Vineyard Theatre presents Dana H., by Lucas Hnath, adapted from interviews with Dana Higginbotham conducted by Steve Cosson, and directed by Les Waters, began previews on February 11 with Deirdre O'Connell reprising the title role for the New York premiere direct from engagements at Center Theatre Group and The Goodman Theatre.
The Guthrie Theater (Joseph Haj, artistic director) today announced SITI Company's cast and creative team for the riveting ancient tale The Bacchae, written by Euripides, translated by Aaron Poochigian and directed by celebrated SITI Company co-founder Anne Bogart. The globally renowned acting company's debut on the Guthrie's mainstage offers a rare opportunity for local theatergoers to experience this influential Greek tragedy through a contemporary lens.
Irish Repertory Theatre presents London Assurance, written by Dion Boucicault (The Shaughraun) and directed by Charlotte Moore (The Plough and the Stars).
Paula and George Wolkind's dream of a Delaware Rock & Roll Hall of Fame is now a bonafied institution. A sellout crowd at the baby grand on September 22 welcomed not only musical legends but also historians, DJ's and promoters who have had and continue to have a profound influence on the music scene.
Peak Performances begins its 2019-2020 season with the joining of two revolutionaries of avant-garde performance, influential theater and opera director Anne Bogart and the pioneering choreographer Elizabeth Streb, in their first-ever collaboration, FALLING & LOVING (September 24-29).
The New York Drama Critics' Circle today named The Ferryman by Jez Butterworth best play of the 2018-19 season. The award for best musical went to Tootsie. What the Constitution Means to Me by Heidi Schreck was named best American play. The selections were made at the organization's 84th annual voting meeting.
Rude Mechanicals Co-Artistic Producers Thomas Graves and Kirk Lynn created NOT EVERY MOUNTAIN as a part of a project the theatre company is working on called Perverse Results (a name derived from a corollary of Murphy's Law.) Through the unique, collaborative method the Rudes use to create a project, Graves brought the idea to Lynn in a desire to portray appreciation for the natural world in a dance piece that involved geometric shapes. Lynn had been working on a writing prompt every morning over the years that began with, 'Not Every Mountain...'. The result was first performed here in Austin, and the Rudes were given a residency for the piece at The Guthrie Theatre, and again at Theatre Nanterre-Amandiers and Pivot Arts Festival Incubator Arts Program.
The winners of the 2019 New York Drama Critics' Circle Awards will be announced Monday, May 6, 2019 at approximately 5:30pm. The selections will be made at the organization's 84th annual voting meeting.
One of this season's most exciting debuts in New York City's cabaret scene is Alex Simmons's weekly Friday night comedy series at Don't Tell Mama, where mainstream club acts and alt-comedians are finding an eager audience.
Boston Lyric Opera's (BLO) season of rebels and dissenters continues into Spring 2019 with tales of strong women helmed by women directors. BLO's productions of THE RAPE OF LUCRETIA and THE HANDMAID'S TALE tell startlingly relevant stories -- both with extraordinary music, and both produced in distinctive, non-traditional spaces. Artistic and General Director Esther Nelson says the spring season highlights stories from which female characters emerge as moral and societal touchstones.
In 2019, Sierra Stages begins its second decade of presenting quality local theater in Grass Valley and Nevada City with three provocative shows: The legendary musical "Cabaret", the black comedy "Hand to God", and the intimate musical revue "You're Gonna Love Tomorrow: A Stephen Sondheim Evening".
World-famous theater district entertainment destination, Don't Tell Mama, will once again feature top comedic talent from New York City and beyond. The 9:30 Friday night shows will start November 23rd.
SITI Company, the internationally acclaimed ensemble theater co-founded by American director Anne Bogart, presents Bogart's stunning direction of Euripides' tragedy The Bacchae. Presented as part of BAM's Next Wave festival, the production will celebrate its New York premiere on Wednesday through Saturday, October 3 through 6, 2018, 7:30 PM and Sunday, October 7 at 3:00 PM for 5 performances at the BAM Harvey Theater. Tickets are $30, 45, 65 (weekday); $35, 50, 75 (weekend). Single tickets for all Next Wave Festival shows go on sale August 9. To purchase tickets visit BAM.org or contact BAM Ticket Services at 718.636.4100.
As part of the 2018 Next Wave Festival, BAM and Onassis Cultural Center New York will present Speaking Truth to Power, a fall series of theater productions, conversations, and film screenings that explores the concept of free speech as a form of resistance, and examines the challenges facing individuals, societies, and movements that seek to employ it. While freedom of speech is considered a cornerstone of our democratic freedoms, ancient Greeks wrestled with the extent to which the power to speak freely could degrade the very institutions designed to protect that right. The debate about the role of truth--who is able to speak it and the potential dangers posed to our society when it is either permitted or restricted--rages on.
Robert Lepage makes a thrilling Stratford Festival debut with Shakespeare's Coriolanus, featuring Andre Sills in the title role. Created in collaboration with Ex Machina, the production begins previews this Saturday, June 9, at the Avon Theatre, and runs until October 20, marking its official opening on June 22.
The New York Drama Critics' Circle awards were presented at a private cocktail reception last night. Thursday, May 10. The award for best play carries a cash prize of $2,500. The prize is made possible by a grant from the Lucille Lortel Foundation. BroadwayWorld attended the big night and you can check out photos below!