Aidan O'Connor — Theater Critic

The Notebook maintains much of what made its previous runs prosper while meticulously trimming unnecessary fat. Like the film, the musical follows Noah and Allie through three distinct periods – innocent love, reconciliation, and loss as a consequence of time. From fateful teenage adoration all the way through their final living moments together, this story showcases a simple love story for the ages.

“Beetlejuice” at The National Theatre takes the classic film and somehow breathes new life into it, even the dead characters. It’s packed with slapstick, quick-witted humor and over-the-top performances that will leave audiences smiling all night. Its fanbase alone is something to behold.There’s a reason this show got a second, and a third chance at Broadway. That reason is on full display in D.C. this month.

The music of Suffs, dominating much of the on-stage action, sets each subplot into motion with its lyricism telling a story through music rather than merely with music. Taub’s score possesses an innate theatricality that recognizes music’s power as a tool for inspiration particularly obvious in full ensemble numbers like “The Young Are the Gates” and the tear-inducing “Keep Marching.” Technically the score is packed with breathtakingly blended harmonies and vocally demanding numbers that showcase each performer's impressive range.