Many Broadway favorites have filmed pilots this year including Phillipa Soo, Lesli Margherita, Brian d'Arcy James, Andy Karl, and more. As the year continues, the networks are beginning to make decisions on what will be picked up for a full series, and what won't see beyond the pilot.
Last night, WeWork announced five winners received $742,000 in funding at the San Francisco Creator Awards Regional Semi-Final event at Palace of Fine Arts. The Creator Awards is a global initiative awarding funding to entrepreneurs, small business, nonprofits, performing artists, and more who are thinking in new ways, building fresh projects, and achieving real change.
Casting for the upcoming Boston engagement of the long-awaited hit Broadway musical, Disney's Aladdin has been announced. Performances at the Boston Opera House play July 5 - August 5, 2018 as part of the 2017-2018 Lexus Broadway In Boston Season.
Hiro Murai has signed a first look producing deal with FX Productions, it was announced today by Eric Schrier and Nick Grad, Presidents of Original Programming for FX Networks and FX Productions. Under the agreement, Murai will develop new television projects for FX Networks and other outlets.
The animated adult television series ANIMALS. returns for its ten-episode third season FRIDAY, AUG. 3 (11:30 p.m.-midnight ET/PT), exclusively on HBO. From Duplass Brothers Productions, the show was created by Phil Matarese & Mike Luciano.
Last night, WeWork announced five winners received $742,000 in funding at the San Francisco Creator Awards Regional Semi-Final event at Palace of Fine Arts. The Creator Awards is a global initiative awarding funding to entrepreneurs, small business, nonprofits, performing artists, and more who are thinking in new ways, building fresh projects, and achieving real change.
New Adventures is delighted to announce six international tour dates for Matthew Bourne's "CINDERELLA" spanning China, Japan and America. The tour opens at the Beijing Tianqiao Performing Arts Centre on Tuesday 7 August 2018 before travelling to Shanghai; Tokyo; Charlotte and Washington, finishing with a five-week season in Los Angeles in March 2019. Full tour schedule below.
Backstage at the Geffen, the Geffen Playhouse's annual fundraiser event, has launched its online auction featuring luxury vacations, one-of-a-kind artwork and VIP experiences. Proceeds will benefit the Geffen's mission to produce original, quality work and raises funds for its award-winning education and community engagement programs, which bring live theater to more than 15,000 disadvantaged youth, seniors and veterans annually.
Mother's Day could be extra-special this year for the moms of the University of Michigan Department of Musical Theatre (UMSMTD) 2018 graduating class. Most likely, many of them will accompany their just-graduated seniors to New York City and celebrate Mother's Day on the Great White Way. Then, on Monday, May 14, 19 of the 20 UMSMTD grads will be having their first professional auditions in their chosen career of theatre.
National Endowment for the Arts Chairman Jane Chu has approved more than $80 million in grants as part of the NEA's second major funding announcement for fiscal year 2018. Included in this announcement is an Art Works grant of $60,000 to Flushing Town Hall for performing arts programming. The Art Works category is the NEA's largest funding category and supports projects that focus on the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and/or the strengthening of communities through the arts.
The first of four extraordinary hour-long performances produced by New York City Opera in Bryant Park this summer, watch passions flare in this adaptation of Carmen, one of the world's most beloved operas. The innkeeper Lillas Pastia narrates the tempestuous story of the irresistible seductress Carmen and her hapless lover Don José in this hour-long presentation of highlights from Carmen, Bizet's beloved opera, from New York City Opera. Offered to the New York public free-of-charge, this presentation is a perfect introduction to opera for newcomers of any age.
Sharon Playhousein Sharon, CT under the new management team of Artistic Director Alan M-L Wager and Managing Director Robert Levinstein, announced today the complete casting and creative teams for its 2018 mainstage summer season.
What was it that led Vincent van Gogh to sever his left ear and give it to a prostitute? The Sower, by California native Schuyler Mastain, is a ninety minute, one-act drama led by an ensemble of five Los Angeles based actors that explores a powerful moment in the life of one of our most celebrated artists. As part of the Hollywood Fringe Festival. The Sower opens June 2nd at Stephanie Feury Studio Theatre - 5636 Melrose Ave. Los Angeles, CA 90038.
It is always exciting when you sit in a theater to see the world premiere of a new musical. The Arena Stage's Kreeger Theater was a buzz in anticipation of SNOW CHILD which is a co-production with Alaska's Perseverance Theatre. Why Perseverance? Well, Arena Stage's Artistic Director Molly Smith actually grew up in Alaska, returned there after schooling and founded the Perseverance Theatre in Juneau. She served as Artistic Director there for 19 years before coming to Arena Stage. Four years ago, Smith and Perseverance Artistic Director Art Rotch discussed the idea for an adaptation for SNOW CHILD.
As one of the nation's leading professional theaters and recipient of the 2016 Regional Theatre Tony Award, Paper Mill Playhouse (Mark S. Hoebee-Producing Artistic Director, Todd Schmidt-Managing Director) has a well-earned reputation for launching both performers and shows to Broadway
Dear Readers, we're about to enter the realm of my favorite show of all time, that of Howard Ashman and Alan Menken's musical masterpiece "Little Shop of Horrors". I tell you this in advance so you'll understand the gravitas of my critique of anyone attempting this particular show and I've seen many. I've seen touring productions, local productions both large and small, and even one production set in an actual skid row. I even managed to see a certain Encores production with a certain movie star and the original Audrey (sigh). And now comes Reboot Theatre Company with their affinity for non-traditional casting/staging/etc. Add into that the fact that they're performing this at the Slate theater where the stage is about the size of the full-grown plant and this could be a recipe for disaster. And while I may have had a technical qualm or two, what I also saw was a company that understands the show and a production that has more heart in one tentacle than some productions have in their whole plant.
As kid musicals go, SCHOOL OF ROCK isn't half bad. It falls somewhere between ANNIE and MATILDA on the Richter scale of stories about downtrodden kids overcoming obstacles to win in the end. It's got enough emotional oomph to tug on your heartstrings and it gives you plenty of reasons to happily cheer the underdogs on. It's also making stars out of its young cast members, right and left.