New York Theatre Workshop (NYTW) begins performances for Top Secret: The Battle for the Pentagon Papers tonight, Wednesday, February 24 at 8pm. Written by Geoffrey Cowan and Leroy Aarons and directed by John Rubinstein, opening night is scheduled for Tuesday, March 9, 2010, at 7:00pm. The production runs through Sunday, March 28. BroadwayWorld brings you NYTW's primer for the production, detailing the events surrounding this fascinating piece of history.
New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo, L.A. Theatre Works (LATW) Producing Director Susan Loewenberg, Affinity Collaborative Theater founding members John Dias, Sheila Schwartz, and Diane Morrison have announced that a special panel discussion series held in conjunction with the production of Top Secret: The Battle for the Pentagon Papers, will feature a panel with Daniel Ellsberg, the former Defense and State Department official who gave the Pentagon Papers to the Washington Post, on Tuesday, March 16 at NYTW, 79 East 4th Street, between Second Avenue and Bowery.
Jeffrey Kahane will perform as soloist with the New York Philharmonic in Mozart's Piano Concertos Nos. 6, 24, and 25, conducting the Orchestra from the piano, Thursday, March 25, 2010, at 7:30 p.m., and Friday, and Saturday, March 26 and 27 at 8:00 p.m.
L.A. Theatre Works presents a major new docudrama about Robert Kennedy's personal and political journey during the civil rights movement. The world premiere production of RFK: The Journey to Justice by Murray Horwitz and Jonathan Estrin, a commission for L.A. Theatre Works led by the University of Notre Dame's DeBartolo Performing Arts Center and co-commissioned by the Clarice Smith Performing Arts Center at the University of Maryland, Stanford Lively Arts at Stanford University, and the Modlin Center for the Arts at the University of Richmond, wraps up a two-month, ten-city national tour with five performances at the Skirball Cultural Center in Los Angeles March 17-21.
The Philadelphia Orchestra today announced that Sting will appear as its special guest for the Academy of Music 153rd Anniversary Concert on Saturday, January 30, 2010. Sting, world-renowned singer/composer, will perform some of his best-known works with the Orchestra, continuing the Academy's long history of presenting popular music.
New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo, have announced that Lillian Hellman's The Little Foxes, starring Elizabeth Marvel and directed by Ivo Van Hove and a new musical by 'South Park' creators Trey Parker and Matt Stone and Avenue Q composer/lyricist Robert Lopez will kick off the theatre's 2010-2011 season. The 2009-2010 season will conclude with Top Secret: The Battle for the Pentagon
Papers, written by Geoffrey Cowan and Leroy Aarons, and directed by John Rubinstein, and
Restoration, a new play written by and starring Claudia Shear and directed by Christopher Ashley.
New York Theatre Workshop (NYTW) Artistic Director James C. Nicola and Managing Director William Russo, have announced that Lillian Hellman's The Little Foxes, starring Elizabeth Marvel and directed by Ivo Van Hove and a new musical by 'South Park' creators Trey Parker and Matt Stone and Avenue Q composer/lyricist Robert Lopez will kick off the theatre's 2010-2011 season.
According to the New York Times, the New York Theater Workshop has announced a project being developed by 'South Park' creators Trey Parker and Matt Stone. The two are working with composer Robert Lopez, who won a Tony Award for AVENUE Q. The team is working to create a musical that will run at the New York Theater Workshop from August thru September.
Goblins, ghouls and ghosts of the 1980s haunt SCR's latest world premiere, Doctor Cerberus, which makes its debut April 11 - May 2 on the Julianne Argyros Stage.
On January 1, 1985 the city of Saint Paul, Minn. joyously celebrated the grand opening of its newest treasure, the originally named Ordway Music Theatre.
Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.
Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.
Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.
Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.
Set amidst a Kafkaesque police state, THE PILLOWMAN opens in a stark interrogation room, where the adult Katurian - a slaughterhouse worker beginning to find recognition as a writer of gruesome fairy tales - sits blindfolded, his brother Michal in the adjoining room. Their interrogators, the outrageously profane good-cop-bad-cop duo of Tupolski and Ariel, suspect that Katurian's stories may not be entirely fiction. And in fact, they do bear remarkable resemblance to a series of grisly child murders that the detectives are currently investigating.
As I write these words the opening night party of Roundabout's revival of Sunday in the Park With George, which I'll be seeing on Saturday, is no doubt in full swing, but despite the sublime glories of that Steven Sondheim/James Lapine creation, there's another musical in town about radical artists that deserves just as much attention from anyone interested in the euphoric excitement felt when watching a unique, intelligent and wondrously creative evening of musical theatre.
Ed Waterstreet, Artistic Director of Deaf West Theatre announces that their smash-hit 30th anniversary production of CHILDREN OF A LESSER GOD, written by Mark Medoff and directed by Jonathan Barlow Lee, is Extending through Sunday, November 1 at Deaf West Theatre in North Hollywood. It is performed so that it is fully accessible to deaf and hard of hearing audiences, adding a new dimension to the material.
Mikel Sarah Lambert will take on the role of Margaret in the West Coast premiere of Evan Smith's The Savannah Disputation. The previously announced Robin Pearson Rose has left the cast due to an unexpected family emergency. Directed by Kim Rubinstein, The Savannah Disputation will run in the Globe's Arena Stage at the San Diego Museum of Art's James S. Copley Auditorium Sept. 26 - Nov. 1, 2009.
