Peter Tantsits News

Through it's grant-making to thousands of nonprofits each year, the National Endowment for the Arts (NEA) promotes opportunities for people in communities across America to experience the arts and exercise their creativity.

The Oratorio Society of New York is in its 142nd season as the city's standard for grand choral performance, and its tenth with its current music director, Kent Tritle. Celebrating the culmination of their landmark season together and, as it happens, emergence from a frigid and stormy winter, Tritle and the OSNY will present two life-affirming works for their spring concert: the ardent, hopeful Chichester Psalms of Leonard Bernstein, which will be conducted by the OSNY's associate conductor, David Rosenmeyer (also marking his tenth season with the group), and Carl Orff's spirited, bawdy Carmina Burana. Soloists Jennifer Zetlan, soprano; Peter Tantsits, tenor; Takaoki Onishi, baritone, and the Choristers of the Cathedral of St. John the Divine join the OSNY tonight, May 5, 2015, at 8:00 pm, at Carnegie Hall.

Gotham Chamber Opera announces its 15th Anniversary Season, which will begin in the fall of 2015 with a 15th Anniversary Celebration Concert (date and venue tba). The season continues in February 2016 with Alessandro Stradella's 1675 San Giovanni Battista (Saint John the Baptist)in a co-production with the Netherlands Nationale ReisOpera, and a concert at (le) poisson rouge, 158 Bleecker Street, NYC, featuring a new work by David Hertzberg, winner of the Catherine Doctorow Prize for Music. The season concludes with the New York premiere of Charlie Parker's Yardbird, a co-production of the Apollo Theater, Gotham Chamber Opera and Opera Philadelphia, at the world famous Apollo Theater in May/June 2016.

The Oratorio Society of New York is in its 142nd season as the city's standard for grand choral performance, and its tenth with its current music director, Kent Tritle. Celebrating the culmination of their landmark season together and, as it happens, emergence from a frigid and stormy winter, Tritle and the OSNY will present two life-affirming works for their spring concert: the ardent, hopeful Chichester Psalms of Leonard Bernstein, which will be conducted by the OSNY's associate conductor, David Rosenmeyer (also marking his tenth season with the group), and Carl Orff's spirited, bawdy Carmina Burana. Soloists Jennifer Zetlan, soprano; Peter Tantsits, tenor; Takaoki Onishi, baritone, and the Choristers of the Cathedral of St. John the Divine join the OSNY on Tuesday, May 5, 2015, at 8:00 pm, at Carnegie Hall.

'Annual performances of Handel's Messiah have been a New York tradition from the time New York culture began to assert itself,' says Oratorio Society of New York Music Director Kent Tritle. English choral societies, inspired by grand performances of Messiah at Westminster Abbey at the turn of the 19th century, would perform the work periodically, but the Oratorio Society of New York made it an annual tradition in New York City - in 1874, the year after the Society was founded.

A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.

Haydn's oratorio The Creation (Die Schopfung) depicts nothing less than the creation of the world, based on the Bible's Book of Genesis and Book of Psalms, and Milton's Paradise Lost. It is the work with which the Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will open its 2014-15 season at Carnegie Hall on Monday, November 3, 2014, at 8:00 PM. OSNY Music Director Kent Tritle will conduct The Creation in its German language version, and the three soloists - representing the archangels Gabriel, Uriel, and Raphael - are Susanna Phillips, soprano; Aaron Blake, tenor; and Sidney Outlaw, baritone.

A performance of Verdi's Requiem that is a tripartite collaboration highlights the 2014-15 season of Kent Tritle, called 'New York's reigning choral conductor' by The New York Times. In an event emblematic of Kent's multiple roles in the city's choral life, he will conduct a performance of the massive work by the Oratorio Society of New York, of which he is Music Director, and the Symphony and Symphonic Chorus of the Manhattan School of Music, where he is Director of Choral Activities, in the grand space of the Cathedral of St. John the Divine, where he is Director of Cathedral Music and Organist -- with a new choral configuration that features the more-than-250 singers on risers in the cathedral's Great Choir space.

American Lyric Theater (ALT) presents the work of two of its distinguished alumni from the Composer Librettist Development Program (CLDP) in concert at The National Opera Center, 330 7th Avenue in New York City, on Sunday, February 23, 2014 at 3:00 PM. Librettist Royce Vavrek and Composer Aleksandra Vrebalov were both Resident Artists in the inaugural season of the CLDP in 2007-08. Since that time, both artists have established themselves as unique and compelling voices in the opera field, creating visceral work for stages around the world.

Tonight, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ.

After three years in the making, David T. Little's "Dog Days" will receive its world premiere at Peak Performances' Alexander Kasser Theater, tonight, September 29-October 7.

On Saturday, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ. Watch a behind-the-scenes video with rehearsal footage and interviews with the Dog Days creative team below!

On Saturday, September 29, David T. Little's long-awaited debut full-length opera, Dog Days, created in collaboration with librettist Royce Vavrek, and based on the eponymous short story by Judy Budnitz (1998), receives its world premiere, opening a run of five performances: Sep. 29, Oct. 6 at 8:00 PM; Sep. 30, Oct. 7 at 3:00 PM; Oct. 5 at 7:30 PM. The fully-staged production, directed by Robert Woodruff, premieres at Montclair State University's Alexander Kasser Theater in Montclair, NJ.

After three years in the making, David T. Little's "Dog Days" will receive its world premiere at Peak Performances' Alexander Kasser Theater, September 29-October 7.

Brooklyn Academy of Music (BAM) announces 2010 Next Wave Festival, featuring 16 music, dance, theater, and opera engagements from Sep 21-Dec 19. BAM 2010 Next Wave Festival is part of Diverse Voices at BAM sponsored by Time Warner Inc.

Evan Ziporyn's dynamic new multimedia opera A House in Bali is a vibrant tableau of visceral contradictions.

Evan Ziporyn's dynamic new multimedia opera A House in Bali is a vibrant tableau of visceral contradictions.

Evan Ziporyn's dynamic new multimedia opera A House in Bali is a vibrant tableau of visceral contradictions.

Music Director Alan Gilbert will conduct the New York Philharmonic in the New York Premiere of Le Grand Macabre, the absurdist opera by György Ligeti, in a staged production directed and designed by Douglas Fitch and produced by Edouard Getaz, Thursday, May 27, 2010, at 7:30 p.m., and Friday, May 28, and Saturday, May 29, at 8:00 p.m. Single tickets for the performances are $31 to $112 and can be purchased online at nyphil.org or by calling (212) 875-5656, Tickets may also be purchased at the Avery Fisher Hall Box Office or the Alice Tully Hall Box Office at Lincoln Center, Broadway at 65th Street. On Tuesday, May 11 at 6:30 PM Alan Gilbert and Douglas Fitch will participate in an Insights Series Event, Conversation About Le Grand Macabre, at the Stanley H. Kaplan Penthouse. Tickets are $20.