John Fisher's Acclaimed A HISTORY OF WORLD WAR II Comes to The Marsh, 11/8

John Fisher's Acclaimed A HISTORY OF WORLD WAR II Comes to The Marsh, 11/8Multi award-winning actor/playwright and Theatre Rhinoceros Artistic Director John Fisher will take audiences on a whirlwind tour of the past with his acclaimed solo show A History of World War II: The D-Day Invasion to the Fall of Berlin at The Marsh San Francisco. Offering a compendium of facts about WWII from the bungled plot to assassinate Hitler ("A mess! Organized by a bunch of loser bureaucrats!") to the big secret - how the Russians won the war for us ("They did all the work!"), this lauded production also surveys the best books on the topic, as well as the most attractive generals who fought the battles and the hottest actors who played them in the movies. Capturing the Best Actor award from the 2017 United Solo Festival, this highly entertaining work also demonstrates how WWII helped Fisher win boyhood battles with his older brother. A History of World War II: The D-Day Invasion to the Fall of Berlin will be presented November 8-December 15, 2018 (press opening: November 17) with performances 8:00pm Thursdays and 8:30pm Saturdays at The Marsh San Francisco, 1062 Valencia St., San Francisco. For tickets ($20-$35 sliding scale, $55-$100 reserved) or more information, the public may visit or call The Marsh Box office at 415-282-3055 (open Monday through Friday, 1pm-4pm).

A History of World War II: The D-Day Invasion to the Fall of Berlin was developed at Theatre Rhinoceros, the world's longest-running continuously producing professional queer theater, and the United Solo Festival in New York City, the world's largest solo theatre festival. In 2017, Fisher was named Best Actor at New York's United Solo Festival for his performance of this show. Before coming to The Marsh San Francisco, Fisher will perform A History of World War II: The D-Day Invasion to the Fall of Berlin at the Pangea in New York City, one of the premiere venues for solo performances in Manhattan. Both a rollicking ride and a cautionary tale, this vivid work offers a deeper look into obsession with violent things and where that can lead.

Since 2003, John Fisher (Writer/Performer/Director) has been the Executive/Artistic Director of the GLAAD Media Award Winning Theatre Rhinoceros, the longest running LGBT theatre in the nation. His recent playwriting includes Shakespeare Goes to War (nominated for six 2016 Bay Area Theatre Critics Circle Awards) and To Sleep and Dream (2014 Bay Area Theatre Critics Cirlce Award Winner for Best Script). Fisher is a two-time winner of the Will Glickman Playwright Award, and a recipient of a GLAAD Media Award for Best L.A. Theatre, two L.A. Weekly Awards, a Garland Award, two Cable Car Awards, a San Francisco Bay Guardian Goldie Award, and five Bay Area Theatre Critics' Circle Awards.

Jerry Metzker (Director) is a Bay Area playwright, dramaturg, and theater writer. His short plays have been produced by Abydos/The Directors Theatre in three separate play festivals. He has also had several workshop productions at the Marsh and previously adapted the works of Edgar Allan Poe for a special event at the Williamstown Theatre Festival. His first play, Hot Summer Night, was awarded an honorable mention by the Playwrights Foundation in 1999. He was integral in the formation of Theatre Bay Area's Playwrights Showcase and is currently a member of the Artists Development Lab.

The Marsh is known as "a breeding ground for new performance." It was launched in 1989 by Founder and Artistic Director Stephanie Weisman, and now annually hosts more than 600 performances of 175 shows across the company's two venues in San Francisco and Berkeley. A leading outlet for solo performers, The Marsh's specialty has been hailed by the San Francisco Chronicle as "solo performances that celebrate the power of storytelling at its simplest and purest." The East Bay Times named The Marsh one of Bay Area's best intimate theaters, calling it "one of the most thriving solo theaters in the nation. The live theatrical energy is simply irresistible."

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