PLACAS: The Most Dangerous Tattoo at Lorraine Hansberry Theatre

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2. PLACAS: The Most Dangerous Tattoo

San Francisco International Arts Festival (SFIAF), Central American Resource Center (CARECEN) and the Mission Cultural Center for Latino Arts (MCCLA) present playwright Paul S. Flores’ premiere of PLACAS, directed by Michael John Garcés of Cornerstone Theater and starring Ricardo Salinas of Culture Clash. PLACAS will premiere at the Lorraine Hansberry Theater in San Francisco’s Union Square, September 6 – 16, 2012.

PLACAS (barrio slang: a code word for graffiti tags, a nickname or body tattoos) is a stage drama that focuses on the human and local community ramifications of geo-political events. Set in today’s San Francisco it looks at the impacts that U.S. foreign policy and the Salvadoran Civil War of the 1980’s still has on migrant and refugee communities in the United States and throughout the Americas. In particular it addresses the issue of Central American street gangs that are a bi-product of the war and breaking the cycles of violence that both the gangs and government agencies perpetuate. PLACAS focuses on intergenerational relationships between young men and their fathers and uses the metaphor of tattoo removal as a way of moving forward and as a path to a possible solution.

PLACAS stars Ric Salinas as Salvadoran immigrant Fausto Carbajal, a now middle-aged ex-gang member recently released after nine years in prison. As a requirement of his parole Fausto must remove the tattoos that mark him as a member of his gang. Wearied by what has been a lifetime of violence, he accepts the terms. He is determined to reunite his family, traumatized by three decades of war, forced migrations and street crime. He returns to San Francisco to live with his mother, a war refugee, and hopes to re-unite with his ex-partner, Claudia and their now teenaged son, Edgar. Fausto visits Claudia and Edgar. But Edgar, who has not seen his father for most of his life, resents Fausto and displays disturbing character traits that remind Fausto of himself in his youth.

It is clear that the reunion will be difficult. Fausto realizes that his son is in danger of being initiated into a rival gang when Edgar is arrested for carrying a gun to school and placed on probationary house arrest. Fausto attempts to persuade Edgar against joining the gang and offers to move the family out of the neighborhood, but Edgar runs away. Fausto must find Edgar before the police do. His process of transformation is both physically and emotionally painful, but can he save himself, and is it enough and in time to save his son?

In street culture tattoos (placas) signify an individual member’s unswerving loyalty to the gang and also serve as a mechanism to create a new identity. Laser tattoo removal is a complicated and painful procedure that can take years to conclude. It is especially risky for ex-gang members, as their former comrades see it as betrayal and may target those who seek treatment. Partly because of this risk, gang prevention workers, police, probation officers, judges and case workers see tattoo removal as a legitimate step gang members can take toward reintegrating into civil society.