Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
The Wilma Theater will close the curtain on the World Premiere production of Language Rooms, a black comedy that exposes the divided loyalties among today's immigrants, discovering the rising cost of the American Dream, on April 4th. The play, from rising Arab-American playwright Yussef El Guindi, is directed by the Wilma's co-Artistic Director Blanka Zizka.
PALESTINE, a new play written and performed by Najla Saïd - an actress, writer and daughter of the late Palestinian-American scholar and activist Edward Saïd - will play its final performance on April 3.
The Language Archive, written by Julia Cho will be running through April 25 at the South Coast Repertory Theatre. Recipient of the Susan Smith Blackburn Prize, the show features Leo Marks, Betsy Brandt, Laura Heisler, Tony Amendola and Linda Gehringer.
Signature Theatre, the current recipient of the Tony Award® for Regional Theatre, presents the world premiere musical Sycamore Trees by Ricky Ian Gordon, composer of the acclaimed opera The Grapes of Wrath and the OBIE Award-winning Orpheus and Euridice, as well as the musicals My Life with Albertine and Dream True.
Furious Theatre Company remains in residence in the Carrie Hamilton Theatre for the Los Angeles premiere of boom by Peter Sinn Nachtrieb, writer of Furious Theatre's much acclaimed, award-winning 2009 production of Hunter Gatherers. boom will preview on Wednesday, May 19; Thursday, May 20 and Friday, May 21 at 8 p.m. with an opening date of Saturday, May 22 at 8 p.m. and run through Sunday, June 20 at the home of Furious Theatre Company, the Pasadena Playhouse Carrie Hamilton Theatre, 39 S. El Molino Ave. in Pasadena.
Michael Urie (Lortel nominee Outstanding Lead Actor) and Jon Marans (star and author of The Temperamentals- Lortel nominee Outstanding Play) will participate at the 'New Directions for Gay Theater' seminar at The Snapple Theater Center's Jerry Orbach Theater, 210 West 50th Street (at Broadway) on Sunday, April 11.
The Seattle Rep comes full circle in their relationship with the work of August Wilson by remounting the first Wilson play they produced back in 1986, "Fences". And the show, now celebrating it's 25th anniversary, shows no sign of age or waning relevance.
Seattle Repertory Theatre celebrates the 25th anniversary of August Wilson's beloved story of baseball and family, Fences. The play is being staged in a number of notable productions across the country, including on Broadway next month. Seattle Rep's production, which plays March 26-April 18, 2010, is proud to include Wilson's widow Constanza Romero as the costume designer.
Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, is proud to announce four additional productions for its 2010/2011 40th Anniversary Season. The three World Premieres and one New York premiere join the previously-announced New York premiere of Edward Albee's ME, MYSELF & I.
The producers of the hit Broadway musical MEMPHIS announced today that the critically acclaimed production will launch a U. S. national tour in Memphis, TN. Performances will begin in October, 2011 at the Orpheum Theatre (203 South Main Street). Additional cities, dates and casting will be announced at a later date.
On a secluded Greek island, an American ex-pat pursues his passions: winemaking and his breathtaking young wife. Then, on the eve of his first tasting, an old lover reappears bringing with her a wild and violent past. Circle X Theatre Co. presents the Debut Production of Lascivious Something by Sheila Callaghan. Paul Willis directs Alana Dietze, Olivia Henry, Silas Weir Mitchell and Alina Phelan in a six-week run opening March 27 at [Inside] the Ford. Low-priced previews begin March 18.
The Denver Center Theatre Company completes the 2009/2010 season with Mama Hated Diesels - a Denver Center World Premiere musical by Randal Myler and Dan Wheetman, an intimate setting of William Shakespeare's Othello and the winner of the National Latino Playwriting Award - Mariela in the Desert by Karen Zacarías.
Seattle Repertory Theatre celebrates the 25th anniversary of August Wilson's beloved story of baseball and family, Fences. The play is being staged in a number of notable productions across the country, including on Broadway next month. Seattle Rep's production, which plays March 26-April 18, 2010, is proud to include Wilson's widow Constanza Romero as the costume designer.
Julia Cho's THE LANGUAGE ARCHIVE will receive its premiere at the South Coast Repertory Theatre as a part of their 2010 season. The show received a reading in 2009 as a part of SCR's Pacific Playwrights Festivals. The show will be directed by Mark Brokaw and will play March 26th to April 25th at the Segerstrom Stage.
The Kennedy Center today announced additional casting for Terrence McNally's Master Class. Joining the previously announced Tyne Daly as Maria Callas is Jeremy Cohen as Manny, Laquita Mitchell as Second Soprano (Sharon), Ta'u Pupu'a as Tenor (Tony), and Alexandra Silber as First Soprano (Sophie).
Marin Theatre Company is proud to present the high-stakes political thriller Equivocation by Bill Cain, which runs March 25 through April 18, 2010. This Bay Area premiere follows its smash world premiere at Oregon Shakespeare Festival and productions in Seattle, Los Angeles, and New York.
Roundabout Theatre Company announced that Julia Cho and Kimberly Rosenstock will be coming to the not-for-profit institution with the announcement of their new plays as part of the fall 2010 season at the Harold and Miriam Steinberg Center for Theatre (111 West 46th Street).
The Off Broadway Alliance, the organization of Off Broadway producers, general managers, venue owners, press agents and marketing personnel, will hold the second in a series of seminars focused on the culture, business and history of Off Broadway theater.
