BroadwayWorld talks to writer-performer Irma Herrera about 'Why Would I Mispronounce My Own Name?' which she has newly revised for a return engagement at The Marsh Berkeley running September 23 to October 21. Herrera uses humor to explore issues of othering and belonging, and ask what kind of society we want to be.
Artists Repertory Theatre has announced that Jeanette Harrison has been selected as the next Artistic Director. Harrison transitions into the role starting October 1, 2022, following a national search led by Arts Consulting Group (ACG) after the departure of Dámaso Rodríguez earlier this year.
The Public Theater and Elevator Repair Service will begin previews for the New York premiere production of BALDWIN AND BUCKLEY AT CAMBRIDGE with a Joseph Papp Free Performance on Saturday, September 24 in the Anspacher Theater.
M A R A Art Studio + Gallery opens the new season with “Emerge: Translation from Sight to Surface,” a series of mixed-media works by Brigitta Sultana. The exhibit runs October 4-21, with an opening reception on October 7, 5:30-7:30 p.m. The gallery is at 1421 5th Street, Rosemary District, Sarasota. For more information, call (941) 914-8110 or visit MaraStudioGallery.com.
Shan Shui: An Ode to Nature will be staged again from 14 to 16 October 2022 at Lyric Theatre, The Hong Kong Academy for Performing Arts. Premiered in 2021 as Hong Kong Dance Company's opening performance for its 40th anniversary dance season, the show has won wide acclaim and was selected as one of ISPA 2022's Pitch New Works projects.
Jonathan Larson's musical tells the story of an aspiring musical theatre writer having a quarter-life crisis. The reason to see this production in particular is Lauren Steele. A Drammy-winning actor (and also a massively talented singer-songwriter) with a powerhouse voice, Steele steals this show.
As he gears up for the release of his debut album, The End Of Everything, next month, Atlanta-based rising alt-pop artist Forrest Isn’t Dead has released a pair of new singles, “Heaven” and “Earth,” with a two-part video series to accompany the songs. Watch the new music video below, both directed by Noah Lamport, now!
The Casual Dots is a trio formed in Washington, DC in 2002, featuring Christina Billotte (Slant 6, Quixotic, Autoclave) on vocals and guitar, Kathi Wilcox (Bikini Kill, Frumpies) on guitar and backing vocals, and Steve Dore (Snoozers, Deep Lust) on drums. The band has announced their new album, Sanguine Truth, produced by Fugazi's Guy Picciotto.
Following sell out runs at this year's Edinburgh Festival, and previously at Soho Theatre, Liz Kingsman's critically acclaimed One-Woman Show transfers to the West End for a strictly limited six-week run later this year.
The Public Theater and Elevator Repair Service will kick off The Public’s 55th anniversary season with the New York premiere production of BALDWIN AND BUCKLEY AT CAMBRIDGE. BALDWIN AND BUCKLEY AT CAMBRIDGE will begin performances in the Anspacher Theater with a Joseph Papp Free Performance on Saturday, September 24.
Principe Discos member DJ Lycox brings Kuduro rhythms to “Cool Cool”. Durban producer General C’mamane transforms “See Something” into a gqom anthem. One Million” is reimagined as a rolling amapiano banger by Caltonic SA. French-Gabonese producer Banga adds her signatures chords and percussion to “Abeka Bugatti.”
Whitmer Thomas shares a wistful video for “Most Likely,” the latest from his recently announced new album, The Older I Get The Funnier I Was, out on Hardly Art. The track features guest vocals from comedian Mitra Jouhari and Great Grandpa’s Al Menne. Watch the new music video now! Plus, check out upcoming tour dates!
Duke City Repertory Theatre is back and in-person this October with the world premiere of Opinionated Slut, a new play written by local playwright/novelist/screenwriter, Elizabeth Dwyer.
Simon and his mother, Ora, have always been close. She’s been his champion, his defender, and his friend. But when a life-changing secret comes to light, can their bond survive? 2020 Foeller Fellow Tyler Thomas directs this exquisitely wrought WTF-commissioned play by Harrison David Rivers that explores how people can change and how love can evolve
Williamstown Theatre Festival will celebrate a bustling week of programming at WTF including tonight’s first performance of we are continuous, tomorrow’s first performance of Just For Us, and Sunday’s one-time-only benefit performance of Jimmy Naughton & Friends, and announces casting for tiny father, the final reading in the Fridays@3 series.
Performers... you're in a lift and you have 30-seconds to sell your show... GO, GO GO!
The work of Pulitzer Prize and Tony Award-winning composer Jonathan Larson returns to Portland Center Stage after a 7-week run of his blockbuster musical Rent. Larson's autobiographical musical tick, tick … BOOM! was written before Rent and is in many ways its origin story. Featuring a similarly rocking score, it offers a backstage tour of the love and sweat Larson put into making his Broadway musical dreams a reality.
Writer and performer Jenna Fincken blogs for Broadway World about premiering Ruckus at the Fringe. She details how she has sensitively created work which deals with real people’s experiences, self-care for her audiences and how theatre challenges social narratives.
Hong Kong Dance Company is launching their 2022/23 Dance Season. Be ready to indulge yourself with many enticing dance programmes! The new dance season opens with Myth of the Dancing Durumi, an anthology of Korean folk dance.
What did our critic think of GET OUT ALIVE at Haven Chicago? Lynette is not afraid to share the vivid, traumatic details of her life with the audience, including her suicide attempt. While I don’t usually provide content warnings for any theater, the way Lynette recounts some of her past experiences is so raw and so detailed that it feels dangerous. I’m all for theater that presents audiences with the opportunity to become uncomfortable and ask questions, but Lynette pushes the limit. Ultimately, it’s clear that the process of writing and performing GET OUT ALIVE was an invigorating experience for Lynette.
