Richard Tucker News

Angela Meade – fresh from Metropolitan Opera triumphs as Bellini's Norma and as Alice Ford in Falstaff (the latter seen worldwide in the Met's Live in HD series) – has a busy summer ahead. The soprano, whose honors include the Richard Tucker and Beverly Sills Artist Awards, will perform at festivals across the U.S. from June through August. She launches her summer season as soprano soloist in Beethoven's Symphony No. 9 with the Baltimore Symphony under Marin Alsop (June 5-8) before taking on the title role of Donizetti's Lucrezia Borgia in her return to the Caramoor International Music Festival (July 12, 18). The Washington State native also headlines two festivals in Oregon: she sings Violetta in Verdi's La traviata for the gala opening concert of the Astoria Music Festival (June 14), and the title role of Bellini's Norma for Portland's SummerFest (Aug 8).

Angela Meade – fresh from Metropolitan Opera triumphs as Bellini's Norma and as Alice Ford in Falstaff (the latter seen worldwide in the Met's Live in HD series) – has a busy summer ahead. The soprano, whose honors include the Richard Tucker and Beverly Sills Artist Awards, will perform at festivals across the U.S. from June through August. She launches her summer season as soprano soloist in Beethoven's Symphony No. 9 with the Baltimore Symphony under Marin Alsop (June 5-8) before taking on the title role of Donizetti's Lucrezia Borgia in her return to the Caramoor International Music Festival (July 12, 18). The Washington State native also headlines two festivals in Oregon: she sings Violetta in Verdi's La traviata for the gala opening concert of the Astoria Music Festival (June 14), and the title role of Bellini's Norma for Portland's SummerFest (Aug 8).

Even with its visions of damnation and redemption, Gounod's FAUST, with libretto by Barbier and Carre, is pretty tame stuff. In the wrong hands, it can be dull as well. Well, you can't accuse the Dutch National Opera's new production--by Barcelona's Alex Ollé and the theatre company La Fura dels Baus--of being “dull,” with its prosthetic breasts, Barbie doll chorus and simulated sex.

“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The Met's LIVE IN HD) and Bellini's IL PURITANI--not a bad swan song, considering the singing talent involved.

H+H Artistic Director Harry Christophers is joined by an international cast of outstanding singers and the Period Instrument Orchestra and Chorus to close the season with George Frideric Handel's dramatic oratorio, Samson.

American tenor Paul Appleby closes his 2013 -2014 with a strong finish. His latest recording is today's (April 28, 2014) Delos release of the world premiere recording of Dear Theo, a CD of three song cycles by celebrated American composer Ben Moore. In early May, he makes his company debut with the Washington National Opera singing the role of Tamino under the baton of conductor Philippe Augin in the company's spring production of Mozart's The Magic Flute.

Opera Colorado announced today that it will present Giacomo Puccini's Madama Butterfly(November 2014), W.A. Mozart's The Magic Flute (May 2015), Giuseppe Verdi's Aida (November 2015), and the world premiere of Lori Laitman's The Scarlet Letter (May 2016) starring Elizabeth Futral as Hester Prynne. A vital presence in Denver's cultural ecology, Opera Colorado is the Rocky Mountain region's preeminent grand opera company. The Opera's programming includes mainstage productions, artist development initiatives, and education and community engagement programming.

Reviving important but neglected operas is one of the ways the Bard SummerScape festival in New York's Annandale-on-Hudson has established itself, and this year's immersion in "Schubert and His World" - culminating in the 25th-anniversary season of the Bard Music Festival - is no exception. To enrich its exploration of the roots of Austro-German Romanticism, Bard presents Euryanthe (1823) by Schubert's contemporary Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, Bard's original staging is by Kevin Newbury, creator of SummerScape's production of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras starring Joseph Kaiser, best known for his leading role in Kenneth Branagh's film adaptation of The Magic Flute, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and Franz von Suppe's operetta Franz Schubert - on August 10.

Last evening (Thursday, April 10), Manhattan School of Music announced the winners of the Alan M. and Joan Taub Ades Vocal Competition, held for a fifth year in the Ades Performance Space at the School.

The Dallas Opera, in partnership with AT&T Stadium and with support from our presenting sponsor, The Dallas Foundation, is extremely proud to announce the company's third stadium simulcast—the seventh free Dallas Opera simulcast since 2010. The announcement was made this afternoon at a gathering of prominent arts and sports representatives and attending local media at AT&T Stadium in Arlington. Participants included:

The Richard Tucker Music Foundation has announced that Michael Fabiano - 'the tenor that we have all been waiting for' (San Francisco Classical Voice) - is the winner of the 2014 Richard Tucker Award.

Tomorrow, April 11, Houston Grand Opera presents Das Rheingold, launching the American debut of a visionary and groundbreaking treatment of Der Ring des Nibelungen by La Fura dels Baus. As the first staging of Wagner's epic cycle in HGO history, the event marks an important company milestone-one that HGO follows two weeks later with a new take on Carmen from Broadway sensation Rob Ashford. These two productions come at a time when HGO has once again been making headlines, not only for the world premiere of A Coffin in Egypt and an acclaimed revival of A Little Night Music, but by successfully appealing to new audiences. 'The most recent NEA survey shows that only 2% of Americans go to the opera each year. Yet HGO is bucking the trend. Since the 2009-10 season it has seen its attendances grow by 24 percent,' reported the Economist last month. As Houston History noted in a recent feature article, 'many arts programs across the nation are shutting down due to financial failure, [but] HGO has succeeded in remaining relevant.'

