BWW Review: AROUND THE WORLD IN 80 DAYS Charms the Crowd at The Alley
by Alexander Garza
- Mar 28, 2016
The feel-good family friendly show is fast paced, well-performed, and will have you laughing out loud. The show is full of wit, quips, and charm. The show will close in less than a week, and it's one that you do not want to miss this season. Don't forget to bring the kiddos. The comedy was adapted by Playwright Mark Brown, based on the 1873 novel by Jules Verne, and the production is directed by Mark Shanahan. The story is about Phileas Fogg's attempt to circumnavigate the globe within eighty days as a result of a wager with members of the London-based aristocratic group, the Reform Club.
Photo Flash: Go Inside ELF's Opening Night at Theater Madison Square Garden!
by Tyler Peterson
- Dec 15, 2015
ELF The Musical is playing at the Theater at Madison Square Garden for a limited three week engagement from December 9 through December 27, 2015. Tickets are available attheateratmsg.com/elf. The company celebrated the official New York opening night on Wednesday, December 9 at Pennsylvania 6. Check out photos below!
STAGE TUBE: Behind the Scenes on the Making of NATASHA, PIERRE AND THE GREAT COMET OF 1812
by Christina Mancuso
- Dec 11, 2015
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, presents Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novelWar and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton. Check out a behind the scenes look at the making of the show below!
Photo Flash: NATASHA, PIERRE AND THE GREAT COMET OF 1812 Soars Again at the A.R.T.
by Nicole Rosky
- Dec 9, 2015
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, presents Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novelWar and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton. Check out a first look at the cast in action below!
Carnegie Hall's Weill Music Institute to Present THE SOMEWHERE PROJECT
by Tyler Peterson
- Dec 9, 2015
In celebration of Carnegie Hall's 125th anniversary, the Weill Music Institute (WMI) has launched The Somewhere Project, a citywide exploration of West Side Story. This extensive creative learning project is engaging people through events in all five boroughs of New York City, plus those outside the city through online content, all anchored by a large-scale production of West Side Story, the classic American musical based on a conception by Jerome Robbins, with music by Leonard Bernstein, lyrics by Stephen Sondheim, and book by Arthur Laurents.
Photo Flash: First Look at Rehearsals for A.R.T.'s NATASHA, PIERRE & THE GREAT COMET OF 1812
by Christina Mancuso
- Nov 23, 2015
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus, is pleased to present Dave Malloy's musical adaptation of an excerpt from Leo Tolstoy's monumental novel War and Peace, directed by Rachel Chavkin, with choreography by Sam Pinkleton. Check out a first look at rehearsals below!
ELF THE MUSICAL Adds Performance at the Smith Center
by Sally Henry Fuller
- Nov 13, 2015
?Due to popular demand, NETworks Presentations, LLC, Warner Bros. Theatre Ventures and Unique Features have added a performance of ELF The Musical to the five-day run at The Smith Center for the Performing Arts in Las Vegas, with the additional show on Saturday, Nov. 28 at 10 a.m. Tickets are available now.
BWW Review: THE OTHER PLACE Misses The Mark
by Alexander Garza
- Nov 3, 2015
I've always liked the intimacy of the Neuhaus stage at the Alley Theatre. I was left feeling like I witnessed real theatre magic through the special effects, interesting dialogue, and over the top violence in LIEUTENANT OF INISHMORE, and felt hopeful and inspired by the end of ROCK N' ROLL. But THE OTHER PLACE, written by Sharr White and directed by Don Stephenson, didn't really leave me thinking or feeling anything special after seeing it. It seemed more like an acting exercise for the talented cast rather than a play that would provide any type of catharsis for the audience.
« prev … 36 next »
|
|