Sara Alexander News

Producers Playful Productions has  released production photos for the West End return of Steven Moffat and Mark Gatiss’ record breaking collaboration The Unfriend, which is now playing at the Wyndham's Theatre.

At a time when we're getting too many words, words, words from a bumbling Prime Minister and his cronies, what a relief to discover a charming, kind and life-affirming silent movie-style production that harks back to simpler times. The enticing live piano score by composer Zoe Rahman, is the dialogue, aided by the odd ditty (song arrangements by Sophie Cotton) and clever projected captions taking you back to the heydays of Victorian music hall and Hollywood silent pictures.

Charlie Chaplin will now be played by Danielle Bird, joining Jerone Marsh-Reid as Stan Laurel, Nick Haverson as Fred Karno and Sara Alexander playing all the other parts, including Chaplin's mother, and the piano! 

Told by an Idiot are bringing their international hit family show Get Happy to outdoor audiences at the Greenwich+Docklands International Festival, part of On Your Doorstep Programme. 

Told by an Idiot brings its international hit family show Get Happy to outdoor audiences as part of Greenwich+Docklands International Festival, including performances at a basketball court and on an island.

You thought you knew more or less what to expect but, somehow, the entire show turned out to be a very refreshing surprise. Two days ago, the Théâtre des Capucins opened its doors to The Strange Tale of Charlie Chaplin and Stan Laurel, a Told by an Idiot production, written and directed by Paul Hunter.

In 1910 the unknown Charlie Chaplin and Stan Laurel set sail for New York as part of Fred Karno's famous music hall troupe. On the journey, Charlie and Stan shared a cabin and then spent two years together touring North America, with Stan as Charlie's understudy.

'We need more radical honesty and artistry of the kind Heesom offers' - Edinburgh Spotlight (on My World Has Exploded A Little Bit)

Combining intimate stories, comic dialogues, and - when words feel like a cage - dance, Rejoicing At Her Wondrous Vulva The Young Woman Applauded Herself is a celebratory exploration of female sexuality, taking audiences on a journey of self-discovery through pleasure, shame, pride, fury and jubilation. Male gaze may have influenced how we see ourselves and how we engage with sexuality, but what even IS the female gaze? Bella Heesom's personal journey through how she got to think and behave the way she did, and then turned around and questioned it all, is played out as a tug of war between brain and clitoris; the intellectual vs the sensual, in a celebration of what it means to be the proud owner of a vulva.