Acclaimed playwright/director Young Jean Lee returns to the Wexner Center for the Arts, April 10-13 for the world premiere of STRAIGHT WHITE MEN, a provocative new work presented with an all-star cast (Austin Pendleton, Scott Shepherd, Pete Simpson, and James Stanley) and finalized through the support of the Wexner Center Residency Award program.
Performance Space 122 (PS122) announces RAMP, a new residency program designed to support early career artists. The residencies, to be held at The Chain Theatre (21-28 45th Rd.) in Long Island City, provide New York City-based artists with the resources to create ambitious new work. In addition to rehearsal space, RAMP will offer technical assistance, commissioning fees and marketing support. The intention of RAMP is to begin an ongoing relationship with a select group of artists, which may lead to large-scale presentations. The inaugural year of RAMP artists are the choreographic duo of Molly Lieber and Eleanor Smith, musician Eliot Krimsky and his progressive-indie band Glass Ghost, and theater artist Kaneza Schaal.
Following a 2013 world premiere at Theater Basel in Switzerland, New York City Players presents the U.S. premiere of Isolde. Returning to a core group of collaborators, Isolde, written and directed by Maxwell, features an ensemble of New York City Players veterans including Jim Fletcher, Brian Mendes, Tory Vazquez and Gary Wilmes. Maxwell's choice to not use any music in Isolde further supports a desire to excavate his own characteristically distilled approach to story telling. Isolde was inspired by the legend of Tristan and Isolde.
John Jesurun's legendary 'living film serial', Chang in a Void Moon, returns to New York at the Incubator Arts Project this March-April with new episodes 59, 60 and 61.
Soho Rep. announces casting and performance dates for the world premiere of Branden Jacobs-Jenkins's An Octoroon, directed by Soho Rep. Artistic Director Sarah Benson. The production, April 23-May 18, concludes a banner New York season for the celebrated playwright, whose Appropriate makes its New York premiere February 25-April 6 at Signature Theatre.
The Bushwick Starr will present a collaboration between stage and film director Daniel Fish and dance and theater artist Andrew Dinwiddie. Using nearly seven weeks of residency time at the Bushwick Starr, and in collaboration with actor T. Ryder Smith (War Horse, Passion Play) and designers Blanca Añon (ETERNAL, Owned) and Daniel Kluger (Nikolai and the Others, A Map of Virtue), they will create PHIL. 176 / OBIT, an episodic performance installation that draws simultaneously on the text of Shelly Kagan's renowned Yale College philosophy course, 'PHIL 176: Death,'* and on current American obituaries and death notices.
This January, playwright Christina Masciotti whose most recent play VISION DISTURBANCE, directed by Richard Maxwell, was described as a 'showcase for Masciotti's gift for writing' by The New York Times, 'brilliant … and … unforgettable' by The New Yorker, and named one of the Top Ten Plays of 2010 by Time Out New York, will premiere her latest play ADULT, presented by Darling and Company in association with terraNOVA Collective, at Abrons Art Center.
As part of the ninth edition of the COIL festival, Performance Space 122 and Danspace Project present the world premiere of Okwui Okpokwasili's Bronx Gothic. Using song, stories and movement, Okpokwasili chronicles the sexual awakening and exploits of two 11-year-old girls living in the Bronx. This solo performance features direction and visual design by Bessie award-winner Peter Born. Due to popular demand, a second week of performances has been added, today, January 28, 30-February 1.
The Spalding Gray National Consortium has announced that playwright and director Richard Maxwell is the recipient of the 2014 Spalding Gray Award. Named after the groundbreaking monologist Spalding Gray (1941-2004), the award is sponsored by the consortium that includes Kathleen Russo, Gray's widow; the Andy Warhol Museum in Pittsburgh; On the Boards in Seattle; Performance Space 122 in New York; and the Walker Art Center in Minneapolis. It comes with a $20,000 commission to create a new work and provides for a full production of that work by each organization. In his new work, Maxwell will collaborate with choreographer Sarah Michelson, who will take charge of the production's design, and actor Gary Wilmes, one of Maxwell's oldest friends and collaborators.
As part of the ninth edition of the COIL festival, Performance Space 122, New York City Players (NYCP) and American Realness present an encore engagement of Tina Satter's House of Dance as part of NYCP's American Playwrights Division in association with Half Straddle and Abrons Arts Center. Following a sold-out, critically acclaimed run this fall, which Ben Brantley in The New York Times called, 'enchanting,' and, 'so very refreshing,' House of Dance returns to Abrons Arts Center for four performances only.
