BWW Reviews: THE SASH, Kings Theatre, Glasgow, May 21 2013

2013 marks the 40-year anniversary of The Sash, Hector MacMillan's family drama based around sectarianism in Glasgow. It is also the first time it has been staged in Scotland in 20 years, which is surprising as it is still culturally relevant today.

Taking place on July 12th, the day of the infamous Orange walk, the play centres around a staunch Protestant father, Bill McWilliams, and his son Cameron who has started questioning his own beliefs and his participation in the walk.

One of the highlights of the show was the excellent Jane McCarry in the role of Bridget. As a stark contrast to the masculine Protestant household, Bridget is the Irish Catholic neighbour who is a far more likeable and sympathetic character. Stewart Porter as Bill, while not a likeable character by nature, plays his part brilliantly.

While the first act establishes Bill McWilliams' religious and political beliefs, the second act focuses more on character development. Bridget has a young pregnant niece living with her who explains to Cameron what life is like in Ulster. Already doubting his loyalty to the sash, he is faced with the decision of whether to turn his back on his upbringing and refuse to take part in the walk.

Some of the Glaswegian accents were a bit too strong; even as someone who has grown up in Glasgow I struggled in some places. Although sectarianism is still an issue, some elements of the production - for example the tenement-style housing and some of the slang terms used - do seem slightly outdated. Overall I found The Sash to be an enjoyable piece of theatre, but I wonder how well it would translate to audiences outside of Glasgow.

The Sash is on tour around Scotland.

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