Pasadena Playhouse, the State Theater of California, will transform the historic theater with an all new version of Ragtime: The Musical as it returns to Los Angeles more than two decades after its premiere at the Shubert Theatre. With 21 actors and a 16-piece orchestra, this is one of the most ambitious productions in the Playhouse's recent history.
NYC agent, Mark Orsini, will read your play and offer constructive critique during a 1 hour script consultation! Plus Mr. Orsini will treat you to a drink and a private tour of the exclusive Players Club in NYC!
Pasadena Playhouse, the State Theater of California, presents Ragtime: The Musical. One of the most ambitious projects ever produced at the Playhouse, Ragtime: The Musical is written by Terrence McNally, and composed by Stephen Flaherty with lyrics by Lynn Ahrens. It is directed by David Lee and will be performed Tuesday, February 5 through Sunday, March 3, 2019. Press opening is February 10, 2019 at 5:00pm.
The Players, New York's storied social club for the dramatic arts and its patrons, will be holding its Spring Gala on May 18 at the historic clubhouse on Gramercy Park.
The Players, New York's storied social club for the dramatic arts and its patrons, will be holding its Spring Gala on May 18 at the historic clubhouse on Gramercy Park.
Dance We Must: Treasures from Jacob's Pillow, 1906-1940 explores the contributions of Jacob's Pillow founder Ted Shawn and the iconic Ruth St. Denis to American modern dance. Gathering over 350 materials, including more than 30 costumes and accessories, over 200 photographs, five original antique costume trunks, and a dozen original artworks from both the Jacob's Pillow Archives and Williams College Special Collections, the exhibition contextualizes the pioneering work of Shawn and St. Denis within the scope of American art history through artifacts that have never been seen before. Dance We Must will be on view at Williams College Museum of Art (WCMA) from June 29 through November 11, 2018. The opening celebration will take place on July 2, featuring performances by Adam H. Weinert and Williams College Artist-in-Residence in Dance Erica Dankmeyer.
RAGTIME is a 1996 musical about the American experience at the turn of the 20th century with a book by Terrence McNally, lyrics by Lynn Ahrens, and music by Stephen Flaherty. The score is inspired by the musical styles of the period and includes marches, cakewalks, gospel and, of course, ragtime. Based on E. L. Doctorow's 1975 novel of the same name about early 20th century America, the story weaves together the disparite lives of three groups: African Americans, represented by Harlem musician Coalhouse Walker Jr. (Ben Toomer); the White upper-class of suburbia, represented by Mother (Emma Hearn), a New Rochelle matriarch; and immigrants, represented by Tateh (Trevor Berger), a Jewish immigrant from Latvia. The musical's message of acceptance and hope in the face of challenges is even more relevant today than it was two decades ago.
On Monday, April 2nd at 9:30pm, Christopher Sloan & Gavin Esham want YOU to vote them to Broadway after getting to know them during Chris & Gavin's Broadway Campaign Spectacular, an evening of sketch comedy, song and unintentional nudity that tackles hot topics.
Romantic and recent choral music from Scandinavia and the Baltic States performed by the St. Bartholomew's Choir in the grand St. Bart's sanctuary, and the Dorian Wind Quintet playing jazz compositions in the intimacy of the St. Bart's Chapel - these are upcoming spring events presented by Great Music at St. Bart's (more information below).
Revival Theatre Company (RTC) proudly opens its fourth season with Ragtime in Concert written by Terrence McNally, with lyrics by Lynn Ahrens and music by Stephen Flaherty. Ragtime, set in early 20th century New York City, introduces the American experience through three different perspectives: African Americans, represented by Coalhouse Walker Jr., a Harlem musician; upper-class suburbanites, represented by Mother, the matriarch of a white upper-class family in New Rochelle, New York; and Eastern European immigrants, represented by Tateh, a Jewish immigrant from Latvia. Many turn of the 20th century historical figures are featured including Harry Houdini, Evelyn Nesbit, Booker T. Washington, J. P. Morgan, Henry Ford, Stanford White, Harry Kendall Thaw, Admiral Peary, Matthew Henson, and Emma Goldman.
The Players, New York's storied social club for the dramatic arts and its patrons, marks the 129th anniversary of its Opening Night with one of the city's most memorable New Year's Eve celebrations.
The December events presented by Great Music at St. Bart's are among New Yorkers' favorite holiday traditions: seasonal music in the beautiful spaces of St. Bartholomew's Church.
The December events presented by Great Music at St. Bart's are among New Yorkers' favorite holiday traditions: seasonal music in the beautiful spaces of St. Bartholomew's Church.
Great Music at St. Bart's, the concert series produced by the Mid-Manhattan Performing Arts Foundation (MMPAF), for the past seven years has presented music in St. Bartholomew's Church, a parish of the Episcopal Diocese of New York located in the heart of midtown Manhattan. The magnificent 1918 Romanesque-style church features a portal designed by Stanford White and a grand Byzantine-style interior and two of New York's unlikely but outstanding concert spaces: the 150-seat chapel, an intimate and acoustically brilliant space that is perfectly suited for contemporary chamber music, and the majestic 1,000-seat sanctuary outfitted with comfortable chairs enabling flexible seating whose Aeolian-Skinner pipe organ is the largest in New York City and one of the finest examples of the American Classic Organ in the U.S.
The Lambs Club is everything you want in a chic, gourmet restaurant. Located on West 44th Street at The Chatwal Hotel, the 80-seat restaurant and 65-seat lounge is in one of New York City's landmarked buildings.
In a bold, beautiful, and powerful production of Ragtime, the Ogunquit Playhouse gives its audience a compelling reminder that, as E. I. Doctorow once said, 'history is the present.' The 1996 musical with book by Terrence McNally, music by Stephen Flaherty, and lyrics by Lyn Ahrens resonates perhaps even more strongly today than it did then with its raw grappling with the issues of race, prejudice, hope and violence and the struggle to define and achieve the American dream. Set in the volatile melting pot of pre- World War I America with its booming industrialization, the influx of vast waves of immigrants, and the social norms challenged by tenuous race relations, Ragtime weaves together the stories of three very different families as each seeks to find his place in the American tapestry.
The Hampton Roads theatre scene is bursting with talent, and some of it is on display in Peninsula Community Theatre's enjoyable production of RAGTIME. The production follows three distinct societal classes in New York at the turn of the 20th century. Exploring themes of racism, anti-Semitism, anti-immigrant bias and radicalism, RAGTIME is just as relevant to today's America as with the stories featured in PCT's production.