The Theatre School at DePaul University is pleased to present We Are Proud to Present... by Jackie Sibblies Drury, and directed by Erin Kraft on the Fullerton Stage at The Theatre School at DePaul University. The production opens on Friday, February 10, and runs through Sunday, February 19, 2017. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on February 8 and 9 at 7:30 PM.
Roundabout Theatre Company has announced a line-up of all new work Off-Broadway, including two Roundabout commissions by Roundabout Underground alumni Lindsey Ferrentino (Ugly Lies the Bone) and Joshua Harmon (Bad Jews, Significant Other). As part of the Underground's mission, each participating playwright receives a commission for a new play, demonstrating a level of commitment to writers' careers and the future of theatre in New York that is unparalleled.
Windy City Playhouse (3014 W. Irving Park Road) announces the complete casting for Fernanda Coppel's "King Liz," a production that "keeps you gasping with excitement" (Observer) over one woman's journey to take on the male-dominated world of sports agents.
The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?
On Saturday, February 11 at 7:30 PM and Sunday, February 12 at 2 PM, the Schimmel Center presents the New York debut of The Reduced Shakespeare Company's latest play, William Shakespeare's Long Lost First Play (abridged.) The play weaves together most of the famous speeches and plot devices of Shakespeare's thirty-nine plays to create a fast, funny, and fictional fortieth, filled with witty wordplay and vaudevillian variety.
Single tickets are now available for Sarah Burgess's dark, Off-Broadway, hit comedy DRY POWDER, playing Seattle Repertory Theatre March 17 - April 15, 2017, directed by Marya Sea Kaminski.
Folger Theatre continues its celebrated 25th anniversary season with As You Like It, one of Shakespeare's most beloved comedies. Directed by Gaye Taylor Upchurch, this classic tale filled with love, laughter, and mistaken identity features original songs composed by Heather Christian and dances by Alexandra Beller. As You Like It is on stage from January 24 through March 5, 2017.
Why is it that some people stay sick while others become well? And how do we find the road to recovery? These questions are explored in the acclaimed comedy Well, coming to Seattle Repertory Theatre February 10 - March 5, 2017 (opening night is February 15, 2017) in the Bagley Wright Theatre.
Following its world premiere season at the Edinburgh Festival and a run at the renowned Folger Shakespeare Library, the brand new show from the Reduced Shakespeare Company embarks on its debut UK tour of 50 venues plus a week at Wilton's Music Hall in London.
Through visceral and urgent contemporary dance theater, you are invited to contemplate the alarming and continuous murder of black people by American law enforcement.
Lookingglass Theatre Company announces casting for the final two shows of its 2016-2017 season, including the U.S. Premiere of Beyond Caring, written and directed by Alexander Zeldin in association with Dark Harbor Stories, a company led by Ensemble Member David Schwimmer and Tom Hodges, as well as the remount of the Jeff Award-winning Moby Dick, adapted from the novel by Herman Melville and directed by Ensemble Member David Catlin.
Berkeley Repertory Theatre today announced the world premiere production of Roe written by Lisa Loomer and directed by Bill Rauch. Roe is a co-production with the Oregon Shakespeare Festival and Arena Stage.
The Old Globe today announced it will present the fourth annual New Voices Festival-with a new moniker: the Powers New Voices Festival, a weekend of readings of new American plays by professional playwrights, playing January 13 - 15, 2017.
On Monday, January 23, 2017 at 7:30pm, Works & Process at the Guggenheim will host an interview led by general manager Peter Gelb with Maestro Mark Elder and director Mary Zimmerman.
Detroit Public Theatre is set to bring Frank Boyd's solo performance play celebrating American Jazz, The Holler Sessions to its stage February 1-26. Tickets ($20-$45) are on sale now at www.detroitpublictheatre.org or in person at the Detroit Symphony Orchestra box office.
As arts organizations across Seattle throw their energy into selecting programming for the 2017/18 season, several are joining forces to mount a city-wide Shakespeare festival: Seattle Celebrates Shakespeare. With nearly two dozen festival participants, spring of 2018 promises to be an exciting and vibrant time in the Emerald City, showcasing a world class cultural landscape while celebrating one of history's greatest writers.
In a time when black people fear for their lives when in proximity to those who are empowered to protect them, Spectrum Dance Theater announces their world premiere contemporary dance production, SHOT. The evening-length devised dance and theater performance is the first of their three-part season, AMERICAN - Identity, Race, Or Culture?, where socially relevant themes are stripped from the headlines to be questioned and carefully considered live on stage.
The John F. Kennedy Center for the Performing Arts has announced the full casting for the world premiere of Bud, Not Buddy, a new play by Obie Award winner Kirsten Greenidge, adapted from Christopher Paul Curtis's acclaimed Newbury Medal winning novel, with music by world-renowned jazz artist and composer Terence Blanchard.
Shakespeare Theatre Company (STC), in association with Seattle Repertory Theatre and San Francisco's American Conservatory Theater, will present Mike Bartlett's King Charles III, a modern history play, at Sidney Harman Hall (610 F Street) from February 7-March 12, 2017. The co-production is directed by David Muse, Artistic Director at Studio Theatre and formerly Associate Artistic Director at STC.
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