On Monday, March 11, at 8:00 p.m., the versatile and commanding mezzo-soprano Stephanie Blythe, joined by frequent collaborator, pianist Warren Jones, makes her Carnegie Hall recital debut in Stern Auditorium / Perelman Stage with a deeply personal program of American song. Ms. Blythe's program features Twelve Poems of Emily Dickinson, a set of songs written for her by the late composer James Legg, and Samuel Barber's Three Songs, Op. 10, powerful settings of three poems by James Joyce. Also featured are songs by Tin Pan Alley songwriters Ray Henderson, Cole Porter, and Irving Berlin.
The Dallas Opera has announced that Broadway legend and Drama Desk and Tony Award-winning director, producer, playwright, and lyricist Jack O'Brien has been engaged to direct the company's world premiere production of GREAT SCOTT, a new, full-length opera by acclaimed American composer Jake Heggie (Moby-Dick) and the Tony Award-winning playwright/librettist Terrence McNally (Master Class) in their first joint opera since their groundbreaking masterpiece, Dead Man Walking.
New York City Opera opens its spring 2013 season with a new production of Powder Her Face (1995), composed by Thomas Adès (b.1971) to a libretto by Philip Hensher (b. 1965).
New York City Opera has announced the appointment of Myra Huang, whom Opera News has praised as 'among the top accompanists of her generation' and 'a colouristic tour de force,' as Head of Music Staff. The announcement comes on the eve of a 2013 season full of new productions, beginning with Thomas Adès' Powder Her Face, directed by Jay Scheib, February 15-23 at BAM.
The Metropolitan Opera and The Juilliard School jointly announced plans today for a semi-staged concert performance of Gluck's Armide, the second collaboration between the two institutions, following last season's acclaimed new production of The Bartered Bride, conducted by James Levine and staged by Stephen Wadsworth.
This November, in Juilliard School's Peter Jay Sharp Theater, Anne Manson will conduct the U.S. premiere of Sir Peter Maxwell Davies' Kommilitonen! (Young Blood!) - an opera co-commissioned by Juilliard and the Royal Academy of Music - which received its world premiere in London this past March to remarkable critical acclaim. The production opens Juilliard's 2011-12 Vocal Arts season on Wednesday, November 16 at 8 PM, with additional performances on Friday, November 18 at 8 PM and Sunday, November 20 at 2 PM. David Pountney, librettist of the opera, provides stage direction, sets and costumes are by Robert Innes Hopkins, and choreography is by Carolum Choa.
This November, in Juilliard School's Peter Jay Sharp Theater, Anne Manson will conduct the U.S. premiere of Sir Peter Maxwell Davies' Kommilitonen! (Young Blood!) - an opera co-commissioned by Juilliard and the Royal Academy of Music - which received its world premiere in London this past March to remarkable critical acclaim. The production opens Juilliard's 2011-12 Vocal Arts season on Wednesday, November 16 at 8 PM, with additional performances on Friday, November 18 at 8 PM and Sunday, November 20 at 2 PM. David Pountney, librettist of the opera, provides stage direction, sets and costumes are by Robert Innes Hopkins, and choreography is by Carolum Choa.
This November, in Juilliard School's Peter Jay Sharp Theater, Anne Manson will conduct the U.S. premiere of Sir Peter Maxwell Davies' Kommilitonen! (Young Blood!) - an opera co-commissioned by Juilliard and the Royal Academy of Music - which received its world premiere in London this past March to remarkable critical acclaim. The production opens Juilliard's 2011-12 Vocal Arts season on Wednesday, November 16 at 8 PM, with additional performances on Friday, November 18 at 8 PM and Sunday, November 20 at 2 PM. David Pountney, librettist of the opera, provides stage direction, sets and costumes are by Robert Innes Hopkins, and choreography is by Carolum Choa.
The Metropolitan Opera and The Juilliard School jointly announced plans today for a semi-staged concert performance of Gluck's Armide, the second collaboration between the two institutions, following last season's acclaimed new production of The Bartered Bride, conducted by James Levine and staged by Stephen Wadsworth.
