Abrons Arts Center and New York City Players' American Playwrights Division present Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performances of Really will take place March 16 - April 2 at Abrons Arts Center (466 Grand St. Manhattan). Full performance schedule, press dates and casting will be announced at a later date. For more information visit abronsartscenter.org or call 212.352.3101.
Performance Space 122's annual performance festival, COIL, returns for its eleventh edition with sixteen individual events, making it the largest COIL to date. The festival demonstrates the constant vitality of live performance in New York City and features work created locally, across the U.S., and around the world. Known for its groundbreaking contemporary performance, this year's COIL festival spans interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where and when performance is experienced.
Abrons Arts Center and American Realness is pleased to present the world premiere of Erin Markey's A RIDE ON THE IRISH CREAM, a sharp and playful, performance art musical about the role childhood plays in our adult intimacies.
On November 16 & 17, Performance Space 122 (PS122) is presenting two special nights of Eric Bogosian's 100 Monologues series to benefit PS122's move next year back into their home in the East Village.
Performance Space 122's annual performance festival, COIL, returns for its eleventh edition with fifteen individual events, making it the largest COIL to date. The festival demonstrates the constant vitality of live performance in New York City and features work created locally, across the U.S., and around the world. Known for its groundbreaking contemporary performance, this year's COIL festival spans interdisciplinary art, working with new technologies and forms. Through installations, live and virtual practices, PS122 is committed to redefining how, where and when performance is experienced.
John Lahr, long-time drama critic for The New Yorker and winner of the 2015 National Book Critics Circle Award for his acclaimed biography Tennessee Williams: Mad Pilgrimage of the Flesh, will talk about his newest book, JOY RIDE: Show People and Their Shows (W. W. Norton: September 21, 2015), a collection of some of his most popular and engaging New Yorker pieces, which puts the plays on Mr. Lahr's watch in the context of the lives of the artists who created them. Lahr will speak tonight, October 7, at 7:00pm at Polonsky Shakespeare Center, 262 Ashland Place.
To benefit their 2016 return to their East Village home, Performance Space 122 (PS122) and Executive Producer Anson Mount bring together widely acclaimed playwright Eric Bogosian and director Jo Bonney, along with their close friends, for two-nights of hand-selected, intimate performances from Bogosian's 100 Monologues series.
John Lahr, long-time drama critic for The New Yorker and winner of the 2015 National Book Critics Circle Award for his acclaimed biography Tennessee Williams: Mad Pilgrimage of the Flesh, will talk about his newest book, JOY RIDE: Show People and Their Shows (W. W. Norton: September 21, 2015), a collection of some of his most popular and engaging New Yorker pieces, which puts the plays on Mr. Lahr's watch in the context of the lives of the artists who created them. Lahr will speak on Wednesday, October 7, at 7:00pm at Polonsky Shakespeare Center, 262 Ashland Place.
On February 12, 1915, the Abrons Arts Center's Henry Street Settlement Playhouse opened its doors on the Lower East Side. Since that day, it has remained a vital cultural resource, providing audiences with artistically bold work while offering artists opportunities to dynamically grow. Since becoming Abrons Director in 2006, Jay Wegman has done much more than maintain 'one of the last standing locations for avant-garde performance downtown' (The New York Times, 2009). He has created an arts venue that is unique on the city's cultural landscape, presenting an international mix of cutting-edge performing and visual artists, both established and emerging, from across the country and around the world, as well as from New York City.
Theatre for a New Audience, Jeffrey Horowitz Founding Artistic Director, presents New York City Players' Isolde, a new American play about memory, identity, the ephemeral, and infidelity, written and directed by internationally acclaimed experimental director and playwright Richard Maxwell.
Theatre for a New Audience, Founding Artistic Director Jeffrey Horowitz, announces its 2015-16 season, Inimitable Voices, Four plays by Shakespeare and Major American and European authors, at Polonsky Shakespeare Center, 262 Ashland Place.
Rattlestick Playwrights Theater and piece by piece productions have announced that the The Reverend Micah Bucey will moderate a post-show panel discussion following the performance of the world premiere play Afghanistan, Zimbabwe, America, Kuwait, written and directed by Daniel Talbott, tonight, June 16, at The Gym at Judson, 243 Thompson Street. The panelists will include Greg Grandin, Morgan Jenness, and Michael Ratner.
Rattlestick Playwrights Theater and piece by piece productions have announced that the The Reverend Micah Bucey will moderate a post-show panel discussion following the performance of the world premiere play Afghanistan, Zimbabwe, America, Kuwait, written and directed by Daniel Talbott, on Tuesday, June 16, at The Gym at Judson, 243 Thompson Street. The panelists will include Greg Grandin, Morgan Jenness, and Michael Ratner.
A total of 213 music teachers from 194 cities across 42 states have been announced as quarterfinalists for the Music Educator Award presented by The Recording Academy® and the GRAMMY Foundation®.
Rattlestick Playwrights Theater and piece by piece productions have announced that Afghanistan, Zimbabwe, America, Kuwait, written and directed by Daniel Talbott, will begin performances Thursday, May 21 at 7pm at The Gym at Judson, 243 Thompson Street. The opening night is set for Tuesday, June 9 at 7pm. The production is scheduled to run through Saturday, June 27.
The Kitchen and Performance Space 122 present the New York premiere of The Evening by celebrated playwright-director Richard Maxwell. The Evening is the first installment of a Divine Comedy-inspired triptych that charts a journey across landscapes, toward redemption. This elegiac and musical work concerns three archetypes: a fighter, a corrupt manager, and a prostitute, as they clash and reckon with one another in a remote dive bar. As these characters gain awareness, a bid for freedom develops.
The FTP (Film Theatre Performance) Festival will be an annual US event for films that deal directly with the themes of theatre and performance. The mission is to present experimental, emerging, and established theatre artists and filmmakers to audiences and industry professionals from around the world. The festival program includes feature films, short films, documentaries, advance screenings, meet-the-filmmaker Q&A sessions, and panels with leading artists in the field.
The FTP (Film Theatre Performance) Festival will be an annual US event for films that deal directly with the themes of theatre and performance. The mission is to present experimental, emerging, and established theatre artists and filmmakers to audiences and industry professionals from around the world. The festival program includes feature films, short films, documentaries, advance screenings, meet-the-filmmaker Q&A sessions, and panels with leading artists in the field.
Theatre Communications Group (TCG) is pleased to announce the publication of Richard Maxwell's Theater for Beginners, a unique meditation on the art and practice of theatre, from one of its most original thinkers and practitioners.
As part of the tenth edition of the COIL festival, Performance Space 122 and New Ohio Theatre present the world premiere of Sorry Robot, the playwriting debut of beloved performer and Bessie-Award-winning composer Mike Iveson, best know for his work with Sibyl Kempson, Elevator Repair Service and choreographer Sarah Michelson. In Sorry Robot, four performers and a piano create a haunting world where robots long to experience the same emotions that their embarrassing, sort-of-pathetic human masters feel. In a hotel that doubles as a software development facility in an ever-dystopian Florida, the machines of the future set out to prove they can do almost anything but shut up.
