Meet Betty, Betty, Betty, Betty, and Betty...Betty is rich; Betty is lonely; Betty's busy working on her truck; Betty wants to talk about love, but Betty needs to hit something. Thinking Cap Theatre's 7th Season continues with the Southeastern Premiere of COLLECTIVE RAGE: A Play in Five Betties, a timely, pointed, and playful investigation of gender.
Hucci is headed to Boulder Theater on Wednesday, June 7, 2017. Doors: 8:30 pm | Show: 9:00 pm.
Haven Theatre Company announces We're Gonne Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company's home, The Janet Bookspan Theatre at the Den Theatre, 1335 Milwaukee Ave., May 4 - June 4.
Broadway Rush, Lottery & Standing Room Only Ticketing Policies - updated on 4/14/2017.
Spotlighters is thrilled to announce a challenging and inspiring selection of exceptional theatre for our 56th Season. This season, we take our audiences on a journey of discovery and introspection, of searching and longing, to find a place we belong!
True Colors Theatre Company (Kenny Leon, Co-Founding Artistic Director) and Jujamcyn Theaters (Jordan Roth, President; Paul Libin, Executive Vice President; Jack Viertel, Senior Vice President) are proud to announce the 9th Annual August Wilson Monologue Competition will take place on Monday, May 1st at 7:00 p.m. at the August Wilson Theatre (245 West 52nd Street).
With six months to go until the annual Provincetown Tennessee Williams Festival in September, Festival artists were hard at work 5,000 miles away.
Overture announced its 2017/18 Broadway and Overture Presents season, which features over 100 performances which have collectively garnered more than 25 Tony Awards® and 15 Grammys® and include Madison debuts, international stars and return favorites.
Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the first Gillian Theatre production of the 2017-2018 season - Quixote: On the Conquest of Self, written by Monica Hoth and Claudio Valdes Kuri, English Translation by Georgina Escobar, directed by Kuri, and featuring Henry Godinez as Don Quixote, September 27 - December 17, 2017.
Spring is here! Why doesn't my heart go dancing? Well, Mr. Lorenz Hart, personally, we are too damn busy with creating the magic of live theater: We're directing a show (Daddy's Dyin'…Who's Got the Will? opens next week - April 20 - at The Larry Keeton Theatre in Donelson, thank you very much) and trying to make it out to see as much theater in Nashville as possible before old age takes its toll - it's tough out there for a theater critic!
The Westchester Collaborative Theater in partnership with ArtsWestchester will open its doors for a one night theatrical performance of Lot's Wife, a provocative new play by award-winning playwright Albi Gorn.
Not-for-profit History Matters/Back to the Future has announced the winner of their prestigious annual Judith Barlow Prize - Kara Jobe - an Ohio-based student, currently at Otterbein University who wrote a one-act play inspired by Lillian Hellman's The Children's Hour.
??????? Austin Pendleton and Barbara Bleier return to downtown's hideaway, Pangea, in May, with BEAUTIFUL MISTAKE - The Songs of John Bucchino and Amanda McBroom.
Theatre francais de Toronto presents Dom Juan; the original version of the Moliere classic directed by Joel Beddows and presented at the Berkeley Street Theatre with English surtitles Wednesdays, Fridays, and Saturdays. The May 25 performance is part of the Fundraising Gala which will conclude with a reception at the Thompson Landry Gallery.
Haven Theatre Company announces We're Gonne Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company's home, The Janet Bookspan Theatre at the Den Theatre,1335 Milwaukee Ave., May 4 - June 18. Previews are Thursday, May 4 - Saturday, May 6 at 8 p.m. Opening night is Sunday, May 7 at 7 p.m. The regular performance schedule is Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. Previews are Pay-What-You-Can, and regular run tickets are $18. You may purchase tickets and get more information at www.haventheatrechicago.com.
Northern Manhattan's UP Theater Company announces details of its next production, Lost/Not Found by Washington Heights playwright, Kirby Fields (UP Theater's K Comma Joseph).
Last June, New York City Opera inaugurated its Opera en Español series with the long-awaited New York premiere of Daniel Catàn's Florencia en el Amazonas. This May, following the critical success of the company's modern day revival of Respighi's rarely heard La Campana Sommersa, New York City Opera will present the second installment in its Opera en Español series with the American premiere of Antonio Literes's circa 1713 Spanish Baroque opera, Los Elementos. Richard Stafford will direct and choreograph the compact, one-hour work with sets by John Farrell, costumes by Janet O'Neill, lighting by Susan Roth and hair and makeup by Georgianna Eberhard. Sopranos Samarie Alicea and Chelsea Bonagura and mezzo-sopranos Melanie Ashkar and Kelsey Robertson will make their City Opera debuts as the four elements: Air (El Ayre), Water (El Agua), Earth (La Tierra), and Fire (El Fuego). City Opera veteran baritone Marco Nisticó returns to portray Time (El Tiempo) and mezzo-soprano Magda Gartner is featured as the Dawn (La Aurora). Pacien Mazzagatti, New York City Opera's Principal Conductor, will lead the New York City Opera Orchestra in Literes's evocative and atmospheric score.
The Actors Fund, the national human services organization that helps everyone in performing arts and entertainment in times of need, crisis or transition, will hold its Annual Gala on Monday, May 8, 2017.
The Meeting* hosted by Justin Sayre - the monthly gathering of the International Order of Sodomites, the centuries-old organization which sets the mythic Gay Agenda - will continue its final season on Sunday, April 23 with a celebration of Broadway legend Patti LuPone at 9:30 PM at Joe's Pub at The Public Theater.
Now & Then Creative Company is a culmination of perceived needs in the valley, coupled with opportunities for learning and growth with students at Metropolitan Arts Institute. The 'now' focuses on new play development and film production-working with local artists on the development of plays, screenplays, workshop productions, and film productions. The 'then' produces theatre classics that speak to our present time-plays that tackle large issues to provoke conversation around social concerns. Further, I imagine the classics to be interpreted with a strong vision from directors. We are interested in producing classics with strong concepts-we are not interested in producing classics in ways that feel familiar. More to that point sometimes classics begin to feel like museum pieces-once you've seen them, you've seen them. We want to nurture an exciting, vibrant, and meaningful approach to the classics.
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