Stormy Weather, written by Sybil Williams and artistically directed by Timothy Nelson, is a musically immersive, cabaret-style performance, inspired by Shakespeare's The Tempest, that presents to the audience to the tribulations of colonization through the lens of Sycorax (Michelle Rogers).
Soprano Amanda Palmeiro, now performing the title role at English language performances of Butterfly for the InSeries, deserves an opera career as sensational as her voice. Already a prize-winner at Met auditions, she'll perform Papagena with the Washington National Opera's Domingo Cafritz Young Artists program at the Kennedy Center in November.
The Washington-based IN Series, an intrepid company positioning itself at the center of changing the nature of opera, is returning to the Baltimore Theatre Project as part of a collaborative effort between the two organizations to regenerate indy-opera in Baltimore. Having brought the final production of their 2018-2019 season, THE TALE OF SERSE, to BTP this past June, the company now mounts a truly major statement: BUTTERFLY, a new version of Puccini's classic and beloved Madama Butterfly that strips the work of its layers of exoticism and artifice, wrestling with its troubling issues of racism and misogyny, to arrive at an intimate theater experience that reveals the raw emotional power held within this unforgettable score. The company will bring two performances of this production to Baltimore Theatre Project September 28th and 29th.
Rare as it is to hear Handel's opera 'Serse' at all - it was scarcely performed at all for 200 years following its 1738 debut - it's even more unusual to hear it melded to the poetry of Rumi, the Sufi mystic who predated the composer by half a millennium.
Timothy Nelson, a gradute of Peabody conservatory, forged his opera-directing career in Baltimore as founder and head of American Opera Theater (2001-2008). After pursuing a career overseas in London and Amsterdam, he returned to the Baltimore-Washington region in August of 2018 to become Artistic Director of the In Series, a DC based opera-theater company sharing his long-held commitment to innovating the art form and reaching new audiences. With this production, touring to the Baltimore Theatre Project for three performances, Nelson returns to the city he considers home and brings innovative staged opera-theater back as well.
"I don't like works which require an explanation," begins Timothy Nelson, the new Artistic Director for the In Series, at Sunday's performance of Viva VERDI. Even after Mr. Nelson describes the performance with great detail, he encourages the audience to embrace their inevitable confusion. Instead, Mr. Nelson explains, this is a work that should be felt rather than understood. Keeping true to Mr. Nelson's suggestion, Viva VERDI is a work that only a genius could fully understand. Nevertheless, it is one of the most emotionally stirring performances I have seen in recent memory.
Concluding an international search, the board of directors of the In Series - Opera & More has chosen stage director and conductor Timothy Nelson as the new Artistic Director of the nonprofit organization. Nelson succeeds Founding Artistic Director and Executive Producer Carla Hubner, who will retire at the end of the current 'Legacy' season, the company's 36th under her leadership including three decades of producing a signature brand of pocket opera.
Over 500 filmmakers, celebrities, media and screen industry representatives turned out to celebrate the very best in Western Australian screen production at the 28th Annual WEST AUSTRALIAN SCREEN AWARDS, hosted by comedian Rhys Nicholson
FTI announced the successful 2016 nominees for the 28th Annual West Australian Screen Awards (WASAs) at an event held on Monday 30 May 2016 at The Standard bar in Northbridge.
Opera Grand Rapids is delighted to present the Midwest premiere of Christoph Willibald Gluck's 1774 Paris opera version of "Orpheus and Eurydice" (Orphee et Eurydice), an opera so influential in its style that it set the stage for several subsequent operas and influenced countless composers from Mozart and Beethoven to Wagner.
The Lyric Hammersmith today announces its Spring 2016 Season. They will present the first professional production of Simon Stephen's HERONS since the play premiered at the Royal Court in 2001, directed by the Lyric's Artistic Director Sean Holmes. This is followed by the return of their co- production with Filter Theatre of A MIDSUMMER NIGHT'S DREAM last staged in 2012. Whilst the Royal Opera will present, two contemporary operas, PLEASURE by Mark Simpson featuring well-known British soprano Lesley Garrett and the world premiere of Sarah Kane's 4:48 PSYCHOSIS by Philip Venables, both presented in association with the Lyric.
The Lyric Hammersmith today announces its Spring 2016 Season. They will present the first professional production of Simon Stephen's HERONS since the play premiered at the Royal Court in 2001, directed by the Lyric's Artistic Director Sean Holmes. This is followed by the return of their co- production with Filter Theatre of A MIDSUMMER NIGHT'S DREAM last staged in 2012. Whilst the Royal Opera will present, two contemporary operas, PLEASURE by Mark Simpson featuring well-known British soprano Lesley Garrett and the world premiere of Sarah Kane's 4:48 PSYCHOSIS by Philip Venables, both presented in association with the Lyric.
Gotham Chamber Opera announces Edward Barnes as the company's new Executive Director, effective June 1, 2015. Mr. Barnes will succeed Gotham's previous executive director, David Bennett, who will become general director of the San Diego Opera. In addition, David Rubeo has been promoted to Associate Director.
Through it's grant-making to thousands of nonprofits each year, the National Endowment for the Arts (NEA) promotes opportunities for people in communities across America to experience the arts and exercise their creativity.
Gotham Chamber Opera announces its 15th Anniversary Season, which will begin in the fall of 2015 with a 15th Anniversary Celebration Concert (date and venue tba). The season continues in February 2016 with Alessandro Stradella's 1675 San Giovanni Battista (Saint John the Baptist)in a co-production with the Netherlands Nationale ReisOpera, and a concert at (le) poisson rouge, 158 Bleecker Street, NYC, featuring a new work by David Hertzberg, winner of the Catherine Doctorow Prize for Music. The season concludes with the New York premiere of Charlie Parker's Yardbird, a co-production of the Apollo Theater, Gotham Chamber Opera and Opera Philadelphia, at the world famous Apollo Theater in May/June 2016.
The Night of a Thousand Gowns celebrating the LGBT community - the colorful cross-dressing segment of that community -took place on Saturday, March 31 in New York City. In its twenty-six year history, the Court has donated over a million dollars to worthy LGBT, HIV/AIDS and youth enrichment related causes. This year the Night of a Thousand Gowns raised important funds to benefit PFLAG NYC and New Alternatives. BWW was there to cover this event. Check out the red carpet photos below!
The GRAMMY Foundation® (www.grammyintheschools.com) announced today that 30 talented high school students from across the United States have been selected for positions in the 2011 GRAMMY® Jazz Ensembles.
The GRAMMY Foundation® (www.grammyintheschools.com) announced today that 30 talented high school students from across the United States have been selected for positions in the 2011 GRAMMY® Jazz Ensembles.
What happens when a digital artist, an opera director, and a music ensemble decide to put on a show? One result is Annunciation + Visitation, a unique musical performance exploring two vastly different expressions of female sexuality.
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