Lucia Serrano — Theater Critic

Leading the production is Jordan Markus, whose performance never slips into caricature. Instead, he channels Michael’s unmistakable vibrato, magnetic stage presence, and effortless dance swagger with remarkable control and emotional depth. Rarely leaving the stage, Markus carries the production with the energy and vulnerability that, at moments, makes audiences do a subtle double take, as if Michael himself were in the room.

Fans of the film will enjoy the nostalgia and appreciate how naturally its theatricality translates to the stage, while newcomers can surrender to this very specific world—even when it takes them on detours through hell, an underage wedding, and even a murder. Ultimately, underneath all the camp and spectacle, the show’s heart lies in its exploration of grief, family dynamics, and the need to be seen. As the opening number reminds us, this may be “a show about death,” but it is equally about love, connection, and laughter.