Review: 53% OF at Center Theatre At Seattle Center
Are you a good person? Does anyone truly know if they are? Countless factors go into deciding such a weighted answer, for a lot of people, politics plays a large role. 53% Of is a direct work of art that attempts to answer that question, paying special attention to that factor. The show, wittingly d...
Review: SPRING AWAKENING at The 5th Avenue Theatre
Dear Readers, I should start by saying that “Spring Awakening”, the musical from Duncan Sheik and Steven Sater based on the 1891 play by Frank Wedekind, has never been one of my favorites. But that first national tour and especially the 2012 local production from Balagan Theatre gave me a better...
Review: DOLLY! at The Can Can
Dear Readers, as you know, I’ve often extolled the fabulousness of the shows at The Can Can. Director Chris Pink and the cast and crew repeatedly bring the goods. And I’ve often commented on how one show after another may be one of my new favorites of theirs. Well, Dear Readers, they’ve done i...
Review: VENUS & THE VIXENS: GAMES OF LOVE at Emerald City Trapeze Arts
We’ve all probably heard the story of Cupid and Psyche, a forbidden love that faces a greater-than-average amount of challenges, but in this day and age, is it really more than average? The new musical extravaganza, Venus & the Vixens: Games of Love, rockingly conceived, written, and directed by M...
Review: JINKX MONSOON & MAJOR SCALES TOGETHER AGAIN, AGAIN! at The Seattle Rep
I was excited for this one. And if the show had been 30 minutes, it would have been great. At an hour, it would have been good. But at 90 plus minutes, the dead horse was severely beaten, and I found myself repeatedly looking at my watch....
Review: SHERLOCK HOLMES AND THE PRECARIOUS POSITION at Taproot Theatre
First off, Dear Readers, “Sherlock Holmes and the Precarious Position” currently playing at Taproot Theatre, is not a Holmes story from Sir Arthur Conan Doyle. It’s a silly little lark with Holmesian characters by Margaret Raether. The program even says, “Based on the stories of Sir Arthur C...
Review: ONCE ON THIS ISLAND at Village Theatre
Dear Readers, we’re about to enter the realm of one of my favorite shows, “Once on This Island”, currently playing at Village Theatre. This gem of a show is, sadly, not often produced. In fact, I’ve only seen it twice, once on Broadway in 2017, and once in 2005, again from Village Theatre. B...
Review: UNRIVALED at Seattle Public Theater
There are countless modern retellings of historical events out there, I could name twenty right now, but Unrivaled does it differently, in a fresh way that deserves to be talked about. The co-production from Seattle Public Theater and SIS Productions is running from now until June 2 at Seattle Publi...
Review: SEATTLE OPERA 60TH ANNIVERSARY CONCERT & GALA at McCaw Hall
an enchanted evening that will be remembered for many decades as an occasion that was memorable in every way...
Review: ROMEO AND JULIET at Center Theatre At Seattle Center
The biggest challenge of pulling off a show such as Romeo and Juliet is finding new ways to keep the audience interested when we all know what happens. If you’re going to put on a production of a play that has been endlessly adapted, performed, and studied for longer than any of us have been aroun...
Review: THE BARBER OF SEVILLE at Mccaw Hall
Without a doubt the highlight of, and a perfect ending to, the company’s season...
Review: THE LION TELLS HIS TALE at Broadway Performance Hall
History is often rewritten in a way that is easier to digest, leading to hundreds of years of misinformation and erasure of the struggles of marginalized and persecuted groups. Artfully directed by Steve Sneed, Intiman Theatre has officially opened the world premiere of The Lion Tells His Tale, the ...
Review: THE LEHMAN TRILOGY at ACT Theatre
At first glance, Dear Readers, Stefano Massini’s “The Lehman Trilogy”, as adapted by Ben Power and currently playing at ACT, may seem like a daunting task. I mean, a 3-and-a-half-hour play (thankfully with two intermissions) about bankers. It doesn’t sound like a rollicking good time. It sou...
Review: DISNEY'S ALADDIN at The Paramount Theatre
If there’s one thing, Dear Readers, that Disney is good at, it’s spectacle. But when you take that spectacle and combine it with one of their most musically magical properties such as “Aladdin”, it should end up with theatrical gold for the whole family. When the genie first poked his head f...
Review: FAT HAM at Seattle Rep
So, did the Rep’s “Fat Ham” crush my soul? Absolutely not and I must entreat anyone reading this, DO NOT MISS THIS SHOW!!!...
Review: THE SEASONS' CANON at Pacific Northwest Ballet
“The Seasons’ Canon” offers a safe haven for deeply feeling arts lovers to take a safe seat for a couple of hours and experience our powerful and merciful natural world through the medium of dance....
Review: SCRAMBLING THE GOOSE at Washington Ensemble Theatre
When you go to the theater, Dear Readers, you sit in silence and enjoy the show. You may laugh, or cry, or gasp, but for the most part, you keep yourself to yourself. (At least I hope you do.) But every now and again, shows may ask something of you. Maybe a call back like in “Rocky Horror” or vo...
Review: BEETLEJUICE at The Paramount Theatre
Dear Readers, warning, I’m about to be a bit of a snob here. I know, big surprise. But I’m not the biggest fan of the musical, “Beetlejuice”, currently playing at the Paramount Theatre. I wasn’t a fan when I first heard the cast recording and now having seen it, I can’t say my opinion ha...
Review: HOW TO WRITE A NEW BOOK FOR THE BIBLE at Taproot Theatre
You may need to bring your own tissues for this one. Taproot Theatre Company has opened its production of Bill Cain’s play, How to Write a New Book for the Bible. The 4-person cast, artfully directed by Bretteney Beverly, tells the harrowing and heart-wrenching story beautifully. ...
Review: THE MOORS at Seattle Public Theater
We’ve had a recent spate of the murderous, dark comedies, Dear Reader. First there was “Blood Countess” from MAP Theatre and then the 5th Avenue gave us “Something’s Afoot” and is soon to give us “Clue”. And now Seattle Public Theater has joined in with Jen Silverman’s “The Moors...
Review: THE BED TRICK at the Center Theatre At Seattle Center
Best friends, betrayals, love, and lust - Keiko Green’s new work, The Bed Trick, has it all. Seattle Shakespeare's first new commissioned work is set to be a complete hit. Skillfully directed by Makaela Milburn, the dorm window blinds have opened at the Center Theatre at Seattle Center....
Review: PLAY/WRITE at Planet M Records
What did our critic think of PLAY/WRITE at Planet M Records?
There is much to unpack here in the way of unique sounds, colors and vibrations...
Review: STEW at ACT Theatre
I like to think, Dear Reader, that I don’t need to have the meaning/plot/message of a show spoon fed to me. But sometimes, as with Zora Howard’s “Stew” currently playing at ACT, I could use a bit of clarity. I’m not saying the show was completely confusing, not by a long shot, just a few e...
Review: THE FANTASTICKS at Village Theatre
Pop quiz, Dear Readers. What is the world’s longest running musical? No, it’s not “Phantom”, that’s the longest running Broadway musical. But if we include Off-Broadway we get the longest run of 42 years and 17,162 performances with Tom Jones and Harvey Schmidt’s “The Fantasticks”. A...
Review: NOIR at The Can Can
Dear Readers, I cannot imagine a time when anyone, let alone me, would have a bad time at The Can Can. I honestly am not even certain what that show would look like. They’d need to change up everything they are by having bad and out of shape singers and dancers, performing a lame story and songs, ...
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