The Bushwick Starr will present the Spanish language premiere of FURRY!/LA FURIA!, written and directed by William Burke in special 'Spanglish translation' that tells the story of a street Elmo who rises to power by taking over the streets of 42nd to 46th street by using The Art of War.
The Bushwick Starr will present the Spanish language premiere of FURRY!/LA FURIA!, written and directed by William Burke in special 'Spanglish translation' that tells the story of a street Elmo who rises to power by taking over the streets of 42nd to 46th street by using The Art of War.
Performance Space 122's annual performance festival, Coil, returns for its twelfth edition with 13 individual events.
The Bushwick Starr is thrilled to present the Spanish language premiere of FURRY!/LA FURIA!, written and directed by William Burke in special 'Spanglish translation' that tells the story of a street Elmo who rises to power by taking over the streets of 42nd to 46th street by using The Art of War.
Writer and actor Modesto 'Flako' Jimenez performs his autobiographical and uncompromising collection of poetry, Oye Para mi Querido Brooklyn (Listen For My Dear Brooklyn.) Hiding out in his abuelita's bathroom, Flako, a young Dominican man, escapes into the memories of losing his culture and self to the gentrified blocks of Bushwick. Oye For My Dear Brooklyn is performed in both English and Spanish through a series of poems, video projections, and music. Lyrical and savage, Flako's poetry is populated with immigrants, drug dealers, condoritos, tiguerasos, mothers and sons, all asking the same question, "What's my moral worth?"
Writer and actor Modesto 'Flako' Jimenez performs his autobiographical and uncompromising collection of poetry, Oye Para mi Querido Brooklyn (Listen For My Dear Brooklyn.) Hiding out in his abuelita's bathroom, Flako, a young Dominican man, escapes into the memories of losing his culture and self to the gentrified blocks of Bushwick.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Artistic Director in 2006, Jay Wegman has done much more than maintain "one of the last standing locations for avant-garde performance downtown" (The New York Times, 2009). He has created an arts venue that is unique to the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City. In a 2015 New York Times profile, Wegman says Abrons is "a place for people to succeed or fail or land somewhere in between."
Following the sold-out show of The Petersons! In the Bleak Mid-Winter-on an unseasonably warm night this past February-NEW NEIGHBORHOOD presents the return engagement of The Petersons at New York City's The Cutting Room (44 East 32nd Street). THE PETERSONS GO SPELUNKING! one night only on June 20, 2016 at 7:30PM!
Under the leadership of Artistic Director Sarah Benson and Executive Director Cynthia Flowers, Soho Rep. has continually produced work by bold artists who harness the intimate power of the organization's own 73-seat black box theater, as well as other spaces, to create transformative experiences. Soho Rep.'s 2016-17 season, announced today, comprises two ambitious new works-both characterized by inventive theatrical forms, holistic collaborations, and striking original music-along with an opportunity to get the first 'work-in-process' look at a new commission by a celebrated playwright.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
The Kitchen is pleased to present The Tear Drinkers, the second musical work from beloved performer and Bessie-Award-winning composer Mike Iveson. The Tear Drinkers is a suite of sci-fi songs for six performers and piano; it follows four humans who have been abducted by the United States government and brought to an underground holding tank in New Mexico, so that the government can determine which of them is actually an alien from another planet masquerading as an earthling. Downtown performer Mike Iveson leads a team of exceptional artists, including pioneering video artist Charles Atlas, in a look at the private heartaches and private bathroom rituals of humans and aliens alike.
Abrons Arts Center and New York City Players' American Playwrights Division present REALLY, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling.
Abrons Arts Center presents the New York City premieres of EMPATHY SCHOOL / LOVE STORY, a program of two monologues, with video and original music, written and directed by Aaron Landsman.
Due to popular demand Abrons Arts Center and New York City Players are adding three additional performances of Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
?Five-time Obie Award-winning theater company Clubbed Thumb has announced the line-up for SUMMERWORKS, its annual series of new plays. Now in its 21st season, SUMMERWORKS will run May 27 through July 9 at The Wild Project (195 E 3rd Street) in Manhattan, and will feature productions of three new plays: EVERY ANGEL IS BRUTAL by Julia Jarcho and directed by Knud Adams; THE TOMB OF KING TOT by Eric Dufault and directed by Portia Krieger; and TUMACHO by Ethan Lipton and directed by Leigh Silverman. Festival passes are now on sale at: https://www.artful.ly/clubbedthumb/store/passes.
The Spalding Gray National Consortium is pleased to announce that theater-maker and visual artist Tim Etchells is the recipient of the 2016 Spalding Gray Award. Named after the groundbreaking monologist Spalding Gray (1941-2004), the award is sponsored by a consortium that includes Kathleen Russo, Gray's widow; Performance Space 122; the Walker Art Center in Minneapolis;The Andy Warhol Museum in Pittsburgh; and On the Boards in Seattle. The Award comes with a $20,000 commission to create a new work and provides for a full production of that work presented by each organization. Past recipients include Richard Maxwell, Rabih Mroue, National Theater of the United States of America, Radiohole, and Heather Woodbury.
Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.
Due to popular demand, Abrons Arts Center extends the world premiere of Erin Markey's A Ride On The Irish Cream, a sharp and playful,performance art musical about the role childhood plays in our adult intimacies. Directed by Jordan Fein, A Ride On The Irish Cream stars real-life couple Becca Blackwell (Doris Duke Impact Award Recipient) and Markey, a "magnetic diva," (The New York Times). It features a live, four-piece band playing original music composed by Kenny Mellman, Emily Bate and Markey.
For only five performances in Canada, Richard Maxwell and the New York City Players bring from New York City to Calgary their critically acclaimed ISOLDE, presented by Theatre Junction GRAND from February 10 - 13, 2016.
Abrons Arts Center and American Realness is pleased to present the world premiere of Erin Markey's A RIDE ON THE IRISH CREAM, a sharp and playful, performance art musical about the role childhood plays in our adult intimacies.
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