Prince Hal News

Cameron Mackintosh has announced that he will present Andrew Lloyd Webber's THE PHANTOM OF THE OPERA at the Royal Albert Hall on Saturday 1st October at 7.30pm and Sunday 2nd October at 1.30pm and 7.00pm. Tickets for "Phantom of the Opera at the Albert Hall" go on sale on Monday 4 July at 10.00am and are available on 0845 401 5045 or at www.phantom25th.com

Dallas Theater Center proudly presents The Wiz at the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center July 8 - August 7. Dallas Theater Center Artistic Director Kevin Moriarty will direct the first-ever collaboration between Dallas Theater Center and Dallas Black Dance Theatre.

As BroadwayWorld first revealed this morning, 25 years after Michael Crawford and Sarah Brightman opened the show in London, Cameron Mackintosh has announced that he will present Andrew Lloyd Webber's THE PHANTOM OF THE OPERA at the Royal Albert Hall on Saturday 1st October at 7.30pm and Sunday 2nd October at 1.30pm and 7.00pm. Tickets for 'Phantom of the Opera at the Albert Hall' go on sale on Monday 4 July at 10.00am and are available on 0845 401 5045 or at www.phantom25th.com. Check out the official 25th Anniversary concert promo below!

A memorial service will be held for long-time production stage manager Beverley Randolph Thursday, June 30 at 2:00 pm at the Lunt-Fontanne Theatre (205 West 46th Street). Friends, family, colleagues are welcome to attend the memorial.

A memorial service will be held for long-time production stage manager Beverley Randolph Thursday, June 30 at 2:00 pm at the Lunt-Fontanne Theatre (205 West 46th Street). Friends, family, colleagues are welcome to attend the memorial.

If you're looking for a quick roundup of all of this week's events in the theatre world, look no further: here are some of the best news articles that the week had to offer!

Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011.

Rob Ruggiero returns to Goodspeed Musicals to steer SHOW BOAT, the granddaddy of all musicals, through safe waters.

Following a three week run at the Chichester Festival Theatre, Trevor Nunn directs a company led by Samuel Barnett and Jamie Parker in Tom Stoppard's Rosencrantz and Guildenstern Are Dead which runs at the Theatre Royal Haymarket from 16 June - 20 August, with press night on 21 June 2011. Set design is by Simon Higlett, with costumes by Fotini Dimou, lighting by Tim Mitchell, sound by Paul Groothuis and music by Steven Edis. Rosencrantz and Guildenstern are Dead is produced by the Chichester Festival Theatre, the Theatre Royal Haymarket and Triumph Entertainment Limited.

Baritone Andre Solomon-Glover is remembered by many as the strikingly handsome, charismatic lead in Hal Prince's Broadway revival of Showboat. Others may remember his exciting international career - singing with Leipzig Gewandhaus and Philadelphia Orchestras, or making solo appearances at Lincoln Center and Carnegie Hall. Others may remember his generous community service in local performances.

A memorial service will be held for long-time production stage manager Beverley Randolph Thursday, June 30 at 2:00 pm at the Lunt-Fontanne Theatre (205 West 46th Street). Friends, family, colleagues are welcome to attend the memorial.

Baritone Andre Solomon-Glover is remembered by many as the strikingly handsome, charismatic lead in Hal Prince's Broadway revival of Showboat. Others may remember his exciting international career - singing with Leipzig Gewandhaus and Philadelphia Orchestras, or making solo appearances at Lincoln Center and Carnegie Hall. Others may remember his generous community service in local performances.

This summer, Broadway actors Darlene Love, Julia Murney, Anthony Rapp and Matt Dengler star in 'Free to Dream: New Songs for the American Journey,' a concert specially adapted for Colonial Williamsburg. Television personality Willard Scott also lends his recorded voice to the program, which showcases the people and places that make up the fabric of America with musical styles from country, rock and pop to swing and the blues. It is a compilation of pieces by Grammy-winning composer Doug Katsaros and two-time Emmy-nominated lyricist William Schermerhorn. A nine-piece band accompanies the singers.

