BWW Review: CASTLES Penetrates as Synaptic Synonymic Sensation Phantasm at Old 505 Theatre
by Brodie Paparella
- Sep 26, 2016
Pushing the boundaries of the performance art from is no easy task, and neither is adapting the quick-fire connective nature of the brain for the stage, and yet in House of Sands' Castles, Eliza Sanders accomplishes both, and more. In a work all at once intimate, quintessentially Australian, randomised and unbelievably funny, reviewing Castles is not a matter of attributing meaning, but asserting the importance of this inclusion in our arts landscape.
Northern NJ Community Foundation's ArtsBergen to Present Latin Dance Performance at Connect the Dots
by A.A. Cristi
- Sep 23, 2016
The Northern New Jersey Community Foundation's (NNJCF) ArtsBergen initiative presents guest performers Bogdan Tabaka and Juliana Henriques at the Connect the Dots event on Wednesday, October 19, 2016. The performance rounds out a program spotlighting tactical urbanism to be held at Fairleigh Dickinson University's Giovatto Library, located at 1000 River Road in Teaneck, New Jersey, from 6:00 p.m.to 8:00 p.m.
BWW Review: BROWNSVILLE SONG (B-SIDE FOR TRAY) Sounds a Call for Justice and Healing at Theatre Alliance
by Derek Schwabe
- Sep 22, 2016
'He was not.' A grieving grandmother repeatedly belts that powerful phrase across the audience from the opening scene of 'Brownsville Song (b-side for tray)'-an emphatic repudiation of the 10 second newsflash that has gutted the soul out of her dead grandson, Tray (Sideeq Heard). Another young, black life cut short on the jagged streets of Brooklyn's Brownsville neighborhood--same old story that flashes across TV screens and dots the local section of newspapers every day. But he, she insists, was not. Was not what? The phrase is never fully finished, but as 'Brownsville Song' plays on, you find yourself wondering less about what Tray wasn't, and reveling more in what he was.
BWW Review: Wilbury Group Starts the Season With Exciting UI [OO-EY]
by Robert Barossi
- Sep 20, 2016
There is a current trend in Hollywood to combine movies in a way that creates a 'cinematic universe.' This allows studios to create a number of movies that are all connected and can be tied together, usually because of a shared world of characters, think Marvel superheroes or the famous Universal Studios movie monsters. In an ingenious sort of experiment, Wilbury Group is kicking off its season with a production that creates a kind of 'theatrical universe,' by linking together three plays that would otherwise be thought of us very different and entirely separate. With masterful execution, Wilbury manages to create a fascinating and frightening world in which we can really believe these three disparate works might coexists.
Sherab Khandro Brings Peace to the Goldenstein Gallery
by Liz Cearns
- Sep 14, 2016
September 21 marks the 35th Anniversary of the International Day of Peace, established in 1981 by the United Nations. Peace Day provides a globally shared date for all humanity to commit to Peace above all differences and to contribute to building a Culture of Peace. On September 16, 2016, the Secretary-General of the United Nations will celebrate the Day in the Peace Garden at United Nations Headquarters by ringing the Japanese Peace Bell and observing a minute of silence. In Sedona, the public is invited to take part in 'Everyday Peace', the dedication of Sherab Khandro's "Wheel of Compassion" sculpture at L'Auberge de Sedona on Wednesday September 21, at 11am.
A. E. Degnan Releases THE BISMARCK MEMORANDUM
by Christina Mancuso
- Jul 26, 2016
A. E. Degnan aims to clear the believed misconceptions of some readers and the unawareness of others regarding the documented excesses of the Third Reich period through the eyes of fictional characters in 'The Bismarck Memorandum' (published by AuthorHouse). Supported with personal research and extensive studies, this historical tale connects the dots on this bizarre and unforgettable period in history through a new and unique approach.
BWW Interview: Lyrissa Leininger & Michael Kennedy of THE LITTLE MERMAID at Cabrillo Music Theatre
by Cary Ginell
- Jul 13, 2016
One important and valuable aspect of Cabrillo Music Theatre's long tenure in Ventura County is its devotion to casting talented young local performers in as many of its productions as it can. Cabrillo's casts are usually laden with a mix of professional Equity lead performers, local and regional talent from Southern California (and sometimes elsewhere), but especially home-grown youngsters. We spoke with two of the latter during a rehearsal session recently, Lyrissa Leininger, 16, and Michael Kennedy, 19, who have already gotten their feet wet (an appropriate pre-requisite for The Little Mermaid!) in a number of Cabrillo productions.
BWW Dance Review: ABT's 'Shostakovich Trilogy' by Ratmansky
by Barnett Serchuk
- May 31, 2016
A funny thing happened on the evening of May 22, 2016, at the Metropolitan Opera House, where ABT was presenting Alexei Ratmansky's 'Shostakovich Trilogy.' There were lots of empty seats. Since Ratmansky's reputation has pretty much enveloped the entire ballet world, I was very surprised to see this. On the other hand, an evening of three Shostakovich works can be enervating, putting high demands on the eyes and ears of an audience. Many might prefer to just stay away.
BWW Review: Thoroughly Modern LILLY'S PURPLE PLASTIC PURSE Dazzles First Stage Audiences
by Peggy Sue Dunigan
- May 17, 2016
Twenty years and 21st century technology bring Kevin Henkes' beloved picture book, Lilly's Purple Plastic Purse to First Stage this May and June to send their audiences into summer on a brilliant high. In a production combining three Henkes' stories, including 'Chester's Way' and 'Julius, Baby of the World,' Kevin Kling's theatrical adaptation of Henkes' tiny mice tales delightfully portray Lilly, 'Queen of the World.' Stories where Lilly discovers friendship and family carry her through those times when as Henkes wrote: 'Today was difficult, tomorrow will be better.'
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