Theatr Clwyd today announces its Writers in Residence and Companies in Residence for 2020, as part of the TYFU|GROW Creative Development Programme. Writers' residencies have been awarded to Hannah Daniel, Katie Elin-Salt, Jennifer Lunn, Wyn Mason, Lisa Parry, and Kristian Phillips. Companies' residencies have been awarded to Archipelago, Francesca Goodridge and Dan Lloyd, PRIDD, and Signdance Collective.
In addition to the previously announced world premières of Milky Peaks and For The Grace of You Go I, Tamara Harvey and Liam Evans-Ford, Artistic Director and Executive Director of Theatr Clwyd today announce further programming for their 2020 season, which will include a major revival of Steve Waters' The Contingency Plan a?" in a co-production with the Donmar Warehouse, the world première of Project Hush, and Beauty and the Beast, the company's twenty-third annual rock 'n' roll pantomime, which sees Harvey make her pantomime directorial debut. The company today also announces the full cast and tour dates for Seiriol Davies' Milky Peaks.
With the world première of Emily White's Pavilion running at the theatre, and the company's large-scale promenade show Mold Riots about to take to the streets, Artistic Director of Theatr Clwyd Tamara Harvey and Executive Director Liam Evans-Ford today announces the company's new season, which centres on two world premières by Seiriol Davies and Alan Harris.
This year's Dublin Theatre Festival programme reflects with many contemporary topics - but also reaches beyond, to a poetic enquiry about the times we live in. Over three weeks performances include 10 World Premieres, reimagined classic texts, inspiring international projects from Australia, Belgium Estonia, Portugal, Sweden, the UK and the USA, and an expanded season of Theatre for Children.
Under Sarah Frankcom's Artistic Directorship the Royal Exchange Theatre has been redefined, reimagined and reframed. It has explored classic texts in new and radical ways, celebrated the vitality and significance of new writing, embraced new ways to talk to audiences and engage communities and supported theatre makers to challenge their own practice.
Tobacco Factory Theatres is proud to announce its programme for May - Dec 2019, which features a diverse range of in-house productions and some of the best touring work around, all curated especially for communities in Bristol. With a renewed mission and vision, Tobacco Factory Theatres aims to provide a welcoming home for audiences to experience incredible theatre and opportunities to learn and exchange ideas.
The list of nominees has been announced for this year's UK Theatre Awards, the only nationwide awards to honour and celebrate outstanding achievements in theatre throughout England, Scotland, Wales and Northern Ireland.
The Old Vic is pleased to announce casting for The Greatest Wealth, curated by Lolita Chakrabarti and directed by Adrian Lester to celebrate 70 years of the National Health Service.
The Bush Theatre is thrilled to share its production of NASSIM written by Nassim Soleimanpour (WHITE RABBIT RED RABBIT) and directed by Bush Theatre Associate Director Omar Elerian (One Cold Dark Night, Islands) at the Traverse Theatre for a full run at the Edinburgh Festival Fringe this summer.
This week Tobacco Factory Theatres launches its most ambitious ever season of productions for Aug - Dec 2017, including five in-house productions throughout the autumn and at Christmas. In addition, the theatre announces a new chapter in its history: the creation of the Factory Company which will perform two electrifying plays between February and May 2018.
BWW speaks to Rachel Briscoe about bringing Lists For The End Of The World to the 2017 Edinburgh Festival Fringe.
The new 2017-18 season at Young Vic was announced today.
Morvern wants to get up and walk away from this desk. Danny wants to write something revolutionary. Joe wants to protect what good we still have left. And then there's Isma. We don't know much about Isma. We know she's twelve. We know she speaks only Arabic. We know she's here. And we know she's watching. Here, in this room, four speakers pick through the fragments of four shattered lives.
Seiriol Davies' sell-out show from Edinburgh Festival Fringe 2016 was a huge hit with audiences and critics alike; now the musical extravaganza will be returning to the Fringe and touring the UK.
Following the success of the first Orbit Festival in autumn 2016, HOME is delighted to confirm the programme for this year's festival, to be staged Thu 28 Sep - Sun 15 Oct 2017, bringing together exciting new work from theatre-makers across the globe who want to explore our place in the world, and which investigate our relationship with our past.
Robot-filled interactive theatre show for 8-11 year olds, We're Stuck! returns to take children on a fun, code-cracking adventure to change their whole attitude to learning. Inspired by the extraordinary abilities and limitations of our brain when it comes to maths, We're Stuck! uses the latest educational neuroscience to explore how we can best grow our grey matter.
Robot-filled interactive theatre show for 8-11 year olds, We're Stuck! returns to take children on a fun, code-cracking adventure to change their whole attitude to learning.
Planning a first season for a new venue is always an exciting and daunting prospect. I want to establish new ideas and introduce new artists. At the same time, I want to work with the great artists who are already here and to ensure that existing audiences still see this as 'their' venue.
For their spring season 2017, Ovalhouse have returned to their roots of home-grown talent, staging urgent, radical theatre that continues to inspire. This will be Owen Calvert-Lyon's first major season as Head of Theatre and Artist Development at Ovalhouse - London's longest serving commissioning theatre.
History class at school can be a marmite subject to many. Covering historical moments and movements of great importance do heighten our ability to evaluate events of today, but many can feel like a task rather than a joy. Thankfully the Edinburgh Fringe can provide extra curriculum knowledge that opens our eyes to historical figures that you wish you had heard of decades ago.
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