Stephen Sondheim's COMPANY is in over five hundred movie theaters starting on Wednesday and that simple fact is enough to make one want to celebrate with a thousand vodka stingers - and imbibe in the delectable Sondheim zingers. I was lucky enough to see COMPANY last week and I can tell you that not only is it the best live representation of the show that any audience could ask for - Broadway babies, Sondheim neophytes and everything in between and far, far beyond - but a considerable reexamination of the themes, elements, emotions and the steely, chrome machinations ringing within the heartbeat of the show's cynical core. Lonny Price's COMPANY is something unique in modern entertainment, on Broadway, on film or anywhere else - it is multi-dimensional in a revolutionary way that is, frankly, unprecedented. This is Broadway in the 21st century at its best with a cast led by the brightest stars in the Broadway and TV universe on full display for a film audience and if this enterprise is successful, the mind marvels at the endless possibilities this format could afford in the future, both near and far. Yes, this is what you have been waiting for - whoever you are. If you love music, if you love wit, if you love comedy, if you love to laugh and think simultaneously - COMPANY is for you. Yes, this is that kind of review - and, thank goodness it is. It's due all the praise of a birthday boy like Bobby - with a generous dose of icing black as death; or, night. Icing

The American Theatre Wing's 64th Annual Antoinette Perry 'Tony' Awards were held at Radio City Music Hall on Sunday, June 13, 2011 and broadcast on the CBS Television Network. For more information visit tonyawards.com.

Considering the fact that it is Broadway's longest running show - and, not only that, but also the most successful entertainment of all time - the top spot in our 2011 31 Days of the Tony Awards Countdown should be, must be and is: THE PHANTOM OF THE OPERA and its multi-Tony-winning composer and producer, Lord Andrew Lloyd Webber, its director, Hal Prince - the King of the Tony Awards with 21 wins - as well as the original Phantom himself, Tony-winner Michael Crawford. Now that original PHANTOM composer Andrew Lloyd Webber has written a sequel to the smash hit musical juggernaut - the wildly different LOVE NEVER DIES; two different versions of it, to be exact: one in the West End, and, the exceptionally elaborate Simon Phillips production in Australia - a dicey proposition for a show that, for me, delivers on its premise and possesses a score with the potential to be just as classic as PHANTOM's iconic score undoubtedly is - the world of PHANTOM is reaching a new generation in a whole new way. With clips of Michael Crawford performing alongside Lord Lloyd Webber's then-wife Sarah Brightman - the score's inspiration and the original Christine in the West End and on Broadway - on that year's Tony Awards, as well as the 2006 Tony Awards tribute to PHANTOM's legendary director - as well as EVITA's, also by Andrew Lloyd Webber - the one and only Hal Prince, twenty-one-time Tony Award winner - we also can boast a bevy of clips featuring Tony-winner Michael Crawford singing the show's most famous song, "The Music Of The Night". What a trio - and what a note to go out on -Crawford's in "MOTN" and otherwise!

Having designed the stage sets for the Broadway productions of THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE, LOVEMUSIK, JAY JOHNSON: TWO AND ONLY, SONDHEIM ON SONDHEIM, ROCK OF AGES, and his Tony-nominated work on THE SCOTTSBORO BOYS this season, through his revolutionary and spare designs Beowulf Boritt has positioned himself as one of the most creative and sought-after stage innovators of the twenty-first century. Discussing all aspects of the Off Broadway and Broadway productions of THE SCOTTSBORO BOYS and tracing the progress of the design of the show from inspiration to model to actual set, we also discuss some of his past accomplishments - working with the great directors Hal Prince, James Lapine, SCOTTSBORO's Susan Stroman, and Lynne Taylor-Corbett; the latter his collaborator on THE SEVEN DEADLY SINS with the New York City Ballet last month - and some enticing new productions he is developing and has coming up in the near future - PARADISE FOUND, REEL-TO- REAL, THE TOXIC AVENGER in Houston, THE TEMPEST in Dallas, the ROCK OF AGES tour and West End mounting, THE SCOTTSBORO BOYS in San Diego, and more!

Nashville's Blackbird Theater, fresh off its successful, critically lauded premiere season, is offering two rarely produced shows for audiences in the company's eagerly anticipated second season - G.K. Chesterton's Magic (running August 12-27) and Stephen Sondheim's Tony Award-winning Pacific Overtures (February 9-19, 2012) - creating a buzz that other theater companies can only envy and hope to create for their own season announcments.

NCM Fathom, Globe Theatre and Arts Alliance Media present Shakespeare's Globe London Cinema Series, an exclusive four-part in-theater series of the most classic of Shakespeare titles in U.S. movie theaters nationwide this summer and fall.

NCM Fathom, Globe Theatre and Arts Alliance Media present Shakespeare's Globe London Cinema Series, an exclusive four-part in-theater series of the most classic of Shakespeare titles in U.S. movie theaters nationwide this summer and fall. Captured in 2010 from the prestigious and internationally renowned Globe Theatre in London- Shakespeare's theatrical London home - the series will kick off in June with The Merry Wives of Windsor followed by Henry IV Part 1, Henry IV Part 2 in August and closing in September with Henry VIII. Each performance will begin at 7:00 p.m. local time and will include a special 20-minute historical perspective on the Globe, the reconstruction process, the work of the Globe today, and a behind-the-scenes look at each production with interviews from the actors and creative team involved.