Susan Walters News

Read BroadwayWorld's review for NEW YORK BALLET: VISIONARY VOICES at the Kennedy Center.

The cast and crew of CBS and Sony Television’s THE YOUNG AND THE RESTLESS celebrated the 50th anniversary of daytime’s #1 drama at an exclusive event on Friday, March 17, in Los Angeles at The Vibiana. Check out the photos here!

New York City Ballet has announced programming for their 2021 Digital Season for the week of May 3-8, and programming and casting details for NYCB’s 2021 Spring Gala film, premiering on Wednesday, May 5 at the Company’s first-ever virtual gala.

New York City Ballet has announced week three programming for their digital season. 'See The Music' episode on Johannes Brahms' score for George Balanchine's Brahms-Schoenberg Quartet, featuring NYCB Resident Conductor Clotilde Otranto captured during a 2019 'See the Music' presentation, with an introduction by NYCB Music Director Andrew Litton.

On Tuesday, September 29, at 8pm EDT, NYCB will release an All Balanchine program of Tschaikovsky Pas de Deux and 'The Unanswered Question' from Ivesiana, with excerpts from Symphony in C, Liebeslieder Walzer, Episodes, and Stravinsky Violin Concerto.

Today (May 29) in live streaming: Montego Glover visits Backstage LIVE, the cast of Dear Evan Hansen takes over Stars in the House, and so much more!

Today (May 28) in live streaming: Josh Groban is back for movie night, Steven Pasquale has a Classic Conversation, and so much more!

Today (May 27) in live streaming: Chad Kimball visits Backstage Live, Debra Messing and Victoria Clark visit Stars in the House, and so much more!

Today (May 26) in live streaming: Star Trek Voyager reunites, a new episode of It's the Day of the Show Y'all, and so much more!

New York City Ballet has announced programming for week six of their digital season! Check out the schedule below!

New York City Ballet has announced the third week of programming for its digital season. Check it out below!

In a play on 'Sankofa', looking backwards to move forward served Dance Theatre of Harlem well in this sneak peek of the season to come. Returning to the Guggenheim Museum for the first time since 1971, the company revealed an incredible lineup of dancers who were eager to prove their mettle in ballets by George Balanchine and Arthur Mitchell.

New York City Ballet opened its spring season with a week of 21st-century ballets-no Balanchine, or Robbins, just anything that was created after 2000. Some prove eminently worthwhile and destined to remain in the company's repertoire for a long time; others, I'm not quite sure.

The new artistic director and co-director of the New York City Ballet looked a little nervous Tuesday as they awkwardly welcomed the Kennedy Center audience to their annual week-long residency.

As weather heats up, Summer Escapes featuring new movies every Sunday continues on this July on Lifetime. With sizzling new titles, murder, mayhem and even a few cheerleaders, the fun continues all summer long!

Freeform announced today that the GLAAD award-winning series will conclude with a special three-night series finale event that will premiere on Monday, June 4 at 8:00 p.m. and conclude on Wednesday, June 6 at 8:00 p.m. with a supersized episode.

On Saturday evening, October 14, 2017, at the David H. Koch Theater, I saw a performance by NYCB including five contemporary pieces choreographed by four members of NYCB and the fifth who had trained at SAB (School of American Ballet, the official school of NYCB).

One of the finest ballet companies in the country is in town this week at the Kennedy Center for two programs that feature the work of some of the world's most famous choreographers.

Justin Peck's newest work, 'The Decalogue,' was placed at the far end of a daunting program this past Thursday as part of New York City Ballet's expansive 'Here/Now' festival. Following Lynne Taylor-Corbett's resonate 'Chiaroscuro,' Jorma Elo's sublime 'Slice to Sharp,' and Peter Martins' transportive, if overlong, 'Stabat Mater,' the sting of anticlimax would have been difficult to avoid for even the most robust work. The evening's narrative was moving to an aesthetic statement, but riding these pieces was also a burden of archaic catharsis which 'The Decalogue' is not equipped to shoulder. However, if dislodged from the context of the program, Justin Peck's newest work represents his most mature excavation of dance form and gives hope that ballet can be not simply dressed up in new fashion, but have its soil tilled for invigorating innovation.