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Review - Mourning Becomes Electra: My Heart Belongs To Daddy

Review - Mourning Becomes Electra: My Heart Belongs To Daddy

by Kristin Salaky — February 20, 2009

It was believed by many back in 1932, as it still is today, that the only reason Eugene O'Neill was not awarded that year's Pulitzer Prize for his Mourning Becomes Electra, an epic retelling of Aeschylus' Oresteia trilogy that declares Sigmund Freud as the true victor of the American Civil War, was

Review - Glimpses Of The Moon and Two Thousand Years

by Michael Dale — February 11, 2008

You would think that Edith Wharton's fizzy little comic novel, The Glimpses Of The Moon, might have been a perfect property for Rodgers & Hart or Kern, Wodehouse & Bolton to musicalize when it was fresh off the presses in 1922.

Rosie O'Donnell: Reflections on 'LOVE, LOSS, AND WHAT I WORE

Rosie O'Donnell: Reflections on 'LOVE, LOSS, AND WHAT I WORE

by Jessica Lewis — September 22, 2009

Last night, Nora Ephron and Delia Ephron's new play LOVE, LOSS and WHAT I WORE, an intimate collection of stories, premiered at New York's Westside Theatre with a star-studded cast including Rita Wilson, Mary Birdsong and Rosie O'Donnell.


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