Rude Mechs News

Burning Coal Theatre Company announces its second production of the 2010/2011 season, St. Nicholas, a one-man show by the Irish writer Conor McPherson, directed by Randolph Curtis Rand and featuring Burning Coal Artistic Director Jerome Davis. Performances are Thursdays through Saturdays at 7:30 pm (November 4 - 6, 11 - 13, 18 - 20) and Sundays at 2 pm (November 7, 14 and 21, 2010). Tickets are $20 or $15 for students, seniors and active military. Thursday evening tickets are $10 apiece and Sunday, November 7th at 2 pm is our 'Pay What You Can' performance. The production will take place at the Murphey School, 224 Polk Street, Raleigh, NC (PLEASE NOTE venue name change). For further information, please contact Burning Coal's managing director, Simmie Kastner, at 919.834.4001.

Upcoming Theatre Communication Group Member Shows - 10/03 for San Antonio

Upcoming Theatre Communication Group Member Shows - 10/03 for Dallas/Houston

Upcoming Theatre Communication Group Member Shows - 10/03 for Houston

Upcoming Theatre Communication Group Member Shows - 10/03 for Austin

NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES, presented by Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) and World Performance Project at Yale (Joseph Roach, Principal Investigator; Emily Coates, Artistic Director), announces its 2010-11 season, which includes the American premiere of The Case of the Spectator, by Spanish performance artist María Jerez; The Method Gun, by the American ensemble-based company Rude Mechs; and a special preview engagement of Nameless forest, a collaboration by American choreographer and video artist Dean Moss and South Korean sculptor Sungmyung Chun.

NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES, presented by Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) and World Performance Project at Yale (Joseph Roach, Principal Investigator; Emily Coates, Artistic Director), announces its 2010-11 season, which includes the American premiere of The Case of the Spectator, by Spanish performance artist María Jerez; The Method Gun, by the American ensemble-based company Rude Mechs; and a special preview engagement of Nameless forest, a collaboration by American choreographer and video artist Dean Moss and South Korean sculptor Sungmyung Chun.

Dance Theater Workshop, the preeminent U.S. based center for contemporary dance and performance, has announced the 2010 - 2011 season. Spanning ten months and supporting over 40 artists, this season from acclaimed Artistic Director, Carla Peterson, continues Dance Theater Workshop's deep tradition of supporting artists at all stages of their careers, from all over the globe, and across the vast spectrum that is contemporary performance.

Michael Ritchie, Artistic Director of Center Theatre Group, has set the 2010-2011 season at CTG's Kirk Douglas Theatre in Culver City. The new season, which features three productions and four DouglasPlus presentations, will run from October 7, 2010, through August 28, 2011.

Down Payment Productions (Jessica Fisch, Artistic Director; Brian Smith, Executive Producer) will present the New York City premiere of THE REALM, a play by Sarah Myers (Rude Mechs), directed by Jessica Fisch.

Down Payment Productions (Jessica Fisch, Artistic Director; Brian Smith, Executive Producer) will present the New York City premiere of THE REALM, a play by Sarah Myers (Rude Mechs), directed by Jessica Fisch.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from the Humana Foundation, will continue with the two full?length plays Ground, beginning performances March 2 and Phoenix beginning performances March 5. Both plays run through March 28.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from The Humana Foundation, will continue with The Method Gun, created by Austin?based theatre troupe Rude Mechs and written by Kirk Lynn. The Method Gun is a play about the ecstasy and excesses of performing, the dangers of public intimacy, and the incompatibility of truth on stage and6 sanity in real life.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from the Humana Foundation, will continue with the two full?length plays Ground, beginning performances March 2 and Phoenix beginning performances March 5. Both plays run through March 28.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from the Humana Foundation, will continue with the two full?length plays Ground, beginning performances March 2 and Phoenix beginning performances March 5. Both plays run through March 28.

The 34th annual Humana Festival of New American Plays, made possible by a generous grant from the Humana Foundation, will continue with the two full?length plays Ground, beginning performances March 2 and Phoenix beginning performances March 5. Both plays run through March 28.

Actors Theatre Artistic Director Marc Masterson and Managing Director Jennifer Bielstein are proud to announce the lineup of the 34th annual Humana Festival of New American Plays, the nation's pre-eminent and longest-running new play festival. This season, the Humana Festival is slated for February 21 through March 28, 2010.

BASIC TRAINING, a new comedy created by and starring Kahlil Ashanti and produced by Josephson Entertainment, Erich Jungwirth/VoiceChair Productions and Richard Jordan Productions Ltd will play its final Off Broadway performance Dec. 1st.

Last chance to catch BASIC TRAINING: A new comedy created and starring Kahlil Ashanti at the Barrow Street Theater - 27 Barrow Street at 7th Ave Final Performance December 1 You can't choose your family... but you can change it!

SpeakEasy Stage Company, Boston Playwrights' Theatre and FortyMagnolias Productions, are pleased to announce that THE WRESTLING PATIENT, the new play based on the Dutch Jewish writer Etty Hillesum that they will jointly produce this spring, has been selected as a finalist in the Outstanding New American Play competition administered by Arena Stage and sponsored by the National Endowment for the Arts (NEA) New Play Development Program (NPDP).