Chuck Darron

Taking on such an iconic and deeply-ingrained character is a courageous, if somewhat dangerous, move. Stallone's characterization is so rooted in our collective consciousness that it would be easy for Karl to hang Rocky's beat-up fedora on mere impersonation. But the Broadway vet ('Legally Blonde,' 'Jersey Boys') manages the near-impossible: He pays homage to Stallone's prototype but makes the character his own. He's not Stallone, but he is Rocky. That means he should start working on his acceptance speech for his inevitable Best Actor in a Musical Tony Award.