beloved to opera lovers since the late 19th century.
I’m about to commit a musical theater geek sin, Dear Readers, so get the torches and pitchforks ready.
Dear Readers, the musical version of the hit 1992, Whoopi Goldberg comedy “Sister Act” has never been one of my favorites.
Dear Readers, chances are you played that classic board game “Clue” as a kid.
Dear Readers, I will admit that “Girl From the North Country”, currently playing at The Paramount, is a tough one to get into.
Are you a good person? Does anyone truly know if they are? Countless factors go into deciding such a weighted answer, for a lot of people, politics plays a large role.
Dear Readers, I should start by saying that “Spring Awakening”, the musical from Duncan Sheik and Steven Sater based on the 1891 play by Frank Wedekind, has never been one of my favorites.
Dear Readers, as you know, I’ve often extolled the fabulousness of the shows at The Can Can.
We’ve all probably heard the story of Cupid and Psyche, a forbidden love that faces a greater-than-average amount of challenges, but in this day and age, is it really more than average? The new musical extravaganza, Venus & the Vixens: Games of Love, rockingly conceived, written, and directed by M
I was excited for this one.
First off, Dear Readers, “Sherlock Holmes and the Precarious Position” currently playing at Taproot Theatre, is not a Holmes story from Sir Arthur Conan Doyle.
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