The 2009 winner of the George London-Leonie Rysanek Award and American opera's latest Rigoletto: Marjorie Owens, soprano, and Quinn Kelsey, baritone, with Myra Huang, piano, will offer the second event in the season's George London Foundation Recital Series at The Morgan Library & Museum on Sunday, December 10, 2017, at 4:00 pm.
Central City Opera's 2018 Summer Festival, which runs from July 7 to August 5, 2018, features Mozart'sThe Magic Flute and Verdi's Il trovatore in repertory. Also performed in smaller venues throughout Central City are one-act productions of Handel's Acis and Galatea and the 40th Anniversary of Henry Mollicone's Face on the Barroom floor, a Central City Opera commissioned work.
Two of opera's rising young American stars open the 2017-18 concert season of The George London Foundation for Singers with a duo recital on Sunday, October 29, 2017, at 4:00 pm.
Before trick-or-treating begins, start the fun this October with Seattle Opera's "riotously funny" (The Australian) The Barber of Seville. Following The Wicked Adventures of County Ory ('16), stage director Lindy Hume and Maestro Giacomo Sagripanti return to create yet another colorful, eye-catching production with toe-tapping melodies-including one of the most iconic overtures of all time. The performance also includes an appearance by Juilliard-trained burlesque sensation, Marc Kenison, who performs in Seattle and beyond as Waxie Moon. Kenison will bring his comedic and dance stylings to the highly physical role of Ambrogio.
Lyric Unlimited has announced casting for the Chicago premiere of Fellow Travelers. Tenor Jonas Hacker and baritone Joseph Lattanzi will sing the lead roles of Timothy Laughlin and Hawkins Fuller, two men who fall in love during the height of the McCarthy era in 1950s Washington D.C. Devon Guthrie will sing the role of Mary Johnson, Hawkins's assistant and Timothy's confidante.
Madison Opera's Opera in the Park celebrates its sixteenth year today, July 22 at 8pm in Garner Park on Madison's West Side. The annual free concert of opera and Broadway favorites closes the company's 2016/17 season and provides an enticing preview of the 2017/18 season.
Madison Opera's Opera in the Park celebrates its sixteenth year on Saturday, July 22 at 8pm in Garner Park on Madison's West Side. The annual free concert of opera and Broadway favorites closes the company's 2016/17 season and provides an enticing preview of the 2017/18 season.
The George London Foundation for Singers has been honoring, supporting, and presenting the finest young opera singers in the U.S. and Canada since 1971.
Soprano Amber Wagner, a 2010 George London Award Winner, and baritone Reginald Smith, Jr., who won his George London Award in 2015, make their New York recital debuts at the final program in the George London Foundation Recital Series, and the final event in the foundation's season, on Sunday, April 2, 2017, at 4:00 pm. Alan Darling is the recital's pianist; a reception with the artists follows the concert.
Tenor Paul Appleby, the 2011 George London Award winner who, it was recently announced, will be in the cast of the world premiere of John Adams's Girls of the Golden West with San Francisco Opera next season, teams up with mezzo-soprano and 2015 George London Award winner Sarah Mesko and pianist Ken Noda for the season's second event in the George London Foundation Recital Series at The Morgan Library & Museum on Sunday, March 5, 2017, at 4:00 pm.
The winners of the 46th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of an audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.
Tomorrow afternoon, 18 young American and Canadian opera singers will perform with pianist Craig Rutenberg before a panel of judges and an enthusiastic audience at New York's Morgan Library & Museum, hoping to win a George London Award, an honor that has been conferred upon hundreds of the best young singers since 1971.
Lyric Opera of Chicago and Lyric Unlimited are proud to present the Chicago premiere of a jazz-infused operatic event, Charlie Parker's YARDBIRD. Directed by Ron Daniels, this 90-minute chamber opera by Daniel Schnyder and Bridgette A. Wimberly explores the extraordinary life of legendary jazz saxophonistCharlie Parker.
Opera is for everyone-and so is Seattle Opera's 2017/18 season! There's a new bilingual performance for elementary-school students, new performance venues such as Georgetown Steam Plant, a new mainstage collaboration with ACT Theatre and Seattle Symphony leaders, and even an outdoor performance offered free of charge. Regardless of background or socioeconomic status, this season offers ways for a broad audience to be able to experience opera; it's an open invitation for the Pacific Northwest.
Lyric Opera of Chicago and Lyric Unlimited are proud to present the Chicago Premiere of a jazz-infused operatic event, Charlie Parker's Yardbird - A Chamber Concert.
SEATTLE – Seattleites, you've been warned: There's a cheeky bad boy causing a ruckus this summer, and he's headed straight for McCaw Hall! Seattle Opera presents The Wicked Adventures of Count Ory—a brand-new production that packs the punch of a Broadway musical with a nod to the humor and visual style of Monty Python. This Rossini comedy takes place in a medieval French village—while the men are off fighting the Crusades, the ladies are easily enticed by the notoriously naughty Count Ory. Australian Stage Director Lindy Hume and Production Designer Dan Potra have let their imaginations run wild, creating a mashup of medieval France and psychedelic '70s flower power.
The Las Vegas Philharmonic releases single tickets for sale on Monday, June 20th to its thirteen Reynolds Hall performances in the new 2016 - 2017 concert season, which runs from Saturday, September 10, 2016 through Saturday, May 27, 2017.
As Charlie “Bird” Parker, the great jazz saxophonist, who is the central character in CHARLIE PARKER'S YARDBIRD--the opera that had its New York premiere last week at the famed Apollo Theatre in Harlem--Lawrence Brownlee wonderfully embraced the classical and bebop sides of the score.