Vaclav Havel News

The Public Theater announced the 2014 Fall Public Forum season, featuring an exciting line-up of one-night-only readings and discussions that connect dramatic literature to society. Celebrating its fifth year, the popular Public Forum series presents the theater of ideas: conversations and performances with leading voices in politics, media, and the arts.

First workshopped as a reading through Boomerang Theatre and then at an award winning staged reading at 2013's Planet Connections Festivity, BOHEMIAN VALENTINE makes its World Premiere fully staged premiere at the 2014 New York Fringe Festival. It will be performed at 'Teatro LATEA at the Clemente (107 Suffolk Street).' Performance dates are TODAY, AUGUST 9th - 1pm, TUESDAY AUGUST 12th - 2pm, MONDAY AUGUST 18th - 8:45pm, WEDNESDAY AUGUST 20th - 8:45pm, and THURSDAY AUGUST 21st - 4:45pm. Running time is approximately 90 minutes with no intermission.

Internationally produced playwright Deborah Brevoort premieres her new farce The Velvet Weapon at Trustus Theatre in The Vista. This script is the winner of the Trustus Playwrights' Festival, an annual competition that gives a full production to a new original work. This world premiere production of Brevoort's The Velvet Weapon will run from tonight, August 8th at 8:00pm through August 16th, 2014. BroadwayWorld has a sneak peek at the cast below!

First workshopped as a reading through Boomerang Theatre and then at an award winning staged reading at 2013's Planet Connections Festivity, BOHEMIAN VALENTINE makes its World Premiere fully staged premiere at the 2014 New York Fringe Festival. It will be performed at "Teatro LATEA at the Clemente (107 Suffolk Street)." Performance dates are SATURDAY AUGUST 9th - 1pm, TUESDAY AUGUST 12th - 2pm, MONDAY AUGUST 18th - 8:45pm, WEDNESDAY AUGUST 20th - 8:45pm, and THURSDAY AUGUST 21st - 4:45pm. Running time is approximately 90 minutes with no intermission.

Internationally produced playwright Deborah Brevoort premieres her new farce The Velvet Weapon at Trustus Theatre in The Vista. This script is the winner of the Trustus Playwrights' Festival, an annual competition that gives a full production to a new original work. This world premiere production of Brevoort's The Velvet Weapon will run from Friday August 8th at 8:00pm through August 16th, 2014. BroadwayWorld has a sneak peek at the cast below!

Mad Cat Theatre Company's BANNED/NEW will play at Books & Books, 265 Aragon Avenue, Coral Gables starting next month on Wednesday, August 27th at 8:00 pm.

In the wake of recession, the internationally renowned Belarus Free Theatre presents an urgent new exploration of how theatre has depicted money throughout the ages; from ancient Greece, through the Elizabethan golden-age to today's fractured economy.

The Treasure House Theater follows up its acclaimed production of The Cherry Orchard last summer with a fresh take on Henrik Ibsen's classic drama HEDDA GABLER translated by Rolf Fjelde. Directed by Daniel Paul, performances begin previews June 5 at ArcLight Theatre with opening set for June 12.

Wilson Milam, a native of the Seattle area and a Tony-nominated director who has worked nationally and in the United Kingdom, returns to the Seattle area to lead a cast of nineteen UW School of Drama undergraduates in tackling Vaclav Havel's The Beggar's Opera.

Wilson Milam, a native of the Seattle area and a Tony-nominated director who has worked nationally and in the United Kingdom, returns to the Seattle area to lead a cast of nineteen UW School of Drama undergraduates in tackling Vaclav Havel's The Beggar's Opera.

Certainly anyone who has worked in a corporation, and especially those who are so hooked into the online world via Twitter, will identify with the characters and situations in THE MEMORANDUM. And even though parts of it may go over your head politically, the clear message that corporations zap individuality will come through loud and clear.

Theatre Communications Group (TCG), the national organization for theatre and home of the U.S. Center of the International Theatre Institute (ITI-US), has released Brett Bailey and Diane Rodriguez's World Theatre Day 2014 messages. Each year, a renowned theatre artist of world stature is invited by ITI Worldwide in Paris to craft the International Message, which is then translated into more than 20 languages to mark the global occasion. This year, TCG has renewed their tradition of asking a noted U.S. artist to also reflect on the themes of World Theatre Day.

Silk Road Rising to present three staged readings of Rituals of Signs and Transformations, written by Saadallah Wannous, translated from Arabic into English by Nada Saab and Robert Myers, and directed by Sahar Assaf, this weekend, March 8 and 9, 2014.

New York's theater season has had a distinctive Shakespearean flavor to it with the critically acclaimed Shakespeare's Globe productions of Twelfth Night, or What You Will and Richard III (in repertory at the Belasco Theater), Lincoln Center Theater's Macbeth, the Bard's The Comedy of Errors (Shakespeare in the Park), King Lear (by Theatre for a New Audience in Brooklyn), and the Wooster Group's Cry, Trojans! (Troilus & Cressida). The Drama Desk's annual Spring Luncheon/Panel Discussion at Sardi's Eugenia Room, 234 West 44th St., on Friday, April 4, will try to answer the questions 'Why Shakespeare? Why Now?' with a distinguished lineup of guests, including British actor/director Michael Pennington (King Lear); Scott Shepherd (Cry, Trojans!, The Wooster Group's Troilus & Cressida); and director Daniel Sullivan (The Comedy of Errors, Shakespeare in the Park). Carol Rocamora, a renowned playwright/critic and educator, will serve as moderator.

Silk Road Rising to present three staged readings of Rituals of Signs and Transformations, written by Saadallah Wannous, translated from Arabic into English by Nada Saab and Robert Myers, and directed by Sahar Assaf, on March 8 and 9, 2014.

Artistic Director Carey Perloff announced today that American Conservatory Theater will present the exclusive California screening of Peter Brook: The Tightrope, a new and definitive documentary on the creative process of legendary theater director Peter Brook, on Monday, March 24 at 7 p.m. at A.C.T.'s Geary Theater (415 Geary Street, San Francisco).

Guy Roberts is an actor/director with a mission. As Founder and Artistic Director of Prague Shakespeare Company, he dreams of leading his company to recognition as the premiere English-language classical theatre in continental Europe. Now in his sixth year of living and working in Prague, he has already made great strides toward that goal.

We are now well into the second wave of Vaclav Havel productions, where his work is being re-examined from a variety of perspectives-experiments which, in and of themselves, are a testament to his staying power. Ambassador Theater's current production of 'Protest' at the Mead Theater Lab marks the culmination of a year-long celebration here in Washington, D.C. of the playwright-President's legacy. Under the direction of Gail Humphries-Mardirosian audiences can now witness a fascinating re-interpretation of what is perhaps Havel's deepest, most confessional work on life under an oppressive regime.

CAPS LOCK THEATRE presents THE SEX WITH ROBOTS FESTIVAL, a series of short plays about sex with robots, written by a formidable group of playwrights: Micheline Auger, Danny Bowes, J. Julian Christopher, Richard Lovejoy & Eric Meyer, Mariah MacCarthy, Mac Rogers, Leah Nanako Winkler and Natalie Zutter, with a robot sex song cycle by Nat Cassidy. The festival is set for today, November 5-10 at the Secret Theatre in Long Island City.

3-Legged Dog Media and Theater Group has announced the 2013-2014 season, including three 3LD/3D+ productions, a 3LD Co-Production with Untitled Theater #61, the 3LD Salon Series, and the second year of 3LD Liminal Stage.