H+H Artistic Director Harry Christophers is joined by an international cast of outstanding singers and the Period Instrument Orchestra and Chorus to close the season with George Frideric Handel's dramatic oratorio, Samson.

Internationally Acclaimed Tenor, James Valenti will be making his triumphant return tothe Metropolitan Opera located at 10 Lincoln Center Plaza in New York City as he takes on the role of Lt. Pinkerton inPuccini's "Madama Butterfly" on April 4, 9, 12 and 15. Valenti has been praised by critics for having a voice of Italianate lustre and is part of the long-standing tradition of great Italian tenors. The sought after 6'5 tenor has built a global reputation for his elegant musicianship, commanding stage presence, ardent vocal style and striking good looks.

Musical Theater Heritage has proven again that you do not need elaborate costumes, props, or scenery to produce a hit. This is especially true when they assembled a cast of some of the most talented performers to take the stage in Kansas City for their revival of Bernstein's Broadway.

Grammy Award-winning mezzo-soprano Susan Graham launches a four-date U.S. recital tour tomorrow with pianistBradley Moore in Myrtle Beach, SC, with the trek including the singer's Kimmel Center recital debut in Philadelphia on April 2. The recital program of Purcell, Berlioz, Poulenc and Cole Porter will be drawn from Graham's second Onyx album,Virgins, Vixens & Viragos. In a review of the recording, the UK's Sunday Times noted: “It's hard to think of another contemporary singer who could pull off the tour de force Graham achieves here, with numbers ranging over a period of almost 300 years.” Back in New York on April 26, Graham will perform a special concert at the Metropolitan Museum of Art, in Grace Rainey Rogers Auditorium. The program – titled “Sculpting Sound” and held in conjunction with the exhibitionThe Passions of Jean-Baptiste Carpeaux – will feature the music of the 19th-century French sculptor's friends and collaborators, including Bizet, Gounod and more. Graham will be joined by pianist Brian Zeger (director of the Juilliard Vocal Arts Department), as well as by bass-baritone Evan Hughes and soprano Layla Claire. This summer, Graham will cap her season in Paris by making her role debut as Anna in The King and I at the Théâtre du Châtelet (June 13-29).

Grammy Award-winning mezzo-soprano Susan Graham launches a four-date U.S. recital tour today with pianist Bradley Moore in Myrtle Beach, SC, with the trek including the singer's Kimmel Center recital debut in Philadelphia on April 2. The recital program of Purcell, Berlioz, Poulenc and Cole Porter will be drawn from Graham's second Onyx album, Virgins, Vixens & Viragos. In a review of the recording, the UK's Sunday Times noted: 'It's hard to think of another contemporary singer who could pull off the tour de force Graham achieves here, with numbers ranging over a period of almost 300 years.' Back in New York on April 26, Graham will perform a special concert at the Metropolitan Museum of Art, in Grace Rainey Rogers Auditorium. The program - titled 'Sculpting Sound' and held in conjunction with the exhibition The Passions of Jean-Baptiste Carpeaux - will feature the music of the 19th-century French sculptor's friends and collaborators, including Bizet, Gounod and more. Graham will be joined by pianist Brian Zeger (director of the Juilliard Vocal Arts Department), as well as by bass-baritone Evan Hughes and soprano Layla Claire. This summer, Graham will cap her season in Paris by making her role debut as Anna in The King and I at the Théâtre du Châtelet (June 13-29).

The Dallas Opera's 2013-2014 Season Finale is Gioachino Rossini's wildest and most popular romp: THE BARBER OF SEVILLE, opening tonight, March 28, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center, with generous support from TACA.

Internationally Acclaimed Tenor, James Valenti will be making his triumphant return tothe Metropolitan Opera located at 10 Lincoln Center Plaza in New York City as he takes on the role of Lt. Pinkerton inPuccini's “Madama Butterfly” on April 4, 9, 12 and 15. Valenti has been praised by critics for having a voice of Italianate lustre and is part of the long-standing tradition of great Italian tenors. The sought after 6'5 tenor has built a global reputation for his elegant musicianship, commanding stage presence, ardent vocal style and striking good looks.

Richard Tucker Award-winning tenor Stephen Costello reprises his star turn as Nemorino in Donizetti's L'elisir d'amore at Washington National Opera (WNO) from March 20-29, following his triumphant house debut as Ishmael/Greenhorn - the role he originally created - in WNO's recent East Coast premiere of Moby-Dick. The Kennedy Center production kicks off a full spring for the tenor, who looks forward to headlining 'Toujours L'Amour' on April 25 at Lyric Opera Baltimore, where he will be joined by soprano Nicole Cabell in an orchestral gala celebration of French grand opera. June brings the U.S. release of Love Duets, Costello's first recording as an exclusive Warner Classics artist, on which he sings opposite his wife and fellow Tucker Award-winner, soprano Ailyn Perez. She also serves as his co-star in WNO's L'elisir as well as in two productions of La traviata, at Covent Garden (May 6-20) and San Francisco Opera (July 5-13), and a Rigoletto in Hamburg (May 24-June 1).