Fun Home
9.1
Closed Sep 10, 2016
Fiddler on the Roof
8.8
Closed Dec 31, 2016
The King and I
8.7
Closed Jun 26, 2016
Spring Awakening
8.5
Closed Jan 24, 2016
She Loves Me
8.4
Closed Jul 10, 2016
Shuffle Along Or The Making of the Musical Sensation of 1921 and All That Followed
8.0
Closed Jul 24, 2016
An American in Paris
7.8
Closed Oct 9, 2016
A Gentleman's Guide to Love & Murder
7.7
Closed Jan 17, 2016
Les Miserables
7.7
Closed Sep 4, 2016
American Psycho
7.2
Closed Jun 5, 2016
Allegiance
6.8
Closed Feb 14, 2016
Bright Star
6.7
Closed Jun 26, 2016
Tuck Everlasting
6.6
Closed May 29, 2016
Disaster!
6.5
Closed May 8, 2016
Dames at Sea
6.2
Closed Jan 3, 2016
Finding Neverland
6.1
Closed Aug 21, 2016
Review Roundups
Teatro La Plaza's Hamlet is now playing Off-Broadway at Theatre for a New Audience. See what the critics are saying about the production in BroadwayWorld's Review Roundup here!
Seagull: True Story is officially open at The Public Theater’s LuEsther Hall. Following runs at La MaMa and London’s Marylebone Theatre, the play will now run through May 3. Read reviews for the production.
Dog Day Afternoon has officially arrived on Broadway at the August Wilson Theatre. Starring Emmy Award Winners Jon Bernthal and Ebon Moss-Bachrach, the new play is written by Pulitzer Prize winner Stephen Adly Guirgis and directed by two-time Olivier Award winner Rupert Goold. Check out what the critics are saying about the new play...
What do critics think of Red Bull Theater's TITUS ANDRONICUS, running now Off-Broadway, directed by Jesse Berger and starring Patrick Page, which runs through April 19?
See what the critics are saying about Tru Off-Broadway in BroadwayWorld's Review Roundup. The production starring Tony Award winner & five-time Emmy-nominee Jesse Tyler Ferguson as Truman Capote is presented for an audience of 99 patrons.
See what the critics are saying about The Public Theater’s world premiere play Public Charge, a new play based on true events written by former United States Ambassador Julissa Reynoso and award-winning playwright Michael J. Chepiga and directed by Tony Award winner Doug Hughes.
Regional Reviews
All Regional Reviews ›
Ottawa Little Theatre’s presentation of Kimberly Akimbo, written by David Lindsay-Abaire, is a fun, quirky, and deeply human musical about growing up amid unusual challenges. Set deep in the suburbs of New Jersey, we meet Kimberly (Sharon Bernbaum), a teenager navigating high school, family chaos, and a first crush while carrying more responsibility than anyone her age should, thanks to a rare disease and a dysfunctional family.
Berkely Rep’s co-production with La Jolla Playhouse of Ngozi Anywanu’s The Monsters is a joyous, heartwarming story of the bond between sister and brother that will want to make you hug your sibling. Both emotionally devastating and rewarding, The Monsters is brilliantly written, superbly acted by Anyanwu and Bay Area–born actor Sullivan Jones (HBO’s The Gilded Age, Slave Play on Broadway), and beautifully staged by Director Tamilla Woodard and her technical crew.
Featuring spot-on recreations of John, Paul, George, and Ringo-these guys are triple threats! They have mastered the group’s look, sound, and musicianship.
Carmen is the world’s third most performed opera. Its tale of the doomed love affair between an innocent young soldier and a beguiling young woman unconstrained by conventional beliefs was seen in more than 6,000 productions on five continents last year. This performance was in the opera’s original French with Spanish and English translations displayed above the stage.
What is the definition of crazy? Are you nuts? And perhaps the most unsettling question of all—would you be able to defend yourself in court if your sanity were put on trial? To be honest, I’m not entirely sure how successful I would be at convincing a judge to deem me fit for a regular trial… and that uneasy thought is exactly what lingered with me as I walked into Tom Toper's NUTS at The Weekend Theater, which ran March 6–22 in Little Rock.
In an enchanting evening of music, magic, and memorable performances, Theatre 29's production of 'Rodgers + Hammerstein's Cinderella' breathes new life into the classic fairy tale.
Packed with information, praise, and sublime musical performances, Marieann Meringolo's Bergman tribute show is an elegant and emotional entertainment.
BETTE AND JOAN – fame, fear, fervour, and feuding. This famous Hollywood feud delves into the unique paths of these two movie icons.
As Dionne Warwick took the stage at Groton Hill Music Center in Groton recently, before she had sung a single word, she was met by a rousing standing ovation. It was clear from the get-go that the capacity audience knew they were in the presence of a legend.
Come From Away is based on a true story of when the isolated community of Gander, Newfoundland played host to the world. What started as an average day in a small Canadian town turned into an international sleep-over when 38 planes, carrying thousands of people from across the globe, were diverted to Gander's air strip on September 11th, 2001.
For Starra Jones, a baller from rural Plainnole, Arkansas, fulfilling her mother’s dream of basketball glory is her prime motivation. Playing a style of ‘dirty’ ball, her braggadocio will lead her to a foul play in Candrice Jones’ Flex, making its West Coast premiere at SF Playhouse.
When it comes to the arts, there are a lot of things in DC that go either unnoticed or get lost in the shuffle. For almost twenty years now Ford’s Theatre has been presenting such a piece of theatre and it’s a very important one.
What I’m Here For (Danish title Flora) is a co-production between internationally acclaimed companies Vanishing Point (Scotland) and Teater Katapult (Denmark).
When the original production of Chicago opened on Broadway in 1975, its subtitle read “A Musical Vaudeville.” And as distinctively Bob Fosse-style as it was (and is in this excellent touring production of the 1996 revival), Chicago has always been a slight history of vaudeville.
See photos and a write up of the 4/1 Dutch Treat Club luncheon featuring performer Mark Nadler and author David Margolick, who presented his new book: When Caesar Was King: How Sid Caesar Reinvented American Comedy.
What did our critic think of GREG - CELEBRITY ROAST al TEATRO OLIMPICO?
Doing 90 Down Memory Lane at the Brave New Workshop is a laugh-out-loud comedy that feels like a fast-moving road trip through some of the company’s best sketches from the past few years. Framed as a springtime detour through Minnesota road closures, the show is a perfect mix of nostalgia and fresh humor, with a few throwback sketches that longtime fans will love.
SomeBODY once told me that Shrek The Musical Jr. would be a fun night at the theatre, but what I experienced at The Royal Theatre in Benton was a joyful, high-energy celebration of young talent, teamwork, and the kind of storytelling that reminds us all why we fell in love with theatre in the first place.
Inspector Morse: House of Ghosts brings the iconic TV detective to the stage in a new original mystery.
First performed in 1982, Sailmaker is a set text for National 5 English. It remains a powerful and resonant piece for audiences of all ages. The Gaiety is excited to revive Sailmaker for new audiences in association with Beacon Arts Centre, embarking on a Scottish tour concluding at The Gaiety.
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