EDINBURGH 2017: BWW Review: DAVID EDWARDS, Pleasance Courtyard
Join David Edwards as he gives advice concerning how to navigate the messy world of modern-day dating.
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Join David Edwards as he gives advice concerning how to navigate the messy world of modern-day dating.
Who can you trust? Make the wrong choices and you will end up dead! While Werewolves is in the theatre section of the Fringe brochure, it is better described as an interactive role-playing experience, with the audience involved as participants throughout, striving to survive.
Nearly 30 years old, Assassins manages to remain fiercely relevant in 2017.
Musical comedy duo of brothers Ed (the thoughtful, if slightly filthy-minded, guitarist) and Tommy (the shirtless rocker brandishing a balloon cutlass) make up Jollyboat, a vaguely pirate themed double-act who are a definite Fringe cult hit.
Innovative sketch duo Sisters snake Fringe-wards, clutching their debut hour to their breast.
This show is a comedy/theatre/spoken word show about hair and hairs.
The show is performed by six dancers: The TUTU men, polymorphous artists who struggle with many different interpretations, faces and styles.
Moonstruck Theater Company presents this year's sole Fringe offering of Jason Robert Brown's theatrical song cycle, and the Massachusetts group perform with enthusiasm and a clear love of Brown's work.
The best-selling author and most-watched poet of all time makes his Edinburgh Fringe debut.
Pat Cahill is The Fisherman.
The four person song cycle presents a series of vignettes connected by the central theme of love and relationships.
Canadian Comedy Award winners, 16-time Best of Fest winners and 3-time London Impresario Award winners.
'I've been dead for three days.
Edinburgh Festival Fringe performer Sam Goodburn blogs for BWW about a typical day at the Fringe.
Stemming from a childhood wish to emulate Hulk Hogan, comedian Darius Davies takes us on a journey into pursuing his dream of becoming a professional wrestler, and how it all went wrong.
A monologue on the themes of technology and identity, Pixel Dust features teenager Daniella, always online in some fashion, vlogging her hopes and dreams into cyberspace.
Having moved 5,437 miles for love, award-winning Egyptian-American comedian Maria Shehata presents her debut hour of playfully sardonic stand-up.
So, last year went pretty OK.
All We Ever Wanted Was Everything is a rocking rollercoaster ride through the last thirty years in Britain, from the Thatcherite late 80s, through Cool Britannia, to Brexit Britain.
Things really are rotten right now, aren't they? We've got resurgent racism, the Welfare State's continual erosion, a terrible economy and climate change.
In the 1980s, the era of Thatcher, managed decline and "the enemy within", a crack formed between the northern and southern parts of England, splitting them apart physically as well as socially.
Foreign Radical is a piece of interactive theatre focusing on surveillance and suspicion in an age of prominent terrorist threat.
Adapted by Pelle Koppel from the controversial young adult novel by Janne Teller, Nothing tells the story of a class of young people searching for the meaning of life.
This bit's called the blurb whatever the f*ck that means.
They're back! Why? Money.
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Antigone 1989: A Town Hall Musical Gilded Balloon Patter House (8/05-8/29) |
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Jitters Summerhall (8/06-8/30) |
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Remember, Remember! Pleasance Dome (Queen Dome) (8/05-8/30) |
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Disney''s Muppet Christmas Carol in Concert Usher Hall (12/03-12/03) |
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Friendliest Gilded Balloon (The Nook) (8/08-8/31) |
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Woodcutter Triplex Studio @theSpaceUK (Venue 38) (8/07-8/29) |
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Spin Cycle Underbelly (Clover) (8/05-8/31) |
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Argonauts Zoo (Playground 1) (8/07-8/30) |
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Heart Beats Strong Pleasance Courtyard (Bunker 2) (8/05-8/31) |
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Helen Bradley: Painter and Storyteller Pleasance Courtyard (Cellar) (8/05-8/30) |