As part of the ninth edition of the COIL festival, Performance Space 122 and Danspace Project present the world premiere of Okwui Okpokwasili's Bronx Gothic. Using song, stories and movement, Okpokwasili chronicles the sexual awakening and exploits of two 11-year-old girls living in the Bronx. This solo performance features direction and visual design by Bessie award-winner Peter Born. Due to popular demand, a second week of performances has been added, January 28, 30-February 1.
As part of the ninth edition of the COIL festival, Performance Space 122, New York City Players (NYCP) and American Realness present an encore engagement of Tina Satter's House of Dance as part of NYCP's American Playwrights Division in association with Half Straddle and Abrons Arts Center. Following a sold-out, critically acclaimed run this fall, which Ben Brantley in The New York Times called, 'enchanting,' and, 'so very refreshing,' House of Dance returns to Abrons Arts Center for four performances only.
This January, playwright Christina Masciotti whose most recent play VISION DISTURBANCE, directed by Richard Maxwell, was described as a "showcase for Masciotti's gift for writing" by The New York Times, "brilliant … and … unforgettable" by The New Yorker, and named one of the Top Ten Plays of 2010 by Time Out New York, will premiere her latest play ADULT, presented by Darling and Company in association with terraNOVA Collective, at Abrons Art Center.
New York City Players' world premiere production of Tina Satter's House of Dance, presented in association with Half Straddle and Abrons Arts Center, will run October 23 - November 9 at the Abrons. House of Dance is the third production in New York City Players' American Playwrights Division, a program curated byRichard Maxwell and devoted to producing full productions by emerging writers who direct their own work. The cast of the world premiere will include Jess Barbagallo, Jim Fletcher, Elizabeth DeMent and Paul Pontrelli.
The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, presents Tim Etchells's Sight is the Sense that Dying People Tend to Lose First, as part of its acclaimed Crossing the Line 2013 festival. Written and directed by Tim Etchells, leader of the UK's celebrated experimental performance group Forced Entertainment, Sight is the Sense that Dying People Tend to Lose First is a long free-associating monologue that tumbles from topic to topic to create a vast, failing iteration and explanation of the world, the things, forces, experiences, people and landscapes in it - what they are and how they work. Sight is the Sense… is performed by Jim Fletcher, best known for his work with Richard Maxwell's New York City Players and for his role in Gatz by Elevator Repair Service.
The French Institute Alliance Francaise (FIAF), New York's premiere French cultural center, presents Tim Etchells's Sight is the Sense that Dying People Tend to Lose First, as part of its acclaimed Crossing the Line 2013 festival. Written and directed by Tim Etchells, leader of the UK's celebrated experimental performance group Forced Entertainment, Sight is the Sense that Dying People Tend to Lose First is a long free-associating monologue that tumbles from topic to topic to create a vast, failing iteration and explanation of the world, the things, forces, experiences, people and landscapes in it - what they are and how they work. Sight is the Sense… is performed by Jim Fletcher, best known for his work with Richard Maxwell's New York City Players and for his role in Gatz by Elevator Repair Service.
Soho Rep has announced casting and an official opening date for the world premiere of Lucas Hnath's play A Public Reading of an Unproduced Screenplay About the Death of Walt Disney.
Soho Rep has announced that the celebrated stage and screen actor Larry Pine will star in the world premiere production of Lucas Hnath's adrenaline-charged odyssey A Public Reading of an Unproduced Screenplay About the Death of Walt Disney. Directed by Soho Rep Artistic Director Sarah Benson, Pine will play the title character - the man who forever changed the American Dream. Hnath's fictional play centers around the reading of a screenplay Walt Disney has written about his last days on earth. The script is about a city he is going to build that is going to change the world; about his brother; about everyone who loves Disney and how sad they are going to be when he is gone.
Soho Rep has again extended the New York premiere of Jackie Sibblies Drury's We Are Proud to Present a Presentation …, directed by Eric Ting, this time to December 16. Tickets to the American premiere of Nature Theater of Oklahoma's epic serial Life and Times: Episodes 1-4-a Soho Rep production presented by The Public Theater as a special engagement of the Under the Radar Festival 2013-are now on sale. And Soho Rep announces the production that will conclude its 2012-13 season: the world premiere of Lucas Hnath's A Public Reading of an Unproduced Screenplay About the Death of Walt Disney, directed by Soho Rep Artistic Director Sarah Benson (April 30 - May 26, 2013).