Eureka Day, the Tony Award winning play (for best Revival in 2025) by Jonathan Spector, is getting a top-notch production at Theater J directed by Hayley Finn. The play is a timely one, centered around the 5-person parent-principal executive committee at Eureka Day School, a private day school located in an affluent suburb in Northern California.
Theater J’s Chanukah in the Dark, directed by Tyler Herman, is a play with music (by Adam Wernick), and it is a wonderful, family-friendly celebration of Hanukkah.
Ibsen's classic; readapted and reimagined. See what our critic had to say.
Andrea Stolowitz's 90-minute autobiographical play, The Berlin Diaries, challenges her two actors, and Dina Thomas and Lawrence Redmond meet the heck out of all the challenges; they play multiple roles readily and skillfully.
Ryan Maxwell Event will present Folk Reimagined: East in Symphony, a ground-breaking, new musical collaboration between the Guizhou Chinese Orchestra and The Australia Orchestra
What did our critic think of YOUR NAME MEANS DREAM at Theater J?
Theater-goers searching for something off the beaten path may find their curiosity satiated at Rorschach Theatre’s production of The Figs, on stage now through March 16.
The solo show Out of Character (now being produced as a joint production between Theater J and the Mosaic Theater) introduces us to the talented Tony award -winning actor and vocalist Ari’el Stachel (Broadway’s The Band’s Visit) ---Mr. Stachel also wrote this performance piece. The first part of this solo show portrays Mr. Stachel as a successful actor and musical performer (with a thrilling and evocative voice). As an upstage projection is shown, Mr. Stachel’s nuanced acting style is on full throttle as we witness him winning his Tony Award ----only to plunge into the depths of his anxiety and obsessive -compulsive disorder.
In an elegant coincidence (or a charming conspiracy by the theatre gods), DC audiences will be able to see two absolutely engrossing plays about Jewish family life in 20th and 21st century Europe, back to back: Tom Stoppard's Tony award-winning Leopoldstadt next month at the Shakespeare Theatre and Joshua Harmon's Drama Desk award-winning Prayer for the French Republic through November 24 at Theater J.
Incorporating many elements of traditional puppet shows, Alex and Olmsted's newest piece, HAPPY BIRTHDAY, MON AMI, is a miniature adventure in Paree, er, Paris. It tiny, enchanting and exquisite, like a chocolate truffle in a gleaming box. Much of this script is adult-targeted, but it IS suitable for children, even young ones.
Reviews of Madame Winifred's Circus of Wonders, Rooted: A Musical Poem, Girls' Night Cabin Fever, How Lucky Are We, The First Jew in Canada: A Trans Tale, and Are You Lovin' It?
Pinky Swear has revived its 2016 production of Over Her Dead Body for this year's Capital Fringe. The musical revue surveys murder ballads (yes, that is a thing) which originated in Scotland and England during the 16th century before emigrating to Appalachia and obtaining improved orchestration (Americans organize mean fiddle, guitar, mandolin bands). but the plots of each of these songs resembles a fellow ballad: boy meets girl/boy and girl are in love/girl gets murdered--not really grislier than what's streaming these days, but with real, live musicians.
Theater J closes new Artistic Director Hayley Finn’s first season on an enchanting high note. 'The Hatmaker’s Wife' is an emotional, charming, and thoughtful story about love in all its complexities.
Frontiers Sans Frontiers is good. It's refreshing, biting, funny, and relevant. From April 25th to May 19th, under a few trashbags and discarded cups of tea, DC theatre goers may be able to find Spooky Action Theater's production of Frontiers Sans Frontiers.
What an odd thing the human mind is! –for it can make false assumptions, construct facile rationalizations, and rely on preconceived notions---as the audience soon finds out through the alternately clever, character-driven, and coiling convolutions of Theater J’s east coast premiere of the play This Much I Know. This is a play that asks questions more than it supplies answers and in that the audience can find sufficient satisfaction.
What did our critic think of MOSES at Theater J? The title character of Michele Lowe's 90 minute, one-man play, full name Moses Schneider, experiences a literal holocaust, not just a signal fire like that of the Biblical Moses. He then experiences a spiritual journey like the hero of Thomas Carlyle's Sartor Resartus (The Tailor, Re-tailored) which takes him through a loss of faith, a period of indifference when he can't quite remember why he is both numb and grief-stricken, to a regaining of the possibility of peace.
How do individuals and communities heal after decades of violence? THE HONEY TRAP, a world premiere presented by Solas Nua, focuses on one night in Belfast during The Troubles and how the events that transpire that night forever change the lives of diametrically opposed young adults.
Out in an arid, underpopulated northeastern Brazil, an unusual but not entirely inconceivable love story plays out, presented as a kind of morality lesson or at least a cautionary tale.
Superheroes are larger than life, and so is the family at the heart of Jenny Rachel Weiner’s new play, The Chameleon. The story revolves around a series of wrenching decisions for actor Riz, as she’s poised to start filming her breakout role at age 39 in a new superhero franchise.
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