Metropolitan Opera Radio on Sirius XM (Channel 74) will celebrate the 40th anniversary of James Levine's Metropolitan Opera debut with a full week of Levine performances. Fifteen historic performances, three of which join the archival rotation on Sirius XM for the first time, will air in rotation for an entire week, beginning May 30 and ending June 5. The broadcasts will be introduced by Levine and other artists, some of whom will also pay tribute to the Met Music Director's extraordinary career in special segments between operas.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
Virginia Opera announces Joseph Rescigno (Pronunciation: Rescigno - re-SHEEN-yoe) as guest conductor for Wagner's production of The Valkyrie. Maestro Joseph Rescigno has served since 1981 as Artistic Advisor and Principal Conductor of the Florentine Opera Company in Milwaukee, WI where he conducts some of the company's most challenging and exciting repertory. He has conducted symphonies, concertos, operas, and oratorios for more than 50 companies on four continents.As a frequent guest conductor, Joseph Rescigno has conducted the New York City Opera, Lyric Opera of Chicago, Washington National Opera, Hungarian State Opera, Opera Theater of St. Louis, Seattle Opera, Glimmerglass Opera, Vancouver Opera, Teatro Bellini, l'Opéra de Marseille, and l'Opéra de Montreal among others. The symphony orchestras he has conducted include the Montreal Symphony and the Milwaukee Symphony orchestras, both of which he has conducted in their regular subscription series as well as in opera productions.As Artistic Director of l'Orchestre Métropolitain of Montreal, Maestro Rescigno made four recordings in four years: works by Beethoven, Brahms, and Mendelssohn, and operatic and concert arias by Mozart featuring Lyne Fortin. Two additional recordings round-out his discography: One is Verismo, arias with Diana Soviero. The other is Minoru Miki's Joruri, of which he conducted the world and Japanese premieres.
The Metropolitan Opera and The Juilliard School jointly announced plans today to stage Bed?ich Smetana's The Bartered Bride, the first co-production between the two arts institutions.
Virginia Opera announces Joseph Rescigno (Pronunciation: Rescigno - re-SHEEN-yoe) as guest conductor for Wagner's production of The Valkyrie. Maestro Joseph Rescigno has served since 1981 as Artistic Advisor and Principal Conductor of the Florentine Opera Company in Milwaukee, WI where he conducts some of the company's most challenging and exciting repertory. He has conducted symphonies, concertos, operas, and oratorios for more than 50 companies on four continents.As a frequent guest conductor, Joseph Rescigno has conducted the New York City Opera, Lyric Opera of Chicago, Washington National Opera, Hungarian State Opera, Opera Theater of St. Louis, Seattle Opera, Glimmerglass Opera, Vancouver Opera, Teatro Bellini, l'Opéra de Marseille, and l'Opéra de Montreal among others. The symphony orchestras he has conducted include the Montreal Symphony and the Milwaukee Symphony orchestras, both of which he has conducted in their regular subscription series as well as in opera productions.As Artistic Director of l'Orchestre Métropolitain of Montreal, Maestro Rescigno made four recordings in four years: works by Beethoven, Brahms, and Mendelssohn, and operatic and concert arias by Mozart featuring Lyne Fortin. Two additional recordings round-out his discography: One is Verismo, arias with Diana Soviero. The other is Minoru Miki's Joruri, of which he conducted the world and Japanese premieres.
Tenor Paul Appleby is joined by pianist Brian Zeger for a solo recital as the winner of Juilliard's 14th annual Alice Tully Vocal Arts Recital Award on November 30 at 8 PM in Alice Tully Hall (Broadway at 65th Street). The program features Schubert's song cycle, 'Die schöne Müllerin', on poems by Wilhelm Müller.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
New York City Opera General Manager and Artistic Director George Steel today announced the company's 2010-2011 season, which spotlights American composers and 20th-century works within a mix of world premieres, New York premieres and new productions. Offering audiences the opportunity to experience new and rarely performed operas as well as modern interpretations of traditional repertoire, the 2010-2011 season will also feature the launch of a concert series showcasing the non-operatic works of several of the composers of this season's operas. Taking advantage of the possibilities offered by the recent renovation of the company's home, the David H. Koch Theater, the concert series expands the repertoire and programming of City Opera and casts new light on the season's productions.
