LITTLE BLACK DRESS - a new play by Ronan Noone, whose play THE ATHEIST starring Campbell Scott enjoyed considerable success Off-Broadway in 2008 - will be given its New York premiere this spring Off-Broadway, with previews set to begin Sunday, May 1 prior to an official press opening on Thursday, May 5 at Theatre at St. Clement's (423 W. 46 St.) in Manhattan.
LITTLE BLACK DRESS - a new play by Ronan Noone, whose play THE ATHEIST starring Campbell Scott enjoyed considerable success Off-Broadway in 2008 - will be given its New York premiere this spring Off-Broadway, with previews set to begin Sunday, May 1 prior to an official press opening on Thursday, May 5 at Theatre at St. Clement's (423 W. 46 St.) in Manhattan.
REDCAT (Roy and Edna Disney/CalArts Theater) announces preliminary program highlights for RADAR L.A., an international festival of contemporary theater running June 14-20. The festival is produced by REDCAT in collaboration with Center Theatre Group and The Public Theater's Under the Radar Festival (New York), and a consortium including Theatre Communications Group, the City of Los Angeles Department of Cultural Affairs, LA Stage Alliance and the Los Angeles Theatre Center. $50 multi-event passes go on sale in April and will allow audiences to attend performances for as little as $10.
REDCAT (Roy and Edna Disney/CalArts Theater) is proud to announce preliminary program highlights for RADAR L.A., an international festival of contemporary theater running June 14-20.
Austin, Texas-based ensemble, The Rude Mechanicals (fondly known as the Rude Mechs) are creating a spectacle at the Dance Theater Workshop with Kirk Lynn's THE METHOD GUN.
Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s.
Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s.
NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES, presented by Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) and World Performance Project at Yale (Joseph Roach, Principal Investigator; Emily Coates, Artistic Director), announces The Method Gun, created and performed by the award-winning theatre company Rude Mechs.
Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s.
Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s. Ms. Burden's training technique, The Approach - often referred to as 'the most dangerous acting technique in the world' - fused Western acting methods with risk-based rituals in order to infuse even the smallest role with sex, death and violence.
Critically acclaimed Austin, TX ensemble, Rude Mechs, returns to New York and makes its Dance Theater Workshop debut with the New York premiere of THE METHOD GUN, a piece exploring the life and techniques of Stella Burden, an apocryphal actor-training guru of the 60s and 70s.
NO BOUNDARIES: A SERIES OF GLOBAL PERFORMANCES, presented by Yale Repertory Theatre (James Bundy, Artistic Director; Victoria Nolan, Managing Director) and World Performance Project at Yale (Joseph Roach, Principal Investigator; Emily Coates, Artistic Director), announces The Method Gun, created and performed by the award-winning theatre company Rude Mechs.
The discourse surrounding new play development continues within the American Voices New Play Institute at Arena Stage at the Mead Center for American Theater, as the company presents the #NewPlay Festival.
The discourse surrounding new play development continues within the American Voices New Play Institute at Arena Stage at the Mead Center for American Theater, as the company presents the #NewPlay Festival.
Upcoming Theatre Communication Group Member Shows - 12/05 for San Antonio
Upcoming Theatre Communication Group Member Shows - 12/05 for Dallas/Houston
Upcoming Theatre Communication Group Member Shows - 12/05 for Houston
Upcoming Theatre Communication Group Member Shows - 12/05 for Austin
Burning Coal Theatre Company announces its second production of the 2010/2011 season, St. Nicholas, a one-man show by the Irish writer Conor McPherson, directed by Randolph Curtis Rand and featuring Burning Coal Artistic Director Jerome Davis. Performances are Thursdays through Saturdays at 7:30 pm (November 4 - 6, 11 - 13, 18 - 20) and Sundays at 2 pm (November 7, 14 and 21, 2010). Tickets are $20 or $15 for students, seniors and active military. Thursday evening tickets are $10 apiece and Sunday, November 7th at 2 pm is our 'Pay What You Can' performance. The production will take place at the Murphey School, 224 Polk Street, Raleigh, NC (PLEASE NOTE venue name change). For further information, please contact Burning Coal's managing director, Simmie Kastner, at 919.834.4001.
Upcoming Theatre Communication Group Member Shows - 11/14 for San Antonio
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