According to OperaWire, an initiative by Más Madrid and PSOE was approved to get rid of Plácido Domingo's name from a school in Madrid due to the sexual harassment allegations against him.
This week, Los Angeles Opera's website features a wonderful recital by the renowned bass who has portrayed so many great characters in that house, Morris Robinson.
It has been announced that Placido Domingo will return to the stage for the first time since sexual harassment allegations were made against him last year.
The Teatro alla Scala has announced its upcoming streams of opera productions. The productions feature appearances from Plácido Domingo, Mirella Freni, Anna Netrebko, and more.
While it will not be opening The Magic Flute in April due to COVID-19 restrictions, Opera San José has announced something all opera patrons can enjoy at home instead: the FREE live stream viewing of its breathtaking 2011 production of Mozart's first dramatic masterpiece, the rarely produced Idomeneo: ré di Creta.
In advance of the opening of public booking on Saturday, 4 April, the twelve singers chosen to take part in the inaugural Wexford Factory were announced.
Placido Domingo has resigned from the opera union, and will contribute $500,000 to sexual harassment eradication programs, as well as a fund to help opera employees, according to ABC News.
The Met's first cancellation due to coronavirus concerns was the revival of Rossini's LA CENERENTOLA, the opera retelling of the Cinderella story, set to star mezzo Tara Erraught in the title role and one of its biggest tenor stars, Javier Camarena as Don Ramiro, her prince. The opera holds a particular place in Camarena's history at the Met: It made him an overnight sensation when he was tapped to replace Juan Diego Florez and blew the roof off--a real-life Cinderella story.
Due to personal reasons, Elissa Lee Koljonen has withdrawn from the Sunday, April 5, 2020 concert with Pacific Symphony Chamber Orchestra. Replacing Koljonen will be acclaimed violinist Stefan Milenkovich. The original program is scheduled to be performed and includes Ticheli's Rest, for String Orchestra, a piece of fragile beauty and quiet dignity, and Beethoven's Violin Concerto in D Major, Op. 61, considered to be his most lyrical work, and the only concerto he wrote for one of the most popular instruments of his day: the violin.
Bad haircuts can be tragic, but none more so than for Samson, the Biblical figure whose strength was sapped the moment his mullet was gone. The treacherous shearing by a revenge-seeking Delilah launched centuries of retelling, including Camille Saint-Saëns' opera 'Samson and Delilah' which the Washington National Opera is currently presenting at the Kennedy Center in repertoire with 'Don Giovanni.'
In 2002, while Placido Domingo was serving as Washington National Opera's (WNO) artistic director, he created an apprentice artist development program for the company, the Domingo-Cafritz Young Artist Program. WNO respects and acknowledges Mr. Domingo's singular artistic legacy and contribution to the opera field and to WNO. Mr. Domingo stepped down from his post at WNO in 2011 and has not been active with the company or its apprentice artist program in the years since.
On Saturday evening February 22, 2020, Los Angeles Opera presented a vocally glorious rendition of Gaetano Donizetti's Bel Canto opera Roberto Devereux. Roberto was one of the loves of England's Elizabeth I, so the opera is centered around their relationship and Roberto's forbidden love for Sara, the wife of the Duke of Nottingham.
Baritone Quinn Kelsey, the 2015 recipient of the Metropolitan Opera's Beverly Sills Award and veteran of leading roles at the Metropolitan Opera, Lyric Opera of Chicago, and companies around the world, will perform the central role of the Duke of Nottingham in Musco Center for the Arts' presentation of LA Opera's new production of Donizetti's Roberto Devereux in Concert, February 25 at 7:30 pm.
The Metropolitan Opera production of Philip Glass's Akhnaten comes to the big screen in HD at The Ridgefield Playhouse on Sunday, December 1 at 12:55pm in an extra special encore presentation featuring a live Q&A on The Playhouse stage during intermission with The Met Opera's Susan Gomez Pizzo, Solo Ladies Wardrobe Supervisor, and Louis Valantasis, Principal Men's Wardrobe Supervisor.