The University of Washington School of Drama will present William Shakespeare's As You Like It, directed by School of Drama Acting & Directing faculty member Jeffrey Frace, February 10th - 19th at the Glenn Hughes Penthouse Theatre on the University of Washington Seattle campus.
The Old Globe presents a revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.
Daryl Roth, Elizabeth Ireland McCann and Cody Lassen, the producers of Indecent -- the newest work by Pulitzer Prize-winning playwright Paula Vogel (HOW I LEARNED TO DRIVE) -- have announced that the entire original Off-Broadway ensemble will travel to Broadway when the production begins previews at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues), on April 4, prior to its official opening night on April 18.
Abingdon Theatre Company, under the artistic direction of Tony Speciale, presents the world premiere of CHESS MATCH NO. 5, conceived and directed by Anne Bogart, with text arranged by Jocelyn Clarke from the words of John Cage.
The Old Globe today announced the complete cast and creative team for its revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.
The University of Washington School of Drama will present William Shakespeare's As You Like It, directed by School of Drama Acting & Directing faculty member Jeffrey Frace, February 10th - 19th at the Glenn Hughes Penthouse Theatre on the University of Washington Seattle campus.
The UC San Diego Department of Theatre and Dance presents Though it May Shift, a dance performance and theatre work that investigates the intrinsic tension between the contrasting forces in language and movement, linear and nonlinear, simultaneous and singular.
I first heard about Kurt Weill's final musical masterpiece, LOST IN THE STARS, when I was studying his body of work during my senior year at CSUN. It was at a time, such as now, when society was being torn apart by opposing political forces, protests filled the streets, and racial inequality was being challenged in the wake of Dr. Martin Luther King's assassination. And I have been waiting since then to see a production of the "musical tragedy" which opened on Broadway in 1949, just one year prior to Weill's death at age 50, at a time when segregation was still rampant in America. I am thrilled to report my wish came true last weekend at UCLA's Royce Hall when the Los Angeles Chamber Orchestra, in partnership with CAP UCLA, presented the first Los Angeles performance since the 1950s of LOST IN THE STARS.
Los Angeles Chamber Orchestra, in partnership with CAP UCLA, presents the first Los Angeles performance since the 1950s of LOST IN THE STARS Kurt Weill's powerful, uncompromising social indictment of apartheid-era South Africa, on Today, January 28, 8 pm, and Sunday, January 29, 2017, 7 pm, at UCLA's Royce Hall.
The UC San Diego Department of Theatre and Dance presents Though it May Shift, a dance performance and theatre work that investigates the intrinsic tension between the contrasting forces in language and movement, linear and nonlinear, simultaneous and singular.
On a rainy January 19, at 5:30 p.m. on the steps in front of Actors Theatre of Louisville, members of the Louisville theatre community took part in launching a nation-wide initiative entitled The Ghost Light Project. Besides Actors Theatre, there were representatives from other local companies such as Kentucky Shakespeare, Looking for Lilith, The Liminal Playhouse, Theatre [502], the University of Louisville's African American Theatre Program, among others.
At 5:30pm tonight, January 19, 2017, at sunset the eve of the Inauguration, more than 500 theaters, ensembles and companies, high school and university theater programs will gather across the country to light a light and make a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone - regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.
Artistic Directors Doug Aibel and Sarah Stern announce Kate Tarker as the ninth recipient of Vineyard Theatre's Paula Vogel Playwriting Award named in honor of playwright and teacher Paula Vogel, whose plays INDECENT, HOW I LEARNED TO DRIVE (Pulitzer Prize for Drama) and THE LONG CHRISTMAS RIDE HOME premiered at The Vineyard.
Page 73 Productions (Page 73) has named John J. Caswell Jr. the 2017 P73 Playwriting Fellow. Selected from over 400 applicants, Caswell will receive a $10,000 award and additional $10,000 budgeted for developing several new plays over the course of the year.
As previously announced, at 5:30pm on January 19, 2017, at sunset the eve of the Inauguration, more than 500 theaters, ensembles and companies, high school and university theater programs will gather across the country to light a light and make a pledge to stand for and protect the values of inclusion, participation, and compassion for everyone - regardless of race, class, religion, country of origin, immigration status, (dis)ability, gender identity, or sexual orientation.
Not since 1950 have audiences in L.A. been able to see a live professional performance of Kurt Weill's musical masterpiece LOST IN THE STARS. That changes this month when the Los Angeles Chamber Orchestra, led by Music Director Jeffrey Kahane, presents a brand new production in partnership with CAP UCLA. Set during the era of South African apartheid, the devastating tale of a black minister whose son accidentally kills a white neighbor's son explores racial inequalities and the courage it takes to forgive when faced with an impossible moral dilemma.
Celebrating the unique ability of music and the arts to address challenging social and moral issues, Los Angeles Chamber Orchestra (LACO) presents LIFT EVERY VOICE, a three-week, city-wide series of free and ticketed concerts, conversations and community engagement curated by LACO Music Director Jeffrey Kahane from January 14 to 29, 2017, at venues across the Southland. LIFT EVERY VOICE, conceived and curated by Kahane to explore themes of tolerance, compassion, cooperation and creativity along with the power of music to encourage understanding and promote peace, was inspired by the lives of human and civil rights champions Rabbi Joachim Prinz, composer Kurt Weill and Martin Luther King, Jr. The series is a signature part of Kahane's 20th and final LACO season, which features programming that reflects his far-reaching impact, broad musical sensibilities, distinctive philosophical interests and tremendous artistic passion. Among LIFT EVERY VOICE's highlights are the first Los Angeles performance since the 1950s of Weill's profound anti- apartheid musical Lost in the Stars, directed by Anne Bogart, and Weill/Brecht's satirical The Seven Deadly Sins with chanteuse Storm Large, both provocative works addressing weighty moral issues; violinist Daniel Hope featured on the U.S. premiere of Weill's Song-Suite For Violin and Orchestra arranged by Paul Bateman; the West Coast premiere of Bruce Adolphe's Violin Concerto “I Will Not Remain Silent”; a joint performance with the Inner City Youth Orchestra of Los Angeles (ICYOLA); and symposiums a chamber music program and film screenings.
Celebrating the unique ability of music and the arts to address challenging social and moral issues, Los Angeles Chamber Orchestra (LACO) presents LIFT EVERY VOICE, a three-week, city-wide series of free and ticketed concerts, conversations and community engagement curated by LACO Music Director Jeffrey Kahane from January 14 to 29, 2017, at venues across the Southland.
The Old Globe today announced the complete cast and creative team for its revival of Steve Martin's clever and crowd-pleasing comedy hit Picasso at the Lapin Agile.
THE GHOSTLIGHT PROJECT (previously announced as 'The Sanctuary Project') will bring the theatre community together from coast to coast on January 19, 2017 at 5:30 p.m. in each time zone to light a light and make a pledge. Inspired by the theatrical tradition of keeping a 'ghost light' on in a darkened theater, we create light for the challenging times ahead.
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