R. Hamilton Wright News

When today's headlines about Russia involve potential political meddling, corruption, and cover-up, it's nice to know that some things don't change and that you can laugh about them.

Artistic Director Tim Carroll and the Shaw Festival reveal the complete playbill for the 2018 season. Having introduced Festival patrons to Two-Way Theatre in 2017, the Shaw Festival will continue to invite the audience into the creative process, giving them a real voice in the theatre experience.

FSU/Asolo Conservatory for Actor Training Presents Double Idemnity

To live like a legend... sometimes you have to fight like a bitch. The country is at war, and the Senate cannot keep the peace within its own walls--- let alone on the battlefield. Enter Coriolanus: the country's most famous badass warrior. She returns home to face the greatest battle yet: to win the love of the people & run for office--- or face the dangerous consequences of defying society's expectations. CORIOLANUS, the rarely produced play by William Shakespeare about politics, power, and pride, is packed with daring physical combat and deliciously vicious language.

FSU/Asolo Conservatory for Actor Training is pleased to present the inaugural season of Dog Days Theatre for summer 2017, a new theater project offering smart, contemporary works just light enough for the dog days of summer.

FSU/Asolo Conservatory for Actor Training's inaugural season of Dog Days Theatre continues with DOUBLE INDEMNITY, David Pichette and R. Hamilton Wright's stage adaptation of James M. Cain's titillating crime novel that inspired the groundbreaking Academy Award-nominated film noir of the same name. Dog Days Theatre is a new theater project offering smart, contemporary works just light enough for the dog days of summer, featuring two plays mounted in the Cook Theatre, located in the FSU Center for the Performing Arts, using professional actors, directors and designers from the community and around the country along with the talents of the Conservatory's graduate students. Directed by FSU/Asolo Conservatory Director Greg Leaming and Jesse Jou,  DOUBLE INDEMNITY previews August 8 and 9, opens August 10 and runs through August 27. 

I always hated mowing the lawn as a kid but it was one of the chores with which I was saddled. So, if someone told me they invented a grass that only needed mowing once a year I'd be all over that. But some might not appreciate this new revelation and do anything to stop it. This utterly absurd premise is the crux of new play written by Seattle favorite R. Hamilton Wright and being offered by MAP Theatre. And while the premise may be absurd what's not absurd is the clever writing and fantastic performances in a show that'll have you reeling with laughter.

 FSU/Asolo Conservatory for Actor Training proudly announces casting for the inaugural season of Dog Days Theatre, a new theater project offering smart, contemporary works just light enough for the dog days of summer. Each summer, Dog Days Theatre will feature two plays mounted in the Cook Theatre, located in the FSU Center for the Performing Arts, using professional actors, directors and designers from the community and around the country along with the talents of the Conservatory's graduate students.

David Ira Goldstein's production of Jeffrey Hatcher's HOLMES AND WATSON a masterfully crafted cliffhanger. The play is receiving its world premiere with Arizona Theatre Company.

A thrilling new mystery from the playwright of Arizona Theatre Company's smash hit Sherlock Holmes and the Adventures of the Suicide Club and the film Mr. Holmes makes its world premiere at the Temple of Music and Art in Tucson, Arizona; Jeffrey Hatcher's Holmes and Watson will leave you on the edge of your seat with such suspense.

Even after his supposed "death" at Reichenbach Falls, the great detective kept his hold on the world through the frauds, fakes and charlatans claiming to be him, forcing the loyal Dr. Watson to find the truth in Arizona Theatre Company's world premiere of Jeffrey Hatcher's Holmes and Watson.

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

Let me start, Dear Readers, by saying I have never had an appreciation for boxing. I've just never understood why it's important to find out who can beat up someone else the best or, alternatively, who can take a beating the best. Having said that, the current production of Marco Ramirez's stirring play "The Royale" at ACT is not about boxing. Sure the backdrop of the story is boxing but moreover it's about the choice to take personal groundbreaking victories even in the shadow of danger to your friends and family. And that is a much more interesting fight than who can punch who the hardest.

FSU/Asolo Conservatory for Actor Training is pleased to present the inaugural season of Dog Days Theatre for summer 2017, a new theater project offering smart, contemporary works just light enough for the dog days of summer.

This week, we go around our Broadway World to feature stories in Maine, Chicago, San Diego and more. Check out our top 10 stories around our Broadway World below, which include LuPone/Ebersole in Goodman Theatre's WAR PAINT, THE HUNCHBACK OF NOTRE DAME at Ogunquit, and SENSE AND SENSIBILITY at The Old Globe, just to name a few.

In our current political climate where candidates regularly hurl insults at each other on things such as penis size it's hard to remember that politics used to be about the candidate's stand on issues as well. So when did that change? When did we go from building up our own candidate in an ad to tearing down the other candidate with scandal, derision and fear? ACT might have the answer to that with their world premiere play "Daisy" that takes a look into the creation of one of the most infamous political ads and one of the first attack ads ever created.

With a Presidential election looming, a group of advertisers working for Lyndon B. Johnson unleash the most infamous political commercial ever conceived, the "Daisy ad". The ad played once, but it carved a scar into the American psyche. Based on actual persons and events, ACT presents the world premiere of political thriller Daisy by Sean Devine. This explosive play explores the power of manipulation in advertising and the clear moment in television history that launched the age of negative attack ads, and forever changed how we elect our leaders.

Back in 2013 the Seattle Rep gave us a lovely Christmas Present with R. Hamilton Wright and David Pichette's wonderful adaptation of "The Hound of the Baskervilles". So when they announced that they would be ending this season with more Holmes from Wright with "Sherlock Holmes and the American Problem", naturally there was a lot of excitement and anticipation for more from this team. And while the team is still on point and while it's still more Sherlock goodness, this original Holmes mystery from Wright doesn't quite have the elegance and grace of a Sir Arthur Conan Doyle piece.