RED BULL THEATER today announced the participants for Salon Seminar Series: EXPLORING OTHELLO IN 2020. These webinar/livestream matinee discussions, bringing together a group of BIPOC theater artists to read and discuss Othello with Shakespeare scholar, Ayanna Thompson, will take place on Wednesday afternoons October 7th, 14th, 21st, and 28th.
Jacob's Pillow has announced its fall season including commissions, community artist partnerships, and COVID-19-compliant Pillow Lab residencies. With the aim of continuing to support artists and bring powerful, relevant work to audiences while prioritizing health and safety, these virtual events take place from October through December.
In response to the ongoing Covid-19 pandemic, the Metropolitan Opera's HD Live in Schools program has launched a new, all-online series for the 2020-21 school year, creating cross-disciplinary educational opportunities for students across the country.
DACAMERA has announced its Fall 2020 schedule of online concerts, curated by Artistic Director Sarah Rothenberg. All concert streams are free with registration at dacamera.com, and begin at 8 pm Eastern time. Each will remain available to view for one week. All are safely produced, observing social distancing and health protocols.
The Martin E. Segal Theatre Center has announced the new line-up of its new global series, SEGAL TALKS. Since the beginning in March the series featured close to 100 talks with 150 artists from 50 countries.
In the midst of the COVID-19 crisis, the Nai-Ni Chen Dance Company has established a new dance institute through Zoom, The Bridge.
The Fisher Center at Bard will present a 2020-2021 season of virtual and interactive works that focus on healing and transformation in troubled times. In each project, leading artists engage with cutting-edge technology to create compassionate and courageous offerings for a world riven by the pandemic and political strife.
Two prolific, award winning artists, Carl Hancock Rux and Mallory Catlett, both former artists in Mabou Mines' Resident Artist Program, embody the company's mission to foster the next generation of experimental theater artists and bring with them a strong vision for the future of Mabou Mines.
The International Committee of The League of Professional Theatre Women, an organization which has been championing women in the professional theatre for over three decades, announced today that they will postpone the previously announced virtual presentation of the 2020 Gilder/Coigney International Theatre Award to the week of February 14, 2021.
As a virtual dance institute, The Bridge will invite world renowned as well as up and coming dancers and choreographer to come to guest teach the class.
Must the Devil Have All the Good Tunes? is American composer John Adams' latest creation for piano and continues his provocative exploration of that instrument heard in Grand Pianola Music (1983) and Hallelujah Junction (2001).
A lot of repertoire you do over and over, while finding new things within those pieces, but something totally new is interesting
The Los Angeles Master Chorale announced today that it will postpone the originally scheduled 2020-21 season at Walt Disney Concert Hall to the 2021-22 season due to the pandemic.
Works & Process, the performing arts series at the Guggenheim, presents a Virtual Works & Process: Dance Heginbotham on Sunday, May 31, 2020 at 7:30pm. The event is free, but space is limited and RSVP is required at www.worksandprocess.org; a Zoom link and password will be emailed the day of the performance.
The Martin E. Segal Theatre Center is proud to announce the fourth weekly line-up of its new global series, SEGAL TALKS. New York, US, and international theatre artists, curators, researchers and academics will talk daily for one hour with Segal Center's director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustanda?"the State of the World. The Segal Center is the only theatre institution in New York City and the US creating original programming every day during the week.
During the shutdown, we're taking the opportunity to look back at some memorable productions. Here, Dick Bird discusses his career with BroadwayWorld, and gives us some fantastic insights into designing the Royal Danish Theatre, Teatro Real Madrid and Scottish Opera's co-production of a modern classic: John Adams' Nixon in China.
Must the Devil Have All the Good Tunes? is American composer John Adams' latest creation for piano and continues his provocative exploration of that instrument heard in Grand Pianola Music (1983) and Hallelujah Junction (2001).
The Met on Demand had another week of exciting performances, from the divine [Rossini's IL BARBIERE DI SIVIGLIA] to the, well, the divine [Adams's NIXON IN CHINA].
Returning guest conductor David Robertson leads a stellar cast of vocal soloists, the Houston Symphony, and the Houston Symphony Chorus in two performances of John Adams' celebrated and contemporary musical telling of the nativity story, El Niño, Saturday, Mar. 14, 8 p.m. and Sunday, Mar. 15, 2:30 p.m. at Jones Hall.
Bard College has announced the appointment of Liza Parker as executive director of the Fisher Center, a leading performing arts center and hub for research and education. Previously a member of the senior leadership team at Lincoln Center, most recently as chief operating officer, Parker was responsible for overall strategy and direction, overseeing management of the campus, including Avery Fisher Hall, Alice Tully Hall, and the David Rubenstein Atrium. As executive director of the Fisher Center, she will lead senior administration, and manage operations and external relations for the Center's professional and educational programs.
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