New York City Opera's VOX Contemporary American Opera Lab, a free annual festival that showcases new American opera, will be featured this Sunday, July 25 at 2pm in an exclusive webcast on Cued Up on Q2 on Classical 105.9 WQXR's twenty four-hour contemporary classical music stream, Q2.
The Metropolitan Opera announced plans for a series of free outdoor events this summer: operatic recitals that will take place in parks throughout the city and encore screenings of the Met's popular HD shows in Lincoln Center Plaza.
Starting next month, the Met will present Summer HD Encores, a series of popular Live in HD screenings from recent seasons, featuring opera's greatest stars in productions of repertory classics. Beginning June 16 and running through July 28, six operas will be shown in more than 400 movie theaters across the United States.
The Metropolitan Opera announced plans for a series of free outdoor events this summer: operatic recitals that will take place in parks throughout the city and encore screenings of the Met's popular HD shows in Lincoln Center Plaza.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Affirming the role of New York City Opera as a leader in the development of American opera, the company's celebrated annual new music festival, the newly-renamed VOX Contemporary American Opera Lab, will return on Friday, April 30, and Saturday, May 1, to the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University.
Alban Berg's modernist masterpiece Lulu returns to the Met, starring Marlis Petersen as the scandalous femme fatale and conducted by the Met's newly appointed Principal Guest Conductor Fabio Luisi.
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
On Wednesday, April 21 at 8:00pm conductor Anne Manson will lead the Juilliard Orchestra and Vocal Artists in Francis Poulenc's highly emotive Dialogues of the Carmelites, the final production of The Juilliard Opera Center season, directed by Fabrizio Melano.
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
James Levine has withdrawn from the four performances of Tosca and three performances of Lulu he was scheduled to conduct in April and May. He is to undergo corrective surgery for an ongoing lower back problem. Fabio Luisi will replace Levine for both Tosca (April 14, 17, 20, and 24 mat.) and Lulu (May 8, 12, 15 mat.).
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
The Metropolitan Opera announced today that it has been awarded a $1.1 million endowment grant from the Lauritz Melchior Heldentenor Foundation, which is dissolving and turning over its assets to the Met.
New York City Opera will celebrate the opening of its 2010 Spring Season on Thursday, March 18, with a gala performance of Emmanuel Chabrier's glittering, comic L'Étoile, followed by a grand evening on the Promenade of the David H. Koch Theater and dancing to waltzes played by the New York City Opera Orchestra.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
On Wednesday, April 21 at 8:00pm conductor Anne Manson will lead the Juilliard Orchestra and Vocal Artists in Francis Poulenc's highly emotive Dialogues of the Carmelites, the final production of The Juilliard Opera Center season, directed by Fabrizio Melano.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
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