Ronelle Grier

The cast is stacked with triple-threat performers who bring energy, heart, and humor to every scene—especially Dana Cimone as a spunky, vocally stunning Dorothy and Elijah Ahmed Lewis as a standout Scarecrow. Highlights like “Ease on Down the Road,” “Home,” and “Don’t Nobody Bring Me No Bad News” aren’t just nostalgic—they’re delivered with fresh, emotional power. Director Schele Williams and a top-notch creative team have crafted a production that’s not just a revival, but a reinvigoration, reminding us why The Wiz broke barriers in the first place—and why it’s still so necessary and joyous today.

The most impressive – and enjoyable - example is “Tip Tap Trouble,” a madcap chase scene where cops, musicians and gangsters pursue each other through multiple doors and a head-spinning array of costume changes.

Like the movie, the show depends on a strong and special actor in the title role, and McClure, who earned a Tony nomination for his performance in the Broadway production, exceeds expectations. Rather than attempting to mimic Williams’ iconic performance, McClure makes the role his own. With his impressive talent for vocal impressions, physical comedy and serious acting, he elicits laughter as the madcap Mrs. Doubtfire and empathy as a father suffering through a nasty divorce.