Ricardo Hernandez News

In the aftermath of experiencing the Nashville premiere of Jagged Little Pill — the musical inspired by and featuring music from Alanis Morissette’s 1995 album of the same name, other songs written by her and including two created expressly for the production, and featuring a compelling, biting and challenging book by Diablo Cody — one cannot help but lament the show’s abbreviated three-performance run at TPAC’s Andrew Jackson Hall.

What did our critic think? LEMPICKA, the musical about artist Tamara de Lempicka is bold, dynamic, contemporary, and offers a compelling look at a unique artist as she learns about herself, art, and love.

Main Street Theater (MST) has extended its production of the English-Language Premiere of Aunt Julia and the Scriptwriter, based on the novel of the same name by Nobel Prize winner Mario Vargas Llosa. Obie Award winner Caridad Svich’s boisterous, zany romantic comedy will now play through June 12.

As both a graduate student in a performing arts school and a general fan of theater, it is always exciting to see young actors gain professional opportunities. One of the actors I've had the pleasure of seeing blossom in the theatre world is University of Houston student, Mike Sifuentes. After enjoying his performances in a variety of productions, he continues his brilliant work in Main Street Theater's production of AUNT JULIA AND THE SCRIPTWRITER.

Main Street Theater presents the English-Language Premiere of Aunt Julia and the Scriptwriter, based on the novel by Nobel Prize winner Mario Vargas-Llosa, a play by Caridad Svich. MST produced Digital World Premiere of Svich's The Book of Magdalene in 2021 and the English-Language Premiere of The House of the Spirits in 2009.

On May 22, the community is invited to join Main Street Theater and TEATRX, a Latinx Theatre Company based in Houston, for a post-discussion about the importance of sharing stories by Latinx artists and showcasing the range of Latinidad in the Latinx community and in MST's production.

 The Repertory Theatre of St. Louis (The Rep) is set to launch its electrifying 2021-22 live theatre season with the world premiere production of Dreaming Zenzile, Based on the life of Miriam Makeba, written and performed by Grammy-nominated international music sensation Somi Kakoma.

​​​​​​​The Repertory Theatre of St. Louis (The Rep) will launch its electrifying 2021-22 live theatre season with the world premiere production of Dreaming Zenzile, Based on the life of Miriam Makeba, written and performed by Grammy-nominated international music sensation Somi Kakoma.

This March the more than twenty organizations in ten cities nationwide that compose the Poetry Coalition will launch Where My Dreaming and My Loving Live: Poetry & the Body, the coalition's second annual programming initiative. For this collaborative effort, each organization will bring its unique mission to the task of presenting programs and projects on the theme of the body. Programs will include a range of events and publications that address issues including mass incarceration, transphobia, violence against people of color, and health and self-care. This programming is made possible in part by a grant from the Ford Foundation secured by the Academy of American Poets.

OTSL has opened a delicious 'La boheme'.

As Charlie “Bird” Parker, the great jazz saxophonist, who is the central character in CHARLIE PARKER'S YARDBIRD--the opera that had its New York premiere last week at the famed Apollo Theatre in Harlem--Lawrence Brownlee wonderfully embraced the classical and bebop sides of the score.

The Huntington Theatre Company presents the world premiere production of A Confederacy of Dunces, adapted by Jeffrey Hatcher from the Pulitzer Prize-winning novel by John Kennedy Toole, directed by David Esbjornson (Guess Who's Coming to Dinner and All My Sons) and featuring Nick Offerman of NBC's 'Parks and Recreation.'  Performances begin November 11, 2015 and will run through December 13, 2015 at the BU Theatre / Avenue of the Arts. 

When the subject is Shakespeare's bittersweet comedy TWELFTH NIGHT, the metaphors and analogies come easily to director Rebecca Taichman, who uses words like 'epic,' 'complex,' 'Mozartian' and 'perfect.' 'It's truly bottomless,' she says. 'I thought I knew everything about the play, and I just keep unpeeling layers.'

Center Stage could have made a better programming choice than this overrated agitprop, but turns in a creditable performance

If you take a whiff of air somewhere in the vicinity of the Schoenfeld Theatre these days and sense a slight essence of Mickey Spillane, it's undoubtedly due to the presence of Keith Huff's hardboiled police melodrama, A Steady Rain. A crackling good story told with potent language and a couple of terrific performances, this is a hearty plateful of good old fashioned meat and potatoes theatre.

Today's Broadway Blogs on BroadwayWorld.com from Sunday, October 11, 2009.

The City of Los Angeles and Beverly Hills/Hollywood NAACP announced the nominees for their prestigious 15th Annual Theatre Awards.