In Extremis Theater Company is pleased to announce its world-premiere production of Happy by Liz Thaler (The Fresh Fruit Festival's The Peddler's Tale, FringeNYC's Courtney and Kathleen: A Riot Act) as part of F*ckFest, a sex-positive theater festival at The Brick. This production, directed by Lauren Miller (FringeNYC's How Do You Say Mother in Esperanto?, Producer of newTACTics at TACT/The Actors Company Theatre) and produced by Peryn Schmitt, will be presented at The Brick in Williamsburg, Brooklyn (579 Metropolitan Avenue) for 4 performances: Today, June 20th at 2PM, Sunday June 21st at 5PM, Saturday June 27th at 6PM, and Sunday June 28th at 5PM. The performance runs 95 minutes with no intermission.
In Extremis Theater Company is pleased to announce its world-premiere production of Happy by Liz Thaler (The Fresh Fruit Festival's The Peddler's Tale, FringeNYC's Courtney and Kathleen: A Riot Act) as part of F*ckFest, a sex-positive theater festival at The Brick. This production, directed by Lauren Miller (FringeNYC's How Do You Say Mother in Esperanto?, Producer of newTACTics at TACT/The Actors Company Theatre) and produced by Peryn Schmitt, will be presented at The Brick in Williamsburg, Brooklyn (579 Metropolitan Avenue) for 4 performances: Saturday June 20th at 2PM, Sunday June 21st at 5PM, Saturday June 27th at 6PM, and Sunday June 28th at 5PM. The performance runs 95 minutes with no intermission.
Actor James Denton ('DESPERATE HOUSEWIVES') is in town to promote his new show 'GOOD WITCH' on the Hallmark Channel. Last night, he attended TACT's 'ABUNDANCE' to see his friend Todd Lawson, who plays Jack in the show. He congratulated Todd and the rest of the cast after the show. Scroll down for a photo!
Abundance, now playing at the Beckett Theatre, was commissioned in 1989 and is based on true life stories of pioneering women . . . Clearly well researched, Abundance manages to feel both intimate and sweeping . . . Director Jenn Thompson makes one feel like a voyeur. When unexpressed, emotions are evident, when manifest, frequently physically, they're visceral. Characters are defined by carriage as well as dialogue and allotted time to think. Outbursts are never too big to be credible. The stage and minimal set are well used.
ABUNDANCE, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart), is an epic tale of friendship set against the backdrop of the sweeping American West. Abundance is directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production of William Inge's Natural Affection. Performances began at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) on February 17, and the production opened last weekend on March 1. Performances will continue through March 28, 2015. BroadwayWorld has photos from the opening night festivities below!
Playwright Beth Henley was in the audience on Saturday night (February 28) to see TACT's production of her play, ABUNDANCE. The cast was not told she was there until after the show and were thrilled to meet her. Scroll down to see her beaming backstage with the cast!
'Parks and Recreation' cast member Jim O'Heir (who played Jerry Gergich) came to see TACT/The Actors Company Theatre's production of ABUNDANCE last night, February 25. Turns out, O'Heir has worked with three out of the five cast members and loved the show. Scroll down for a photo!
TACT/The Actors Company Theatre presents Abundance, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart). An epic tale of friendship set against the backdrop of the sweeping American West, Abundance will be directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production ofWilliam Inge's Natural Affection. Performances began at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) on February 17. Opening night is set for this Sunday, March 1, 2015. Performances will continue through March 28, 2015. Go behind the scenes and see highlights from the production in the trailer below!
TACT/The Actors Company Theatre presents Abundance, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart). An epic tale of friendship set against the backdrop of the sweeping American West, Abundance will be directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production of William Inge's Natural Affection. Performances begin at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) tonight, February 17, 2015. Opening night is set for Sunday, March 1 at 6:00pm. Performances will continue through March 28, 2015. BroadwayWorld has a first look at the cast in action below!
TACT/The Actors Company Theatre presents Abundance, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart). An epic tale of friendship set against the backdrop of the sweeping American West, Abundance will be directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production of William Inge's Natural Affection. Performances begin at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) tonight, February 17, 2015.
TACT/The Actors Company Theatre presents Abundance, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart). An epic tale of friendship set against the backdrop of the sweeping American West, Abundance will be directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production of William Inge's Natural Affection. Performances begin at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) on Tuesday, February 17, 2015. Opening night is set for Sunday, March 1 at 6:00pm. Performances will continue through March 28, 2015. BroadwayWorld has a sneak peek at the cast in rehearsal below!
TACT/The Actors Company Theatre is pleased to announce the cast and creative team for Abundance, the 1990 play by Pulitzer Prize-winning playwright Beth Henley (Crimes of the Heart). An epic tale of friendship set against the backdrop of the sweeping American West, Abundance will be directed by TACT Co-Artistic Director Jenn Thompson, who directed last season's production of William Inge's Natural Affection. Performances begin at Theatre Row's Beckett Theatre (410 West 42nd Street - between 9th & 10th Avenues) on Tuesday, February 17, 2015. Opening night is set forSunday, March 1 at 6:00pm. Performances will continue through March 28, 2015.
Plaza Suite opened at the John W. Engeman Theater last weekend on May 31 and continues through July 13, 2014. BroadwayWorld has a first look at the cast in action below!
Plaza Suite opened at the John W. Engeman Theater yesterday, May 31, and runs through July 13. BroadwayWorld was there for the opening night- check below for photos!
Sometimes it takes a village, but here, it just takes two very talented actors to bring a village to life. Playwright Marie Jones and actors Clinton Brandhagen and Todd Lawson take an old story and make it new by presenting it as a two-man play. The results are a thoroughly entertaining acting tour-de-force.
Center Stage announces casting for the upcoming Stones in His Pockets, by Marie Jones. Directed by Derek Goldman, rehearsals for this award-winning Irish comedy begin Monday, December 16. Preview performances will start January 15 and the production runs through February 23.
Baltimore, MD-December 2013. Center Stage announces casting for the upcoming Stones in His Pockets, by Marie Jones. Directed by Derek Goldman, rehearsals for this award-winning Irish comedy begin Monday, December 16. Preview performances will start January 15 and the production runs through February 23.
Director Michael Kahn and leading man Brandon Urbanowitz breathe new life into Harvey Fierstein's magnum opus of three one-act plays. Torch Song Trilogy still offers universal truths about love and relationships that go beyond straight or gay points of view. The play continues through October 13 in the Mead Theater.
I still remember seeing my first Broadway show as a child. It had everything possible: drama, comedy, and, most importantly, depth and a broad spectrum of emotion. Shows weren't pigeon-holed into one genre or another; they were expansive and beautiful works that could elicit every possible feeling from the audience and leave you feeling elated, as if you had been a part of the magical journey of the characters on stage. Nowadays, it seems as though many of the plays and musicals lack the dimension of the great shows of yesterdays and leave the audiences craving more. Whatever happened to the gripping stories that could make you laugh, cry, loathe and love all in the same two hours? While they may have gone astray in the last few years, there is finally a shining light on Broadway's horizon that can restore the lackluster Great White Way to its former glory, and 'One for My Baby' will be that beacon.
